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  • Christian Bale Loses Weight for Crack Addiction. Today in Film Bloggery 07/14/09

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    Not to be outdone by Megan Fox, Christian Bale was photographed on the set of David O. Russell’s The Fighter yesterday looking extremely thin. And unlike Ms. Fox, Bale doesn’t seem to have needed a corset (though who knows what’s under that striped shirt?). Of course, after the method actor’s appearances in The Machinist and Rescue Dawn, this physical transformation is pretty tame.

    Yet that doesn’t mean the online media can’t describe him as looking “crack cocaine addicted,” as Just Jared did in its posting of the pics. What, no “bulimic Batman” jokes? Oh, I guess the drug reference is more appropriate to the film in question, as Bale will be portraying former boxer Dickie Eklund, who actually was addicted to crack.

    Well, appropriateness or not, let’s crack [no pun intended] some jokes. Best zingers from the film blogs can be found after the jump:

    • Devin Faraci at CHUD.com addresses Bale’s range as an actor:

      Oh hey look, it’s Christian Bale doing his Christian Bale “I have many weights but only one grim mode” thing…Bale has obviously lost a bunch of weight and has thinned his hair; the guy was looking gaunt when I interviewed him for Terminator Salvation, but this is ridiculous.

    • Gale at Videogum points out that Bale threw his tantrum too early:

      But also, how bad is he wishing he had saved that melt down for now? Terminator: Salvation was such a stupid Nickelback video. The whole argument that he was an artist who got too caught up in his art, it’s just like, huh? Which art? The art of screaming into a walkie talkie about robots? Oh right, that art. I don’t know anything about The Fighter, but I am pretty sure he’s already got a better leg to stand on here. A better, pale white, atrophied leg, covered in what appears to be stone washed denim. To stand on.

    • TMZ watches what Bale’s eating for a recall of that prior Bale story:

      Hopefully an apple a day keeps the cinematographer away … from walking into his scene.

    • Mark Graham at Vulture wishes Bale would have better range vocally:

      While we can’t help but be impressed by his dedication to his craft, we think we speak for everyone when we say that the one thing we really hope he loses is that silly, growly voice.

    • Ryan Adams at Awards Daily points out some interestingly ineffective ads that come with the images:

      To duplicate Bale’s look of sexy wreckage, pop-up retail links on Just Jared help you track down the perfect shambles ensemble.)

    • Stephen Zaban at The WOW Report reaches for another drug:

      Bale, as usual, has fucked with his body, losing weight, hair, and whatnot for his next role as boxer-crack addict Dickie Eklund in the movie The Fighter. So even though he looks like he might be on meth, it’s actually only Method.

    • Stacey Nosek at Pajiba apparently takes things too seriously, too. No joke to be found here, unfortunately:

      Christian Bale is playing a crackhead in his new film, and I think he’s taking it a little too seriously — as we all know he’s apt to do. Gross.

    • At least Stacey’s line is still funnier than what Vince Mancini at FilmDrunk came up with:

      Just Jared posted some pictures of Christian Bale looking like balding, crack-addicted shell of his former self in Los Angeles yesterday.  Perhaps coincidentally, Bale was on the set of The Fighter, in which he plays Dickie Eklund, a boxer who becomes a balding, crack-addicted shell of his former self.


    Originally posted on:SpoutBlog

  • Chick Strand Dies

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    Via the Flaherty Seminar’s Twitter comes the news that West Coast nonfiction filmmaking legend Chick Strand passed away over the weekend at the age of 78. A force behind the formation of art/underground film distributor Canyon Cinema and founding editor of the influential Canyon Cinemanews journal, as a filmmaker Strand (real name: moved fluidly from found footage collages (like Loose Ends, which you can watch on Vimeo) to impressionistic ethnographic documents shot in various parts of Mexico to not-quite-feminist portraits of female experience.

    An example of the latter, Strand’s 1979 feature Soft Fiction was a huge early eye opener for me when I first saw it in art school ten years ago. A sort of narrative built out of five women’s first-person stories about their sex lives shot in Strand’s inimitably intimate style, it’s the kind of film that reveals the arbitrariness of the lines that we draw between genres.

    There was an excellent story about Strand in the LA Weekly a couple of years ago which offers a sense of her personality; I’ve excerpted a section about her teaching style after the jump.

    Strand, who stayed in Los Angeles after graduating from UCLA in 1971, taught at Occidental College for 24 years, where she would sit in the back of the room next to the projector, showing films such as [Bruce] Conner’s A Movie and smoking like a chimney. “I sort of made up the program as I went along,” she muses, explaining that she basically was the film program for many years. A class with Strand generally started with each student describing his or her first sexual experience; after that, no one had anything more to hide and they could get on with the business of making movies


    Originally posted on:SpoutBlog

  • ST NICK Beginnings

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    While I was on vacation (did you miss me? did you even realize I was gone?) David Lowery posted an interesting pair of videos on his blog: the first nine minutes of his feature St. Nick; and a webseries episode shot in 2007 that became a kind of video sketch for the opening of that film, albeit with a much older male lead. St. Nick, which won a prize at the AFI Dallas Film Festival and which I became a big fan of at SXSW earlier this year, screens in Seattle on July 24, and will have its New York premiere on August 28 at Rooftop Films.


    Originally posted on:SpoutBlog