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  • The Monster that Whit Stillman Built. BlogNosh 08/04/08

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    Under discussion:

    54  (1998)

    • Are today’s bloggy cultural critics a thorn in Whit Stillman’s side, either because or in spite of the fact that “we’re all just stealing Nick’s lines from Metropolitan“? Maybe the next time Stillman emerges in search of his shadow, we’ll find out. In the meantime, Matt Dentler says Cinetic is working on distributing Metropolitan online “in the near future.” Although, of course, Last Days of Disco remains all but unavailable…
    • Related, sort of: Peter DeBruge writes of the “bootleg director’s cut” of 54, which restores Ryan Phillippe’s character to his original conception as an “overtly bisexual bartender, one of those erotic beings (like Terrence Stamp in Pasolini’s Teorema)…he woos club owner Mike Myers, makes it with record exec Sela Ward, kisses out-of-reach soap star Neve Campbell, gets frisky with best friend Breckin Meyer and then bangs his friend’s wife Salma Hayek in a bathroom stall.” You’ll allegedly be able to sample the excitement for yourself next weekend at the Sunshine in NYC, where Mark Christopher’s recut will screen at midnight.
    • “Zacharek’s first assumption is that Godard’s films went downhill after 1967. I’ll be blunt here: Zacharek musters absolutely no defense or evidence for this position.” Another review of a review of Everything is Cinema; this time it’s Only the Cinema on the first of the NYT reviews. Via The House Next Door.

    Originally posted on:SpoutBlog

  • Scooby-Doo Meets Batman. Clip of the Day

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    According to The Hollywood Reporter, a third installment of the live-action Scooby-Doo movie franchise begins shooting in Vancouver today. Unfortunately (hey, I thought the second one was a pretty faithful adaptation), the movie will be a direct-to-video release and all our favorite characters have been recast with unknowns. At least the voice of Scooby will now be performed by veteran voice actor Frank Welker, who has voiced the cartoon dog in tons of series and films and even worked on the original Scooby-Doo, Where Are You?, for which he actually played “Freddy”.

    Because there are likely few people talking about Scooby-Doo 3 and there are plenty of people instead discussing the possibilities surrounding the third installment in the Batman Begins-The Dark Knight series (such as who will play Catwoman, if the character is involved), here’s a clip from the animated classic Scooby-Doo Meets Batman that combines the two properties. Man, I’d sure love to see a live-action version of this. If only Heath Ledger’s Joker wore a tree log as part of a disguise. It might have been even better than his nurse uniform scenes.


    Originally posted on:SpoutBlog

  • 10 Actresses Who’d Be Great as Catwoman

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    Under discussion:

    Batman Returns  (1992)

    Irma Vep  (1996)

    Metroland  (1999)

    Vanilla Sky  (2001)

    Equilibrium  (2002)

    Catwoman  (2004)

    Casino Royale  (2006)

    Clean  (2004)

    2046  (2005)

    I'm Not There  (2007)

    La Vie en Rose  (2007)

    The Dark Knight  (2008)

    It’s funny how out of control a rumor can spin on the web. The Angelina Jolie as Catwoman “news” has to be at the top of the list of most reported unconfirmed rumors ever. And it’s sad that it’s not actually true, because after seeing Jolie in the dominatrix outfit she wears at the beginning of Mr. and Mrs. Smith, I’d be perfectly fine seeing her wear another tight black costume for a possible third Christopher Nolan-directed Batman movie.

    But who instead could play the part, if Jolie is indeed not interested, or not even offered the role (or, obviously, if Catwoman is not in the movie, as screenwriter David Goyer has apparently hinted)? One theory says that Maggie Gyllenhaal will return in the follow-up to The Dark Knight, this time donning a catsuit (Graeme at io9 strongly disputes the idea). Another terrible suggestion is to cast the too-cute Zooey Deschanel as the villainess. A far more interesting recommendation, from Catherine Bray, is Tilda Swinton. But I think the character needs to be a little sexier. Plus, I want to dismiss Bray’s idea on the principle that it’s included in the DenOfGeek list, which consists mostly of the usual hot young actress ideas that probably get thrown around for every casting decision like this.

    I’m actually shocked that Eva Green wasn’t anyone’s pick, as she’s one of those hot young actresses, and she’s done the “good and bad at the same time” thing in Casino Royale. She was even part of my list until a better candidate edged her out, mostly on the idea that we don’t need to see her replay Vesper Lynd in a Catwoman costume. So, who did make the cut? Check out my 10 favorites, in descending order, after the jump:

    10. Halle Berry - She is a good actress, and she was a great sport in accepting her Razzie for playing the character in Catwoman, so wouldn’t it be neat if Nolan gave her a second chance at the part? It certainly fits with the nine lives thing. Plus, with a better script, better direction and, most importantly, a better outfit, the Oscar winner would do a much better job.

    9. Cate Blanchett - Another Bob Dylan vs. Bob Dylan showdown! (The Dark Knight’s Christian Bale and Heath Ledger each portrayed Dylan in I’m Not There, as did Blanchett). And Nolan can round out the villain casting with Ben Whishaw as Riddler, Richard Gere as the Penguin and Marcus Carl Franklin as Anarky (or he could be Robin?). Seriously, though, after Indiana Jones and the Kingdom of the Crystal Skull, I’m not sure we ever need to see her as another blockbuster villain. Besides, there’s other Oscar-caliber actresses who would be more enjoyable.

    8. Penélope Cruz - Like this sexy Spanish lady, who I thought of for the role based on her line from Vanilla Sky, “I’ll see you in another life, when we are both cats.” Wait, would that mean Tom Cruise would have to appear as Catman? Hell, I’d deal with that if I got to see Cruz prance around with a tail attached to a form-fitting bodysuit.

    7. Maggie Cheung - It’s been 12 years since Cheung wore a tight black catsuit for Assayas’ Irma Vep, but she’d still be damn hot as Catwoman. Unfortunately, she has retired from acting, last appearing in Wong Kar-Wai’s 2046 and Assayas’ Clean back in 2004.

    6. Rachel Weisz - Something about her wonky eyes makes me think she’d be a good Catwoman. I can’t quite explain what I mean by that. She did a fine job as an attractive yet ultimately evil character in Neil LaBute’s The Shape of Things, so there’s another point for her.

    5. Emily Blunt - A well-meaning bitch in The Devil Wears Prada, I’d love to see Blunt do more of the same, only in a catsuit. In a way, she’s like my fill-in for the excluded Eva Green, since I continually mix up their names, and Prada costar Anne Hathaway, who too many people think is as good a choice.

    4. Emily Mortimer - Basically my choice for the obscure, indie-cred slot, since I don’t agree with the Deschanel suggestion. Plus, I can see her building off her short stint as the two-faced “Phoebe” on 30 Rock in order to play a terrific villainess.

    3. Emily Watson - The last of three candidates named Emily, Watson has always been my favorite love interest for Christian Bale (she’s played opposite “Batman” in Metroland and Equilibrium). Third time’s the charm, I say.

    2. Marion Cotillard - I know, I’m probably including too many Oscar nominees and winners in this list, but after Ledger’s performance as The Joker, the role of Catwoman requires talent along with beauty. Besides, Michelle Pfeiffer was nominated for two Academy Awards prior to playing the part in Batman Returns and Halle Berry won an Oscar before giving her Razzie-winning performance in Catowman. So, as the most recent recipient of the Best Actress trophy, the chameleon-like star of La Vie en Rose seems the most appropriate. Oh, and some guy already did a rendering of what she’d look like.

    1. Sean Young - The part she always wanted. And what fun it would be for Catwoman to be an older woman. You know, as in a cougar. Which is a kind of cat. There have been crazier ideas — though maybe not crazier actresses. However, Young’s unstable personality should make for an unpredictable and unbeatable performance.


    Originally posted on:SpoutBlog

  • Morgan Freeman in Car Accident, in Serious Condition

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    Under discussion:

    The Dark Knight  (2008)

    Morgan Freeman was in a car accident last night in Mississippi, and is now reportedly in serious condition in a Memphis hospital. Freeman was apparently driving on a highway with a female companion when he lost control of the car. In addition to currently co-starring in the number one film in the country, Freeman was gearing up to play Nelson Mandela.

    By way of sending best wishes Freeman’s way, I’d like to gently rebut the Guardian’s suggestion that the actor “[shot] to fame as Jessica Tandy’s benign chauffeur in Driving Miss Daisy“––kids of the 70s and 80s, of course, have deep-seeded memories of Freeman’s work on the Electric Company. See him as Easy Reader above, and as a bathing, singing, spelling Count Dracula below.


    Originally posted on:SpoutBlog

  • Jennifer Sharpe of I’M THROUGH WITH WHITE GIRLS: The Media Diet

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    In her blipster comedy I’m Through With White Girls, which cleaned up on the black film fest circuit last year before finally landing in NYC at a contentious BAM screening earlier this month, Jennifer Sharpe wears her black nerd credentials on her sleeve while maintaining a sure hand of a relatively conventional romantic comedy. Anthony Montgomery starts as a comic book-drawing, cigarette holder-using, fedora-sporting prolonged adolescent case who serial dates Caucasian woman and, after tying his relationship troubles to his ex’s lack of pigmentation instead of his own fear of commitment, takes up with a neurotic, light skinned black novelist (one who seems to be a charter member of the George Clinton hair club for women).

    On the eve of her film’s DVD release, we caught up with Sharpe, a current IFP Market laureate for her script Native Honkeys (clearly she’s outdoing herself), about watching earnest dramas, whyThe Poisonwood Bible should be made into a movie and just how long someone can listen to The Roots for.

    What films or television shows have you seen recently?

    I’ve watched alot of Reno 911, Top Chef, Project Runway, My Life on the D List on TV recently. As for films,
    MASH, Monty Python and the Holy Grail, The Great Debaters, Bella, The Hulk, Lars and the Real Girl.

    Which ones stuck with you and why?

    Bella because it was so strikingly powerful, and yet so simple in its storytelling and execution. The Great Debaters because it was much better than I thought it would be (my expectations were pretty low honestly), Monty Python because, well, they’re brilliant. Reno 911 is extremely stupid and funny as all hell. I can’t get enough of it.

    Does your interest in them have anything to do with your own work as a filmmaker?

    Yes, I’m working on writing a satire so I’m seeing a lot of comedic stuff inspires what I’m working on right now, but dramas that really move me emotionally always remind me why I want to make films.

    How often do you read fiction? Do you wish you read more?

    I read maybe one work of fiction every 2 years. It’s terrible. I’m so busy. I wish I read fiction much, much more, but I have no time.

    What would be your ideal literary adaptation and why?

    The Poisonwood Bible. It is a brilliant and poetic work. A very visual book. It deals with just about every aspect of life. It would make a great movie!

    What are you listening to recently?

    A lot of Justin Timberlake. Stuff like “Cry Me a River,” “What Goes Around Comes Around.” India Arie’s albums are getting a workout to. I love the song “Wonderful, Simple.” Coldplay, Prince… I’m still listening to The Roots’ Things Fall Apart nearly ten years after I first started.

    If you could collaborate with one musician on a film, who would it be and why?

    OutKast. Hands down. They are creative geniuses.

    I’m Through With White Girls is available on DVD August 12th.


    Originally posted on:SpoutBlog

  • Meat Train Rots in Specially-Designed Dumpster

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    Nikki Finke made an interesting Freudian gaffe in this story on Midnight Meat Train’s dismal opening weekend. She quoted Lionsgate’s recent credit infusion as amounting to $340, about $339 million less than the actual number, but just $27 more than what Meat Train averaged on each of its 100 screens. As Finke notes, one of the reasons for the embarrassing take (besides, you know, a complete lack of advertising or reviews) is the fact that Lionsgate booked the film in dollar theaters and second-run houses. They also skirted major markets––in fact, the film opened nowhere near New York City. So not only was this film with a built-in audience (thanks to Clive Barker’s genre credibility) made nearly impossible for fans to find, but stuffing the deck with cut-rate houses Lionsgate made sure that even if the movie filled houses (which it didn’t). it would be a statistic impossibility for it to make any real money.

    In her headline, FInke asks the question, “Why Did Lionsgate Dump Clive Barker Pic Into Dollar And Second Run Theaters?” She ultimately drops the vague suggestion that “the answer may well be studio politics,” but declines to offer new insight or information, beyond citing Joe Drake’s much-reported desire to migrate “away from this genre of films in favor of more mainstream fare like Tyler Perry.”

    What’s implied in Finke’s write-up and others, but never spelled out, is that in order to complete Lionsgate’s transformation from a profitable house of ill-repute into a well-funded maker of wholly inoffensive middlebrow entertainments, the total failure of vestiges of the previous regime like Meat Train is so necessary that the studio couldn’t take chances on the whims of the ticket-buying public––this is a bombing that had to be engineered.


    Originally posted on:SpoutBlog