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  • Infinite Jest Screenplay Exists, But It’s Not DFW’s

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    That rumor that David Foster Wallace had collaborated on a screenplay adaptation of his own massive novel, Infinite Jest within a year before his recent suicide? As we suspected, it’s turned out to be somewhat off the mark––but not completely without a grain of truth. Glenn Kenny, who worked with Wallace on three stories at Premiere (including the infamous David Lynch profile and a story on Terminator 2 which was eventually published elsewhere), made some calls and wrote in with his findings. The gist: there is an Infinite Jest screenplay, which Sam Jones was at one point attached to direct, but other than writing the novel on which it was based, Wallace had nothing to do with it. Full details after the jump.

    The following is excerpted directly from an email from Kenny, who spoke with Wallace’s agent, Bonnie Nadell:

    The story is: a couple of years back, around the time of “Infinite Jest”’s tenth anniversary, a company called Open City bought an option on the book, and had Keith Bunin write a screenplay. Several attempts at adapting is had been made before, but according to Bonnie, the resultant screenplay was the best she had ever read. Sam Jones was then brought on as director. But the option ran out before Open City could acquire financing, and is now available again. Bonnie told me that if it ever gets picked up again, she hope’s Bunin’s screenplay is put back into play, as she was very impressed with it.

    What is not true, as I suspected, is the rumor that Wallace “collaborated” on the screenplay in any way, shape, or form. He held the film industry at arm’s length or better, and trusted Bonnie’s judgment with respect to these issues. He accepted that adaptation of “Infinite Jest” in the sense that he accepted that Bonnie was looking after it, and of course he accepted the check for the option. As for Bunin’s screenplay, not only did Wallace not consult on it, he never read the completed version. And “Jest,” as I said, remains in movie limbo.


    Originally posted on:SpoutBlog

  • Mickey Rourke, Varda, Kore-eda Top TIFF Critics Poll

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    Under discussion:

    The Wrestler  (2008)

    I was pleased to be asked to participate in indieWIRE’s post-TIFF critics poll, through which consensus selected Hirokazu Kore-Eda’s Still Walking as Best Film, Mickey Rourke (The Wrestler) as Best Performance, and Les Plages d’Agnes by Agnes Varda as Best Doc. Unfortunately, I didn’t see any of those movies, but the three titles I named as my favorite films of the fest all made the poll’s top ten: Summer Hours, Rachel Getting Married, and Treeless Mountain. For Best Performance, I named Treeless‘ Hee Yeon Kim, Mathieu Almaric from A Christmas Tale (maybe technically a Cannes film, but he still blows most of the competition out of the water, as far as I’m concerned) and Matthew Newton, director/writer/star of Three Blind Mice. I didn’t see as many docs as I would have liked (I guess I’m saving them for the fall season of Stranger Than Fiction, programmed, like TIFF’s Reel to Reel, by Thom Powers), but by far my favorite was Blind Loves.

    We still have a bit of TIFF coverage in the can for posting over the next few days, BTW. Look for interviews with Jonathan Demme, Anne Hathaway, Ari Folman and more by the end of the week.


    Originally posted on:SpoutBlog

  • At The Movies: Will There Ever Be Another…Roeper?

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    After reading Anne Thompson’s post on the dismal reception given to the youth-baiting rethink of At The Movies starring Ben Lyons and Ben Mankiewicz, I decided I had better watch The Two Bens’ first episode online to see what all the griping is about. It actually starts off rather well: Mankiewicz is totally qualified for this job, although it’s a bit of a wonder he was even hired, what with his TCM-honed, “I am going to explain this very slowly because my viewers may be aged” manner of speaking. But then he tosses it to Lyons, who says something completely incoherent about Burn After Reading being “almost like an exercise in drama,” and then they cut back Mankiewicz, who struggles to croak out, “Yeah, that’s an interesting point,” whilst swallowing his own testicles. At that point, I stopped.

    Interestingly, another thing that I wasn’t able to force myself to watch all the way through this week also had to do with the sorry contemporary incarnation of the former gold standard for televised movie reviews.

    It was the first episode of the new season of Entourage, which begins with a fictional At The Movies segment in which (retired before their time in real life) hosts Richard Roeper and Michael Phillips trash Vincent Chase’s Medellin, which the show’s Harvey Weinstein clone has just dumped straight to DVD. The next day, Ari Gold walks into his agency and all of his employees are offering condolences, and he gives one of his big shouty speeches about how no one is ever allowed to mention Richard Roeper to him ever again. Roeper hasn’t been off the air that long, but still, the lack of timeliness to the reference made me cringe even more than I usually do whilst watching Entourage, and I had to turn it off.

    Of course, The Two Bens make one appreciate Roeper in a way that didn’t seem previously possible. But the Entourage reference didn’t seem out of date just because he’s no longer got a weekly TV gig. The idea of an agent reacting so vehemently to a bad review––not to mention that each and every one of his employees actually took the time to watch the show––just seems crazy old fashioned. And on a DVD dump, no less! Even if Ben and Ben were better (and as I said, I think the older Ben is actually pretty good), I just can’t imagine a televised soundbite critic having that kind of effect on an agent or an exec these days. Really, I can’t imagine any single critic having that kind of power, except for maybe Manohla. Maybe. I can imagine Nikki Finke having that kind of power. Maybe.

    Did I get this wrong? Do let me know. See video above for the Roeper cameo, and below for the “Ari moment.”


    Originally posted on:SpoutBlog

  • 10 Movies to Watch When Feeling a Financial Crunch

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    Under discussion:

    The Gold Rush  (1925)

    Grey Gardens  (1975)

    Trading Places  (1983)

    Wall Street  (1987)

    American Madness  (1932)

    Cyclo  (1995)

    Nine Queens  (2001)

    Criminal  (2004)

    Playful Pluto  (1934)

    Man Push Cart  (2006)

    I’m probably the least financial-minded person there is, and I’ve never owned a stock, bond or whatever else people invest in. But I am an expert on being broke, being poor, being frugal and, most importantly, putting things into perspective. What I mean is, whenever I feel like things just can’t get any worse for me money-wise, I think of the people who are or were actually worse off than I am. And by people, I mostly mean characters from the movies.

    So, as you may be worrying about your finances after Black Monday, consider dropping by the video store on your way home from the office (or job interview) today. Invest a few bucks into your own sanity and happiness by renting one of the following movies. Don’t worry, I’ve tried to make the selections rather common and accessible. If you’re like any of the financial guys and girls I know, you’re not likely the sort to go for obscure or difficult cinema. And if you are of the sort, then you probably don’t need this list anyway.

    • The Grapes of Wrath (1940)
      Let’s begin with one of the basics, a movie that will make you glad you at least aren’t living through the Great Depression. There are tons of films from and about the era, but this is perhaps the definitive example, adapted from John Steinbeck’s definitive story of the Okie migration. At times I’ve felt like I can identify with the financial hardships of the Joads, particularly when I’ve been after a job that tons of other people are after, too. But there’s really no comparison, and you’re likely to agree. After seeing the family’s struggle, you’ll be glad you don’t have it so bad. But you’ll also hopefully be lifted up by the conclusive speeches of both Tom and Ma Joad, who inspire us all to keep on keeping on, no matter what the setback.
    • American Madness (1932)
      Going back a little earlier, here’s another film dealing with the Great Depression (though not as directly), and one that’s more relative to the current situation of bank failures. Its plot deals with a bank that is robbed and then rumored to be out of money, leading to a withdrawal panic. Released one year prior to the creation of the FDIC, it may be a comforting reminder of how much more secure your deposits are today. (Even if it is a potential problem that the FDIC doesn’t exactly have as much money as it insures against.)
    • Nine Queens (2000)
      A lot of films dealing with cons can be watched to ease the suffering of financial woes. But then you have to realize that while you may be better off than the victim who has lost all his savings or seen his casino vault emptied, you’ll still want to hate the con artist who gets away with the fortune. With Nine Queens, there is indeed one of those guys you’ll be upset with in the end, but the film has an extra level to it than most movies about a long con, because it’s set amidst Argentina’s economic collapse at the turn of this century. Like the desperate bank run scenes from American Madness, a similar scene involving a crisis at a Buenos Aires bank should leave you a little more optimistic about the current situation in the U.S. Surely we could never experience as critical an economic failure as they did in Argentina, right? One more thing: don’t dare rent the inferior American remake, Criminal, which just doesn’t have the same relevance.
    • I Served the King of England (2006)
      You won’t find this in the video store just yet, but hopefully it’s playing in a theater near you (currently it’s on 37 screens). I’ve so far contrasted your possibly upsetting financial situation with that of sufferers of the Great Depression and of the Argentine economic crisis. Now, here’s the worse-off situation of the Czechs under Nazi occupation and then communism. Filled with irony and wit, this film should, unlike some of the rest, put a smile on your face while also making you thankful that you didn’t have the misfortune of becoming a millionaire right on the brink of your nation’s change to communism. If there’s anything worse than losing your fortune, it’s losing your fortune and being sent to prison for having such a fortune.
    • Enron: The Smartest Guys in the Room (2005)
      On the other side of the coin, you may want to watch this documentary about the Enron scandal if you are more angry about your economic situation and would rather see a villain sent to prison for corruptly amassing a great fortune. Of course, while the protagonist of I Served the King of England is a lot more lovable, his riches aren’t exactly free from sin, either. And if you’re completely averse to watching either a doc or a foreign film, you could just watch Wall Street again and take out your frustration on Gordon Gekko.
    • Bicycle Thieves (1948)
      Hopefully you’re not against foreign films, though, because anyone experiencing a financial crunch should take a look at this Italian neorealist classic. Any time I’ve felt helpless due to unemployment or lack of money, I remember that at least I have a certain level of education and skill to fall back on, unlike poor Antonio, who can’t get work after his bicycle is stolen. Films with similar stories inspired by DeSica’s masterpiece, including Cyclo and Man Push Cart (but probably not Pee-Wee’s Big Adventure), may also be worth a look.
    • Grey Gardens (1975)
      Also, hopefully you aren’t completely against watching a documentary, especially one that’s a little more lighthearted than Enron. Of course, watching two nutty former socialites living in squalor and allowing a once-beautiful mansion to fall apart could possibly make you just as irate. Just be glad that your own riches to rags story doesn’t involve tons of feral cats and a seemingly oblivious daughter who will one day be a poster girl for drag queens.
    • Trading Places (1983)
      Despite whatever happens with the current economic disaster, America will always be a place where one can get rich as quickly as one can lose it all, and no movie focuses on that truth as well as this comedy, about a bet to see how easily a bum can be made a millionaire, and a millionaire can be made a bum. Plus, it’s always nice to watch the greedy Duke brothers get their just deserts in the end. Just don’t watch Coming to America afterward, so as to pretend they never come back.
    • The Pursuit of Happyness (2006)
      A lot of people are too cynical to enjoy this movie, but when you’re down in the dumps, especially financially, it’s a good pick-me-up, both for the uplifting story and the general American dream idea that one can truly rise from such poverty to such success as the real Chris Gardner did. Of course, given the current events, getting excited about a man struggling for a career in the financial world may not be so easy. I wonder if there are any good movies about working hard and making it big that don’t involve finance, sports or the entertainment industry.
    • The Gold Rush (1925)
      In the Depression-set movie Sullivan’s Travels, it’s realized that audiences struggling with financial difficulties and other real-life woes would rather watch comedies than serious films focused on social problems. In that film, it’s a Disney cartoon called Playful Pluto that gives evidence of this, but it’s widely known that Preston Sturgis intended to use a Chaplin picture instead. So, as the final movie selection for the economically depressed, here’s one of the more fitting Chaplin features. While any film involving the Little Tramp could possibly serve to relatively lift you up, there’s just nothing better than watching Chaplin eat his boot and then being thankful for what you’ll be eating for dinner tonight.

    Now, I must address the possible outcry over the idea of making oneself feel better through the suffering of others. Yes, it’s terrible what people have had and still have to go through, both in America and around the world. Poverty is no joke, and it’s not exactly something that exists merely to balance out the brattiness of those not living in and with such poor conditions. So, I encourage you to, after watching whatever movie lifts your spirits up, find it in your heart to also be inspired to help someone less fortunate than yourself.


    Originally posted on:SpoutBlog

  • Robert Greenwald Swift Boats McCain

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    Xanadu  (1980)

    Did you see the above ad yesterday or today on MSNBC, in which Philip Butler, one of John McCain’s fellow Vietnam POWs, dismisses the notion that McCain’s imprisonment qualifies him to be president, and also kind of bashes him for being not a very nice guy? Were you as conflicted as I was? When I first saw it, a voice in my head said, “Huh. The Obama campaign finally got some balls. Too bad they had to get them from Robert Greenwald.”

    According to this FOX News story, Brave New PAC (the political action committee sprung from Greenwald’s propaganda factory Brave New Films) initially bought just two days worth of airtime on CNN and MSNBC, and will spend to purchase more airtime if the ad “seems to be resonating.” So far, it doesn’t seem to be. To be fair, maybe they bought the wrong two days. MSNBC’s hosts devoted about 90 percent of their shows yesterday to Tina Fey as Sarah Palin, and today they seem to be scrambling to acknowledge that, oh yeah, anybody who has any money to lose is screwed.

    Meanwhile, online, no one’s talking about it.  The Huffington Post has ignored it. The ad has been viewed about 65,000 times in eleven days on YouTube––not a bomb, but not a runaway viral hit, either. For some perspective: the eight minute version of the final dance number from Greenwald’s Xanadu has been viewed on YouTube just under 500,000 times. If only there was a way to mobilize the rollerdancing ghost of committed liberal Gene Kelly in the fight to win back the White House…


    Originally posted on:SpoutBlog

  • Preparing for Global Financial Apocalypse: Seven Lessons from the Movies

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    Delicatessen  (1991)

    The Time Machine  (1960)

    The Road Warrior  (1982)

    12 Monkeys  (1995)

    La jetée  (1962)

    The Postman  (1997)

    Amélie  (2001)

    Children of Men  (2006)

    No End in Sight  (2007)

    Eagle Eye  (2008)

    The Road  (2009)

    (Image: Hisaharu Motoda’s “Neo-Ruins” via Pink Tentacle)

    The latest news from Wall Street seems to indicate that a complete financial meltdown is only a few weeks away. Before you violently horde every morsel of food from your local supermarket or begin a hostile take-over of your corner gas station, there are several movies you should watch in order to prepare for life after the downfall of Western civilization. There have been plenty of films in which the world we know is nothing but a burned out shell of its former glory. Nuclear holocaust and virulent plagues are common Earth-clearing disasters, but there’s no reason to think that a global economic collapse would be any less destructive. Let’s not forget that one of history’s most common causes for war is a desperate grab for resources during tough times. So without further ado, seven lessons from the movies, essential for surviving our impending doom:

    1. Hoard gasoline!

    Plenty of people are already getting a jump on this one, apparently upping demand to the point where falling oil prices are not translating to the pump. If you think waiting 15 minutes in line to buy gas at $4.50 a gallon is bad, watch The Road Warrior again. From the opening sequence where Mel Gibson gingerly harvests every precious ounce of fuel from an abandoned vehicle to the final deadly battle over a tanker truck, it’s clear that in a post-apocalyptic world, gas is gold. Sure, we’re working on becoming less dependent on the stuff, but what good is a Chevy Volt going to do you if the power grid is in shambles?

    2. Learn a trade that’s useful regardless of available technology!

    Farmers, builders, doctors, these people will always be useful, even if your society’s currency consists only of the teeth of your enemies. If your skill set is of a less practical variety, don’t worry, people will still need entertainment. One good model is Kevin Costner’s character in The Postman. Before he takes on the titular role as a letter carrier, he makes his way from town to town as a traveling minstrel. The Pony Express-style mailman gig he eventually gets is a good job as well, but it tends to be quite dangerous.

    3. Do not take a job at a butcher shop!

    I can’t stress this one enough. History has unfortunately proven that when times get extremely tough, people will eat one another, it’s a natural consequence of human depravity. If you see an ad in the paper for a general labor position with a high turn-over rate at a deli specializing in fresh meat, don’t be foolish like Dominique Pinon’s character in Delicatessen. The dark comedy, from Amélie director Jean-Pierre Jeunet, tells the story of a former circus performer who lands a job at a butcher shop with a less than wholesome supply chain. If McDonalds is still open when New York’s financial district is nothing more than a smoking ruin used to house gladiatorial death matches, be suspicious.

    4. If you are fertile, be careful with your precious seed!

    The human race is notoriously tenacious, so don’t think the collapse of society means the end of our fair race––we’ll survive, somehow. But when things get really crazy, potential candidates for the new Adam and Eve need to be on guard. Alfonso Cuarón’s Children of Men is an excellent example of how post-apocalyptic citizens can go baby crazy. There are also a number of examples of post-apocalyptic fiction where a fertile man is a highly sought-after commodity in a female-dominated dystopia. A Boy and His Dog and Hell Comes to Frogtown both feature walking sperm banks charged with saving womankind (played by Don Johnson and Rowdy Roddy Piper, respectively). Also, SciFi Wire reported yesterday that Eagle Eye director D.J. Caruso’s next film will be an adaptation of Brian K. Vaughan’s amazing graphic novel Y the Last Man. The film will (presumably) star Shia LaBeouf as Vic, who is, you guessed it, the last human male on earth.

    5. For God’s sake, save the library!

    This tip doesn’t concern personal survivability so much as a general service to humanity. When I was in school I was forced to watch the 1960 film adaptation of H.G. Wells’ The Time Machine for some reason. I loved it. But I was also terrified by its vision of the future. My most vivid memory of the film is when our hero finds that future generations have not maintained the library, letting the entire record of human history literally turn to dust. It’s a good thing that people like Wired magazine founding editor Kevin Kelly are doing cool things like The Long Now Project, because digital storage of information is almost comically transient. Also, if you don’t think things this important can really be lost, watch the 2007 Iraq war documentary No End in Sight. The part about the looting of the National Museum and the burning of the Iraqi National Archives made me cry.

    6. If you live in a temperate climate, head South!

    This one is simple enough, and it’s the premise of Cormac McCarthy’s 2006 Pulitzer Prize winning novel The Road, the film adaptation of which will be in theaters this November, starring Viggo Mortensen. The story dispenses with the typical global catastrophe story line common to most post-apocalyptic tales, and focused instead on a man and his son attempting to avoid danger as they head South for the winter through a blighted landscape. This is the film I most look forward to this fall; it takes the genre in a very serious direction, so don’t expect any Mad Max-like car chases. For our purposes here, The Road really teaches two valuable lessons: one, even something seemingly simple, like heading South, can be potentially deadly; and two, it gives some great tips on scavenging through buildings that have already been picked over by looters.

    7. If given the opportunity to travel back in time to thwart the collapse of civilization, do not fall in love!

    If you are the one chosen to save humanity via time travel, it’s important to avoid the retro sex appeal possessed by the single people of the past. This is no time for love! Two films illustrate this, one is a remake of the other. The 1962 French short film La Jetée uses a montage of stunningly beautiful black and white stills to tell the story of a time traveler distracted from his mission by romance. It’s one part French New Wave, one part killer sci-fi, and an absolute classic. Terry Gilliam expanded the story with his 1995 adaptation, 12 Monkeys. If you’ve seen either film you know that the missions to the past are not exactly successful, although it’s debatable whether or not romance is to blame. Nevertheless, if the future of humanity is in your hands, stay on task!


    Originally posted on:SpoutBlog