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  • The Part of Bill Cinton Will Be Played By John Malkovitch. SpoutBlog Week in Review

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  • Kooks and Frowns. BlogNosh 08/08/08

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    Under discussion:

    Little Murders  (1971)

    • “There’s been a bit of talk lately about Manic Pixie Dream Girls,” writes Matt Prigge. “It got me thinking about a more interesting and reflexive variation on this character: the kook.” Examples include Annie Hall, “most Eric Rohmer women,” and Marcia Rudd’s character from Little Murders, which screens tonight at BAM in Brooklyn with a Q & A with Elliott Gould to follow.
    • Laure Parsons has launched Infinicine, a new site with news coverage, discussion boards and other resourced dedicated to “information and dialog about the brave new world of digital distribution.”
    • At the FILMMAKER Blog, Scott Macaulay points to Roger Ebert’s three-and-a-half star review of Frownland, which opens in Chicago today. Ebert acknowledges that the film is a tricky sell––”Now why would you want to see this film? Most readers of this review probably wouldn’t. I’m writing for the rest of us”––but ultimately calls the film a “rebirth of the need for expression that inspired the American independent movement in the first place.”

    Originally posted on:SpoutBlog

  • Olympia. Clip of the Day

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    Under discussion:

    Olympia  (1938)

    I know it’s quite an obvious choice to feature part of Leni Riefenstahl’s Olympia today, but I’m doing it anyway. I’ve personally never had the patience to watch any of the actual Olympic Games, but I have no difficulty watching the few hours of beautifully abridged footage presented in this two part film. I truly wish that every year’s games could have been shot by Riefenstahl — preferably without any propaganda parts, of course. I might now be more familiar with the world’s greatest athletes had Olympia been a tradition in the vein of Apted’s Up series.

    Fitting for today’s opening ceremony, I’ve included the prologue. Why can’t they show this every four years prior to the live coverage of the Games? Because of the nudity? Because an alleged Nazi made it? Well, they still employ the torch relay tradition, and that was also devised as part of the Nazi propaganda for the 1936 Berlin games. And the Olympic rings emblem was reintroduced for Nazi purposes, also. So …


    Originally posted on:SpoutBlog

  • 15 Characters Who Unconvincingly Play Another Race

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    Under discussion:

    Black Like Me  (1964)

    The Conqueror  (1956)

    L'eclisse  (1962)

    Gambit  (1966)

    Mask  (1985)

    My Geisha  (1962)

    Scarface  (1983)

    Silver Streak  (1976)

    Some Like It Hot  (1959)

    Soul Man  (1986)

    Torch Song  (1953)

    Trading Places  (1983)

    True Identity  (1991)

    Zelig  (1983)

    Shanghai Noon  (2000)

    White Chicks  (2004)

    Tropic Thunder  (2008)

    Yesterday’s list dealt with Tom Cruise’s performance in Tropic Thunder. Today, a response to Robert Downey Jr.’s role in the same film as a white actor portraying a black soldier in a war movie (seen in the above clip). Doesn’t it seem such an original and shocking idea? I guess not if you see it as an update on blackface. Fortunately, it’s different when it’s an actor playing a character who makes himself up to look black. It’s funny. But isn’t it typically more acceptable when the make-up isn’t quite as authentic-looking as Downey’s? He actually looks black. Specifically, he looks like Fred Williamson.

    I’ve seen plenty of lists detailing the worst instances of one race or nationality playing characters of another race/nationality (John Wayne and Susan Hayward in The Conqueror comes to mind as #1), but I can’t recall any lists involving actors playing characters disguised as or playing another race. So here’s one:

    1. My Geisha (”Lucy Dell”/”Yoko Mori”) - Shirley Maclaine is an American movie star who fools her filmmaker husband when she disguises herself as Japanese in order to win the lead role in his latest movie. She’s so good that throughout the whole production, he thinks he’s shamefully falling for a woman who isn’t his wife. But really, she’s not so much passing for Japanese as she is passing for the look of a geisha, which itself is not an ethnicity but a costume. Still, the makeup designer (Shu Uemura) pinned Maclaine’s eyes back in a way that wasn’t always done for “yellowface” in Hollywood films. The method (seen here) looks like it must have been excruciatingly painful.
    2. Gambit (”Nicole Chang”) - A few years after My Geisha, Maclaine played white playing Asian again in this crime caper starring Michael Caine, but this time her primary character is apparently part-Asian already, hence her surname, Chang. So, I guess she’s more like Eurasian playing more exaggerated Asian.
    3. Shanghai Noon (”Chon Wang”) - Did you know that Chinese and Native Americans look the same? You don’t even have to do anything cosmetic. Well, maybe some war paint. Otherwise, just put some Native American dress on Jackie Chan, and he’ll pass as an Injun. Or a Jew? (see this gag).
    4. Once Upon a Time in China and America (”Wong Fei-Hung”) - In that part of Shanghai Noon, Chan’s racial “transformation” was likely referencing this film, directed by his oft-collaborator Sammo Hung Kam-Bo, in which an amnesia-inflicted Jet Li mistakes himself for Native American. Which is even more ridiculous when considering that all the Native Americans in this sixth installment of the Once Upon a Time in China series were apparently played by white actors.
    5. Black Like Me (”John Finley Horton”) - The problem with this adaptation of John Howard Griffin’s memoir is that James Whitmore doesn’t look all that convincing as a black guy. Eddie Murphy was more convincing the other way around in the old SNL skit when he goes undercover as a white man.
    6. Soul Man (”Mark Watson”) - Even C. Thomas Howell looked more black in this unofficial remake. The thing I truly don’t buy with this movie, though, is how Rae Dawn Chong’s character forgives him and even falls for him at the end despite the fact that he pretended to be another race to win the scholarship she should have won. That couple belongs on the list I compiled earlier this year of romances that probably didn’t last.
    7. True Identity (”Miles Pope”) - Going back to the Eddie Murphy thing, I never realized that this early ’90s comedy was actually a feature-length spin-off of that SNL skit (both were written by Andy Breckman) combined with the ol’ accidental murder witness plot of Some Like It Hot, Pineapple Express, etc. Here, the witness is a black actor (British comedian Lenny Henry) who disguises himself as white. I’ve never seen True Identity, nor can I even find any stills from the movie (the image above comes from the Siskel & Ebert review), but in the Washington Post review, Henry is said to resemble Mr. Potato Head more than an actual white guy.
    8. Trading Places (”Louis Winthorpe III”) - Another Eddie Murphy connection. Here it’s Dan Aykroyd, though, whose character changes race. Let me tell you: I know this reggae singer who sounds authentically Jamaican and almost seems to think he’s actually Jamaican. But he’s still just a white guy in dreads. Yet I have to give him credit for being more passable as Jamaican than Louis.
    9. Silver Streak (”George Cardwell”) - Maybe it’s just easier to fool people on trains. A few years before Aykroyd’s character did it in Trading Places, Gene Wilder’s character attempted to look black in order to sneak past some cops and get onto a train. I get the tradition to portray policemen as stupid, but nobody is that stupid.
    10. The Master of Disguise (”Pistachio Disguisey”) - Among the many disguises Dana Carvey’s character takes on in this lame comedy, a few are offensively ethnic, including Indian and Cuban (really just an impersonation of Al Pacino as Tony Montana from Scarface). The fact that this guy is supposed to be the greatest master of disguises is upsetting. The fact that so many children saw the thing was even more upsetting.
    11. Zelig (”Leonard Zelig”) - The titular “Chameleon Man” character of Woody Allen’s mockumentary also “becomes” other ethnicities, such as African American, Chinese and Native American. The fact that he always still just looks like Woody Allen is part of the joke, though.
    12. Torch Song (”Jenny Stewart”) - Most of the time I don’t even buy Joan Crawford as a white woman, but in this movie her character performs in blackface for the infamous number “Two Faced Woman,” and she looks even less authentic as an African American woman. Maybe one day I’ll figure out what race and gender I would have actually accepted her as. Sexless alien creature? (YouTube clip, unauthorized for embedding, can be found here).
    13. L’eclisse (”Vittoria”) - Maybe I’m just used to seeing women with too much bronzer or too many tanning salon visits, but when Monica Vitti’s character goes blackface for a tribal dance in this Antonioni film, she simply looks like a white girl who has darkened her skin. I guess she’s not really trying to pass (neither is Crawford in Torch Song), but her costume isn’t traditional minstrel-type blackface, either.
    14. Krippendorf’s Tribe (”Shelly Krippendorf”) - To produce a fake documentary program on a made up lost tribe, James Krippendorf (Richard Dreyfuss) disguises his children in black skin and junky tribal costume. But as even his daughter (Natasha Lyonne) admits, she looks more like Tammy Faye Baker than a native of New Guinea.
    15. White Chicks (”Kevin Copeland” and “Marcus Copeland”) - Quite possibly the least convincing racial disguises of all time, Shawn and Marlon Wayans play two FBI agents (so I guess this list is actually of 16 characters) who go undercover as Paris Hilton types. But they look like a cross between a Michael Jackson Halloween mask and Eric Stoltz in Mask.

    Originally posted on:SpoutBlog

  • Barack Obama: The Movie

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    The Obama Movie: so inevitable, it’s as if it is already among us. You know that Will Smith will play Obama and that Oliver Stone will write and direct. John Williams and Quincy Jones will tag-team the musical score, a soulful, all-American gumbo that samples gospel, Aaron Copland and snap music. Kerry Washington will essay Michelle Obama.

    No, Steven Spielberg will direct, with Chiwetel Ejiofor as Obama, same composers. Twelve Nobel, Pulitzer and Oscar winners write the screenplay. Special afro effects by Industrial Light and Magic. Spielberg intercuts between Barack cumming and Blackwater snipers pinned down in Mosul.

    No, Martin Scorsese directs, Leonardo DiCaprio is Obama; a black model/actress of Leo’s choice is Michelle. Soundtrack is a pastiche of Motown, Stax, the Stones, U2 and, in a pivotal skinhead rally/electric slide montage, Bad Brains.

    No, Spike Lee directs. Terrence Howard as Obama, Regina King as Michelle. Spike intercuts between Obama cumming and the Rodney King beating. With Samuel L. Jackson as Reverend Jeremiah Wright.

    No, Robert Zemeckis directs. Obama is a computer generated exact replica voiced by Will Smith, All other characters are portrayed by real people acting opposite Smith in a green motion capture bodysuit. Tom Hanks appears in silver muttonchops and bald pate as a fictionalized composite of various Obama mentors–or as Bill Clinton.

    No, Michael Mann directs Will Smith as Obama. Jada Pinkett-Smith, through the miracle of ILM’s proprietary StiltMotion software, is Michelle. The entire film unfolds across one bluesy, bloody night in the Obama campaign. Jamie Foxx is Jesse Jackson. Mann intercuts between Obama cumming, Jesse threatening to cut his nuts off and Mann himself cumming at the AVID console. Musical selections from a Kanye West/Jonas Brothers mash-up album, plus an extended action sequence cued to Nas’s Nigger.

    No, Edward Zwick directs wth Don Cheadle as Obama, Djimon Honsou as a brave Kenyan whose noble deathbed speech to young Barry inspires him to enter politics: “Yes, you can, Berry. Gib us free. Free us from dee blood diamoonds.” Authenticity ensured by screenwriter Aaron Sorkin’s frequent Kenyan safaris.

    No, Steven Soderbergh directs. Don Cheadle is a depressive, conflicted Obama. Julia Roberts is Michelle. Bernie Mac and Luis Guzman play Barry’s old running buddies who help him keep it real: “Barry, my man, you done loss touch wit da zeitgeiss.” “He right, papi. Corporations all in your ass right about now, flaco.”

    No, Jean-Luc Godard and Lars von Trier co-direct a renegade production financed by Saudi dissidents. Obama (Ving Rhames) takes office but becomes in effect a mere proxy for vice-president Clinton (Isabelle Huppert) and her husband (John Malkovich). Rhames is, for the film’s duration, nude but for his leg irons and stars-and-stripes kerchief, a false Abraham Lincoln beard strapped to his chin. Shot on location in a Prague slaughterhouse using webcams and a hand-cranked Lumiere camera.

    No, Tyler Perry’s Obama.

    No, Judd Apatow’s Obama.

    No.


    Originally posted on:SpoutBlog

  • Brad Pitt the Bastard. Trade Roughage 08/08/08

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    Under discussion:

    • Brad Pitt has officially signed on to play the lead role in Quentin Tarantino’s Inglorious Bastards. Other stars who have deals in the works: Nastassja Kinski, Simon Pegg, David Krumholtz.
    • Electronic Arts is producing a video game based on The Godfather II. The game will loosely follow the plot of the movie, but will omit the flashbacks to the life of young Vito Corleone. Robert Duvall is doing voice work, and all the stars of the original film except for Al Pacino have signed off on the use of their likenesses.
    • Paramount will release a two-disc Iron Man DVD on September 30. The set will include Robert Downey Jr’s screen test (they made him test? Ouch.), “a seven-part making-of documentary and a six-part feature on the origins of the Marvel superhero.”

    Originally posted on:SpoutBlog