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  • Megan Fox’s Car Wash Audition. Today in Film Bloggery 07/07/09

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    I understand that we were all watching the Michael Jackson memorial today, but did one of the most blogged about movie-related story have to involve Megan Fox? Again? Really? Wasn’t it enough that we devoted yesterday’s post to that derivative and divisive Jennifer’s Body movie? And that neither Fox nor Michael Bay nor their Transformers: Revenge of the Fallen movie needs anymore publicity?

    Allegedly, Fox had to wash Bay’s Ferrari as part of her audition for the first Transformers. And he supposedly filmed the whole thing, though there’s no proof of this (online at least, which is where it’d be if it existed). Did it really happen? I guess it doesn’t matter, because it’s already in the consciousness of boys and men everywhere to help them sleep better tonight.

    True or not, check out the responses to this non-news after the jump:

    • Vince Mancini at Film Drunk doesn’t buy the story:

      I sat through all eight mintues of Solomon’s interview with Michael Bay (also in video) to see him ask about the Megan Fox story, and it never came up (though Michael Bay does reveal “I was a magician as a child.”).  Secondly, why would she have to “audition” for a sequel?  The only grain of truth I can find in this is that it’s well known in Hollywood circles that Michael Bay does use the phrase “wash my Ferrari” as a euphemism for oral sex (which he prefers to receive in a freshly-washed Ferrari).

    • Perez Hilton is grossed out by the real-life Transformer that is Michael Bay:

      The only transformation Michael Bay should be concerned with now is the one he took from geeky teenager to disgusting, douchey perv!

      Apparently, the Transformer’s director had Megan Fox complete a rather unorthodox audition at his house. A source reports that Bay “made her wash his Ferrari while he filmed her.”

      What?! Ewwwww!!!!

    • Mark Graham at Vulture wants to see the video:

      We’ve all heard stories of some of the skeevier things that actors and actresses have to do in order to land roles in major (and even minor) motion pictures, but this one might take the cake for sheer hilariousness…Sadly, the footage of said screen test seems to have been permanently misplaced.

    • Erik Davis at SciFi Squad (thankfully not yet Syfy Squad) offers some ideas of where that video could be:

      Apparently this video exists somewhere, though no one knows where it is. (Um, have you checked Bay’s sock drawer?) Fox says she doesn’t know what happened to the footage, and when Page Six asked Bay, he said he didn’t know what happened to it either. Me wonders whether there was something a little more … hmmm … erotic on that tape? Maybe it’s stuck between the cushions of Bay’s casting couch? What do you think?

    • Kyle Buchanan at Movieline points out that Fox got off easy:

      Michael Bay forced Megan Fox to wash his Ferrari as part of her original Transformers audition. At least she got off easy compared to Skids, who became a blubbering wreck when script sides forced him to reveal his robo-illiteracy.


    Originally posted on:SpoutBlog

  • 10 Coolest Grandmothers in Movies

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    10 Coolest Grandmothers in Movies

    My maternal grandmother passed away over the weekend, so I’d like to pay her tribute with a movie list. I’m not sure how big a fan of movies she was, having not grown up very close to her, physically, but Grandma Gloria can be credited with introducing me to movie hopping, at least. One of the few summers I was able to visit her was in 1992, and I mainly recall the year due to the movie we snuck into, Sister Act. And the movie we legally watched before it, Death Becomes Her. I probably would have forgotten both of these lame films in any other circumstance, but the significance of the event has kept the specific time and place of their viewing in my memory probably forever.

    Grandma Gloria certainly wasn’t the most free-spirited grandmother to ever live, but a few things, such as the introduction to movie hopping, always made me think she was a bit cooler than other kids’ grandmas. Then there was the fact that she’d been married four times, which my friends found shocking. Grandmas aren’t supposed to go through husbands like that, apparently. Did it make her cool, though? My cousin would refer to her as “Grandma Get-Around,” and supposedly Grandma Gloria took the nickname as a compliment. I guess that made her a little cooler, proudly acknowledging this decidedly un-grandmotherly trait.

    A list of coolest grandmothers in movies may not be the greatest way of honoring Grandma Get-Around, but in a way the fact that most of the following characters aren’t really that cool shows me just how hip my grandma really was. While grandfathers are often portrayed as fun and wise and as great storytellers, grandmothers tend to fall to one of two uncool extremes, traditionally grandmotherly or youthfully lewd. The latter category doesn’t necessarily only consist of unlovable characters, and I hope one day there’s a Who’s the Boss movie so that “Mona” can take the top spot on this list. Until then, here are the ten coolest grandmas I could think of. If you know any that are cooler, please let me know by commenting below.

    10. Maureen Stapleton as “Grandmother” in The Electric Grandmother (1982)

    Technically she’s not really anyone’s grandmother, because she’s an android. And it’s debatable if the ability to dispense milk from your fingertips makes you cool or not. But this cross between Mary Poppins and RoboCop (or, if you’re a Robin Williams fan, between Mrs. Doubtfire and Bicentennial Man), originally from the mind of Ray Bradbury, is at least hip in a superhero sort of way. She’s indestructible, can make kites fly (let’s at least pretend this is due to a Storm-like ability to control the wind) and she has the strange power to create muffins that have transcriptions of recorded dialogue inside them.

    9. Sandy Martin as “Grandma” in Napoleon Dynamite (2004)

    She may not look too hip in that teddy bear t-shirt, and she’s not very Internet savvy, but compared to her grandsons this lady is Miles Davis cool. You wish your grandma had a pet llama instead of that mean little ankle-biting dog and/or that uppity old cat. Plus, Napoleon’s grannie enjoys riding ATVs, at least until she crashes into a sand dune and breaks her coccyx, which is pretty badass for an old woman.

    8. Mai Zetterling as “Helga Eveshim” in The Witches (1990)

    It’d be one thing if Helga only told stories of her childhood experience with evil witches. Many grandmas have tall tales and embellished anecdotes to share with their grandchildren. However, Helga was indeed an old adversary of the Grand High Witch, and when her grandson is turned into a mouse, she helps in defeating the whole coven. Fans of Harry Potter may not appreciate a grandmother who kills witches, but most kids should agree that being saved by their grandmother would earn her cool points.

    7. Helen Shaw as “Grandma” in Parenthood (1989)

    The matriarch of the Buckman clan (who ends up a great-great-grandma by film’s end) doesn’t immediately come off as being too with it. In fact, she appears to be completely senile. But maybe that’s just because she’s done a lot of cool things in her life, including drugs that have messed with her mind. We see that she likes inhaling helium during the birthday party scene, after all. She also plays Nintendo and is cool with porn. And later she delivers a wise speech about preferring the excitement of the roller coaster to the safe and predictable merry-go-round.

    6. Shirley MacLaine as “Katherine Richelieu” in Rumor Has It… (2005)

    I love Shirley MacLaine enough to think she’s cool anytime she plays a grandmother, but here she has special reason to be considered a hip old lady: she’s apparently the inspiration for the Mrs. Robinson character in The Graduate. Unfortunately, Rumor Has It… turns the story a little less agreeable by making MacLaine’s character the first of three generations of women to sleep with the same man. But it doesn’t necessarily make her any less cool so much as it makes Jennifer Aniston’s character quite lame and disturbing.

    5. Shirley Jones as “Grace” in Grandma’s Boy (2006)

    Grace isn’t the titular grandparent of this film. That would be “Lilly,” played by Doris Roberts, who ends up being fairly hip by playing pranks, playing video games and accidentally getting high off marijuana tea. However, Grace, one of Lilly’s Golden Girls-esque roommates, is far cooler due to her claim to giving a hand job to Charlie Chaplin and bedding both Abbott and Costello. Jones, who was born in 1934, seems a little young to be telling the truth, and it would have made more sense to have her admit to doing Harold Lloyd (who also had a film titled Grandma’s Boy), but even if the stories aren’t legit she’s cool for talking so frankly, anyway.

    4. Gloria Stuart as “Old Rose” in Titanic (1997)

    Say what you want about Titanic, but if Kate Winslet’s character went on to be your grandma, you’d think a lot better of the story. Just the romance element alone would make a cool tale to hear your grannie tell. The fact that she also survived the sinking of the Titanic, though, can hardly be beat as far as far as grandparents’ anecdotes go. After you brought her to show and tell, no kid could ever follow with anything better.

    3. “Madame Souza” in The Triplets of Belleville (2003)

    When her champion bicyclist grandson is kidnapped, the silent Souza heads out on an adventure, accompanied by their ugly dog, Bruno, to find him. She maneuvers a pedal boat all the way across the Atlantic even, to seek the help of the three titular old singers who live in a caricatured New York City. She may not be hip in the way most people think of the word, but her determination and heroism is undoubtedly cool. And even before her grandson is kidnapped, the way she cares for him and trains him to be the best — we could all have done with such an attentive guardian.

    2. Maureen Stapleton as “Mary Luckett” in Cocoon (1985) and Cocoon: The Return (1988)

    As a robot grandma she was plenty cool, yet Maureen Stapleton impressed me a lot more as a member of the Cocoon cast. The first movie made her and the rest hip and youthful. However it was the sequel that put them way up on the cool chart, because they’d been to another planet and lived among awesome glowing alien beings. Interestingly enough, her grandson in these movies, Barret Oliver, also previously played an android family addition.

    1. Sylvia Sidney as “Grandma Florence Norris” in Mars Attacks! (1996)

    She may not know what the heck is going on most of the time, but Grandma Florence is cool enough for being a fan of Slim Whitman. And not just because the country crooner’s voice is ultimately used to save the world from Martians. The Beatles may not have existed without Whitman’s influence, and Michael Jackson was a huge fan, too. So, she’s got great taste in music. Obviously the fact that she inadvertently discovers how to kill evil alien invaders gives her extra cool points, edging her past the other grannies to top this list, even the one who hung out with aliens.


    Originally posted on:SpoutBlog

  • HUMPDAY Review

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    Under discussion:

    Humpday  (2009)

    HUMPDAY Review

    I’ve been accused in the past of having knee-jerk negative reactions to crowd-pleasers, and those accusations have not always been without a kernel of truth: it’s true that I tend to be skeptical of movies which instantly entertain but never ask us to ask what they’re really up to, and of that, I’m not ashamed. But this is not a problem with the tough-to-resist Humpday, Lynn Shelton’s whip-smart, uproariously funny comedy, in which a dumb, drunken, “bros will be bros” dare serves as the in point to talk about, amongst other things, the inevitable loss of self in long term relationships and the ongoing conquest to reconcile who we really are with who we’d like to think we could be.

    Youngish marrieds Ben (Mark Duplass) and Anna (Alycia Delmore) are comfortably, chastely slumbering in their pleasant Seattle home when they’re awoken in the middle of the night by the unexpected ding-donging of the doorbell. The uninvited guest is Andrew (Joshua Leonard), Ben’s college buddy, who has flown in without announcement from Mexico City and is looking for a place to crash. We don’t know how long it’s been since Andrew and Ben were last on the same side of the border, but we get the sense it’s been awhile — for one thing, Andrew and Anna have never met. Ben tells his wife it’s “typical Andrew” when their houseguest goes out the next day, meets a bisexual girl at a coffeeshop and ends up back at her dimly-lit playhouse, making fettuccine for his new lady friend and her old lady. But when the straight-laced husband goes to retrieve his friend and ends up staying into the wee hours of the morning smoking, drinking, and eventually goading his free-spirit bro into promising to “perform” with him on camera for an amateur porn film festival –– all the while missing a planned romantic dinner with the anxious-to-conceive Anna –– we’re to understand that this is the furthest thing imaginable from “typical Ben.”

    In the harsh light of sobriety, both men have an easy out, but neither is man enough to take it. Ben “feels compelled” to follow through with the porning, apparently because he needs to prove (somewhat predictably) that his marriage is different, and not the steel cage Andrew makes it out to be; Andrew is anxious to acquire evidence that his lifelong rebellion against squaresville hasn’t been a big joke, especially after an abortive tryst points up his own sexual prudishness. Shelton lets us in from the beginning on the truth — the plan is ridiculous and doomed to fail, and both dudes are self-deluded –– which makes it all the more comedically rewarding to watch Ben and Andrew slowly puzzle it all out.

    The clear-cut theme of many a Judd Apatow comedy is that bros will be bros … until women come along and offer a “better,” more civilized option. Humpday is, refreshingly, not as black and white. Anna is a fully-fleshed out complement to Ben, capable of being just as selfish and single-minded. Neither could pull off the magic act of saving the other from his/her own worse instincts. It may not be a totally fair comparison, but the women in Humpday feel much more real than the love interests often seen in Duplass Brothers films, whether it be the marriage-obsessed shrew of The Puffy Chair or the insecure temptresses of Baghead. Shelton’s film presents grown-up relationships as the complex things they are: sometimes a haven, sometimes a prison, always a thorny nest of compromises and outright lies that are nonetheless basically the best thing we’ve come up with in order to stave off fear of dying alone.

    I saw a Twitter message at Sundance praising Humpday as “not too mumblecoreish.” To use that ad hoc genre as a perjorative is, in this case, missing the point of Humpday’s construction. Shot with handheld cameras, entirely improvised by the actors based on character work and extensive rehearsal, and edited with rigorous, documentary inspired formalism by Nat Sanders (who also cut Medicine for Melancholy), Humpday takes the ripped-from-real-life spirit of the films Duplass has made with his brother Jay (not to metion the work of Joe Swanberg; Shelton co-starred in his web series Young American Bodies and appeared briefly in Nights and Weekends) and applies it to that very in-vogue subgenre, the comedy of macho male fallibility. The technique wrings unexpected layers from the content, and vice versa. More grown up (and interested in the emotional pitfalls of what it means to grow up) than many recent American DIY films, and far more accessible to a non-film-savvy audience than Duplass’ last Sundance entry Baghead, Humpday may usher in the moment when some notable tropes of what we once called mumblecore can be successfully applied to more mainstream genre fare without the uninitiated turning off.

    This review originally appeared in slightly different form during the 2009 Sundance Film Festival.


    Originally posted on:SpoutBlog