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  • District 9 is Buzzing Like Crazy. Today in Film Bloggery 07/09/09

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    For a movie with no stars and no built-in audience, Neill Blomkatt’s District 9 is buzzing incredibly well. Sure, the Peter Jackson connection may have something to do with the interest and excitement, but I’d bet a lot of the traffic and talk being devoted to the film today is more due to how awesome it looks. And how well it’s being marketed, of course. But with the latest trailer, which arrived online yesterday, heating up the exposure and anticipation so immensely so quickly, could there be room for overkill? I actually don’t think so. This won’t be another disappointment a la Snakes on a Plane or Cloverfield, because it’s a more interesting premise, not just some cheap genre pic with heavy viral promotion.

    Maybe I’m just allowing my expectations to get higher than usual, but I’m truly optimistic that this will actually be good. It’s dangerous territory for me to be getting in, and the film and its campaign are probably going to blow up in my face like that “can” of toxic material in the trailer. Oh well, what else do I have to look forward to next month? G.I. Joe? Inglourious Basterds? I gave up on my excitement for both of those long ago, and I want to be surprised by something out of nowhere. Unfortunately, modern movie distribution doesn’t allow for such complete surprises anymore, so this may be the closest thing I’ve got.

    Let’s see what kind of buzz or buzzkill the blogs are inciting after the jump:

    • Neil Miller at Film School Rejects is super excited that this looks better than Neill Blomkamp’s first film:

      As trailers go, this is one of the best I’ve seen this year. Perhaps even better than that final theatrical trailer for Star Trek, with its ability to show off just enough action to get the blood flowing and just enough story so that we know what is going on. The effects we are seeing here are leaps and bounds better than what we saw in Neill Blomkamp’s short film upon which this is based, and that’s saying something as those effects were damn good. I don’t mean to get hyperbolic here — but this could very well be the most surprising, electrifying film of the remainder of 2009. Take that, James Cameron.

    • Marc Bernardin at Entertainment Weekly’s PopWatch is ready to skip over this film and go right to director Neill Blomkamp’s obvious next project:

      Once upon a time, Peter Jackson was hired by Universal and Fox to oversee Halo, the film version of Microsoft’s killer military/sci-fi videogame…The man he wanted to direct Halo was Neill Blomkamp, who had nary a feature credit to his name but had shot a stunning short called Alive in Joburg, about aliens living a segregated life in South Africa. Halo eventually fell apart: the stated reason was that the budget had spiraled out of control, but underneath that was the fact that no one wanted to spend ungodly sums of money on a Halo movie that Jackson himself didn’t direct. No one wanted to be in the Neill Blomkamp business. Something tells me that District 9 might change some minds.

    • Guy Lodge at In Contention is beginning to lose interest:

      Can’t say I’m as sold on the venture as others are — and the new trailer makes it look rather broader and less enigmatic than what we were originally led to expect — but I’m always up for seeing my hometown of Johannesburg show its sun-bleached colors on screen. Represent, Joeys.

    • Vince Mancini at Film Drunk smells racism on the director’s breath:

      Anyway, the humans fear the aliens, so they marginalize them from society and control their movements, and the aliens’ frustrations eventually makes them violent, which only proves to the humans they were right to stick them in ghettoes all along. Anyone else smell a parable for Palestinians, or some other ethnic minority group?  Then again, the director’s South African, so it might just be an allegory for how much he hates black people.  They can get away with that in South Africa.  Why?  Diplomatic immunity.

    • Swarez at Twitch is only critical because he’s jealous:

      I hate Neill Blomkamp. Hate him. Why you ask?
      Because the talented bastard is only 30 years old, four years younger than me and he’s probably gone and made the best sci-fi film this year.

    • Rob Bricken at Topless Robot once again compares this film to its biggest August competitor:

      It would be downright asinine of me to use the word “good” to describe both the G.I. Joe trailer with the new trailer for the sci-fi flick District 9, which I think we can all agree looks definitively “good.”  It also appears to be science fiction, have aliens, action scenes but also a coherent plot that makes sense within its sci-fi world. Wacky!

    • Brian Prisco at Pajiba believes it can’t be much worse than G.I. Joe, but he’s wary and critical at this juncture:

      I thought it’d be a lot more low tech than it is: there are glimmerings of Independence Day with the action sequences in the new trailer. I had been hoping for a little Alien Nation action — James Caan and Mandy Patinkin with super shotguns and hyperviolence. It’s rated R for bloody violence, which should give us all hope. The fat lady might sing, but that bitch is gonna be covered in a bucket of blood when she do. It seems like it’s got a pretty sinister sense of humor, but I’m not holding my breath. The aliens look like a combination of cockroaches and toasters.

    • Rob Keyes at ScreenRant has no problem with an ID4 comparison:

      We even finally get to see what all those viral ads look like in the actual movie. I love this trailer and to me, it feels like a hyper-real documentary of what Independence Day would of looked like in a more realistic situation (minus the whole global destruction upon first contact thing).

      I’ve been looking forward to seeing this ever since the project began and now my excitement seems more justified than ever. I’ll be there opening day for sure.

    • John at The Movie Blog shares an email he received from a reader that apparently proves this movie is only tracking so well because of Peter Jackson’s name. From that email:

      I decided to do a little experiment. I used my Vegas editing program to take the District 9 trailer and just edited out Neill Blomkamp’s and Peter Jackson’s names and inserted Michael Bay’s name. When I got to work I showed a couple of people the version with Jackson’s name and then some other people the version with Bay’s name. The results were sad.

      Every single person I showed the trailer to with Jackson and Blomkamp’s name on it (I explained who they both were) loved it and thought it was awesome. When I showed the exact same trailer with Bay’s name on it instead, people said it looked awful. The only change I made was the name on it. Nothing else.

    • Ben Child at Guardian Film Blog also thinks this film is actually being marketed as something akin to Michael Bay’s latest, but hopes it might really be a throwback to pre-blockbuster sci-fi:

      What’s a little confusing is that the creatures appear to be organic organisms in some scenes, and metallic mechanoids in others, leading some to speculate that Blomkamp has tried to inject a man v machine element into the mix, in an apparent bid to tap into the Transformers/Terminator market…District 9 will also live or die according to how well it satirises apartheid: overdo it, and Blomkamp and co risk appearing exploitative, but hit it dead on and this could be a late-era addition to the canon of classic Soylent Green-esque sociological sci-fi, the sort of thing that became a rarity after George Lucas introduced the world to space opera with 1977’s Star Wars.

    • Owen Williams at Empire points out that this is just a latecomer in a summer ‘09 trend:

      We knew about the documentary approach from the teaser trailer (also up at Yahoo) but the full clip gives a pretty good idea of the scale of the action too, with a lot of quick shots of firefights between ground troops and what look like giant mechanoids. Which makes for the third humanity-versus-robots rumble this summer, after Terminator: Salvation and Transformers: ROFL (sorry, ROTF).

    • Daniel Dumas at Underwire sees the opposite:

      The film’s smart concept of alien refugees stranded in South Africa and forced to endure apartheid-like treatment seems like the perfect antidote to summertime CGI circle-jerks like Transformers: Revenge of the Fallen.

    • Mark Graham at Vulture also sees the opposite, but the placement in Cloverfield company isn’t too gracious:

      We’ve said it before, but we’ll say it again: District 9 is well positioned to be this year’s Cloverfield. The similarities between the two films are striking in that both feature a riveting sci-fi-leaning plot, a cast of no-name actors, and some impressive yet understated special effects (read: the exact opposite of anything you saw in Transformers: RotF).

    • Wookie Johnson at Screen Junkies offers some other comparisons:

      It’s like they put Signs, Iron Man, and Slumdog Millionaire into a blender but instead of setting to “Blend” they went straight to “Purée Your Balls Awesome.” And now my balls are but a frothy soup. So much for having children, I guess. Is it wrong that I’m totally okay with this?

    Here’s the trailer, courtesy of Yahoo!:


    Originally posted on:SpoutBlog

  • 10 Obscure 80s TV Shows That Need Movie Adaptations

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    10 Obscure 80s TV Shows That Need Movie Adaptations

    Just as we’d prefer for Hollywood to remake bad films rather than beloved classics, we’d also like to see more TV adaptations of obscure and failed series — as long as there’s going to be such a giant void of creativity anyway, why not go for the forgotten titles and at least make it seem like you’ve got fresh ideas?

    Unfortunately, Hollywood continues to ignore our logic and is instead adapting the popular 80s cop show T.J. Hooker for the big screen. It may not be the most familiar or beloved series of all time, but it has enough name recognition to make it a success, a la the S.W.A.T. and Starsky & Hutch movies before it.

    We have no interest in yet another veteran/rookie team-up, though, especially a blatantly recycled one. So we decided to mine deeper into our TV Guide issues from the 80s and pick out some lesser-known high-concept shows that would make awesome movies if only they had more of a built-in, nostalgic audience to justify a green light.

    Check out our pitches after the jump, and thank us when Hollywood gets wise to the ideas.

    Automan
    Originally aired on ABC, 1983 – 1984

    With a new TRON movie on the way, an adaptation of this TV knock-off may seem unnecessary, but it’s different enough in plot that it could work, provided the visuals are updated and changed from the glowing blue color scheme that linked it with Disney’s film. The premise involves a computer-whiz cop who creates an artificial intelligence hologram that can enter the real world (see, it’s inversely separate from TRON) and assist the policeman in his crime fighting. “Automan,” the hologram character, also comes with a sidekick in the form of a little ball of light (named “Cursor”), which can draw objects, including vehicles such as Lamborghinis and helicopters, as needed for the case at hand. We see it as The Matrix meets Knight Rider (both shows were created by Glen A. Larson) meets TRON (obviously) meets a buddy cop movie.

    The Charmings
    Originally aired on ABC, 1987 – 1988

    Enchanted was such a box office smash that it’s surprising Sony didn’t bother to dust this show off and turn it into a similar family film. Instead of a mere princess transported to the real world, The Charmings features Snow White, Prince Charming, their two sons, the wicked stepmother and a dwarf, all of whom magically sleep for a millennium and wake up in modern-day California. There’s also a magic mirror, of course. Get Anne Hathaway and Channing Tatum to star with Meryl Streep as the evil Queen Lillian and Tracy Morgan as the mirror and you’ve got a new fantasy favorite, especially now that there’s been a few years since Enchanted and nobody will even notice the likeness.

    Jennifer Slept Here
    Originally aired on NBC, 1983 – 1984

    Imagine your house was haunted by a famous actress. That’s pretty much the plot of Jennifer Slept Here, in which a family moves into the home of recently deceased movie star Jennifer Farrell, and she’s still residing there. Only the teenage son can see her, though, so it’s kind of like Beetlejuice meets Sunset Blvd. We think the actress’ age should be brought down a lot so she’s about the same age as the kid, and they have a bit of an impossible romantic situation going on. Cast Megan Fox as the titular ghost and turn it into a sort of teen sex comedy, and the kids will flock to it a great deal faster than they did for the last few ghost comedies, Ghost Town and Over Her Dead Body.


    Manimal

    Originally aired on NBC, 1983

    It may have been canceled before even Jennifer Slept Here in one of NBC’s worst seasons for new shows ever, but this title has a lot more going for it. Even if people don’t remember the short-lived series, they may think they do, because the name is so catchy. It also helps that Buffy the Vampire Slayer, Talladega Nights and Foo Fighters all referenced the show, which involves a crime fighter who can shape-shift into a hawk, a snake or a black panther. Though this could be a somewhat serious cross between the Batman and X-Men movies, due to its cheesy and cultish legacy we see the movie as a comedy and for some reason picture Owen Wilson starring.

    Outlaws
    Originally aired on CBS, 1986 – 1987

    It’s similar in plot to The Charmings, but Outlaws features cowboys rather than medieval fairy tale characters. Specifically the cowboys consist of one Old West sheriff and four members of an outlaw gang of which he used to be a member. Upon being struck by lightning, the five men travel about a century into the future, make a truce and set up a “detection” agency. The scenario may seem to require a silly tone, but just imagine it as a serious mix of Young Guns, The Cowboy Way and a Walker, Texas Ranger TV movie, with hot young stars (Robert Pattinson as one of the five, perhaps?) as the displaced detectives.

    Rubik, the Amazing Cube
    Originally aired on ABC, 1983 – 1984

    After the recent announcement of the View-Master movie, many people wondered when there’d be a Rubik’s Cube film in the works. Well, if (when) there ends up such a project, it should be based on this Saturday morning cartoon about a magical Rubik’s Cube toy that comes to life when all its colored squares are arranged back in place. “Rubik” befriends the three Rodriguez siblings, who are masters at solving the puzzle, and aids them against an evil magician. With a primarily Hispanic cast, the movie should be especially popular in Latino markets. And Ricky Martin, whose band Menudo performed the cartoon’s theme song, should appropriately be prominent on the film’s soundtrack. Of course, Hollywood being Hollywood, the ethnicity would more likely be whitened so that the Jonas Brothers could star.

    She’s the Sheriff
    Originally syndicated, 1987 – 1989

    The TV show was about the widow of a killed sheriff who is for some reason appointed her late husband’s position (over the eligible deputies), but we think a movie based on the series should go further. Call it She’s the President and have Anna Faris (or Elizabeth Banks or Reese Witherspoon) play a First Lady whose hubby is assassinated, and she’s somehow sworn in as Commander-in-Chief instead of the Vice President. Ludicrous, sure, but given Hillary Clinton’s bid for the White House and everyone’s probable preference for Michelle Obama over Joe Biden, the comedy wouldn’t seem like too much of a stretch.

    Small Wonder
    Originally syndicated, 1985 – 1989

    It may not be as obscure as the rest of the shows on this list, but Small Wonder was hardly popular enough, even with a cult audience, to be considered a sure thing by Hollywood producers looking for an easy exploit. Still, as the bottoms of barrels are scraped for ideas, eventually it’ll be a likely candidate for a film adaptation. Never mind that it could veer awfully close to being a creepy, pedophilic knock-off of A.I. A comedy about a family that includes a robot daughter/sister, one with super human strength and literal understanding, is timelessly hilarious, and plenty of young moviegoers unfamiliar with the original series will want to see it. Especially with Miley Cyrus in the role of “V.I.C.I.”

    Starstuff
    Originally aired on WCAU-TV (Philadelphia’s local NBC affiliate), 1980

    Probably the most obscure title on the list, given that it was a local kids’ show, Starstuff isn’t any less ripe for a film adaptation. The main premise involves a young boy in the present who can communicate, via computer, with a young girl who lives on a space station 30 years in the future. Think Frequency meets The Lake House (and the original version, Il Mare), but for a family audience. Although we’re now living in the time that the girl was supposedly residing in, the plot should remain the same, with the boy living in the present (2010, or whenever). And maybe the end of the movie could have the boy, at age 40, finally physically meet the girl, at age 20, and they fall in love. Or would that be a bit weird and inappropriate?

    Voyagers!
    Originally aired on NBC, 1982 – 1983

    We seem to recall this being re-aired by the Sci Fi Channel, so it might have gained a new audience recently, but even if that were not the case this short-lived cross between Bill & Ted’s Excellent Adventure, Time Bandits and TV’s Sliders and Quantum Leap (with some Night at the Museum possibly thrown in) would still make for a terrific movie. It follows a time traveler whose job is to navigate history and make sure events unfold as they’re supposed to. After his guidebook is lost, he teams up with a kid who knows his history well, and the duo set off to put right what could go wrong. The film should somewhat follow the plot of the “Trial of Phineas Bogg” episode, because it deals with the lost guidebook and also features an actual villain, the evil Voyager Drake — who should be played by the rapper Drake. As for the leads, we’re thinking a reunion of Role ModelsPaul Rudd and Christopher Mintz-Plasse, because the kid should be that nerdy.


    Originally posted on:SpoutBlog