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  • Toronto Lineup Adds Galas, World Cinema Titles

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    Mike Jones has two sets of additions to the Toronto International Film Festival lineup at The Circuit. The first, detailing nine Gala and Special Presentations, informs us of the existence of a documentary about A Chorus Line, as well as the news (I *think* it’s news–I haven’t been following TIFF updates closely enough to remember what’s just been rumor and what’s been officially confirmed) that the festival will world premiere the Larry Charles/Bill Maher doc Religulous, and host the North American premieres of Guy Ritchie’s RockNRolla and Waltz with Bashir. Meanwhile, the other release tells us to look forward to the continental premieres of Delta (the incest-tinged Adam and Eve story from Cannes) and Tokyo Sonata, as well as a number of world premieres from Scandinavia, and much more. Click forth for the details.


    Originally posted on:SpoutBlog

  • Journey to the Center of the Earth With 5 Actors Who Shouldn’t Be Famous

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    Brendan FraserBrendan Fraser will be in two big mother movies this year, Journey to the Center of the Earth (opening Friday) and The Mummy: Tomb of the Dragon Emperor. He belongs to a curious list of actors in Hollywood who keep showing up in big movies, despite the fact that they’ve never really made good on the promise of becoming good actors.

    It goes like this: A young actor, in his/her first or second movie, shows so much promise they’re touted as The Next [insert famous actor name]. “Despite being only 19 years old, Brendan Fraser has exploded on the scene in School Ties blah, blah…” Then, in spite of of a string of movies like Blast From the Past, every single summer these actors show up in another overly hyped movie.

    Below are five top call actors that inexplicably keep starring in big movies. In making this list I noticed a couple hallmarks to spot actors who fit the criteria. One, if they weren’t reading lines when we see them onscreen, you get the sense they’d sound dumb. Also, think about roles they’re famous for, then switch out–say–Ben Affleck as oil-driller-turned-astronaut in Armageddon with Brendan Fraser. Would the movie have really changed? At all?

    Ben Affleck - I think there’s a lot of suspicion around how much he actually contributed to the Oscar winning screenplay of Good Will Hunting. Nonetheless, he’s got the Oscar and we’ll be seeing him play the All-American guy who can cry beer again in the star riddled, He’s Just Not That Into You.

    Josh Hartnett - Here’s a common occurrence: A good looking guy is cast in a movie like The Virgin Suicides to play an insensitive, slightly dopey high school heart throb. Then, when said actor delivers so well in that role, people apparently think he’s acting.

    Julia Stiles - I just don’t even understand how this one happened. In high school, she’d be the new girl everyone wants to hang out with until you actually hang out with her. With Ethan Hawke’s Hamlet and later O, there was a sort of “I can do Shakespeare” card trick that apparently still pays off. She’ll soon play Esther Greenwood in the adaptation of Sylvia Plath’s The Bell Jar (the equivalent of Josh Hartnett playing Holden Caulfield in Catcher in the Rye).

    Ryan Phillipe - He got two shots to redeem himself with Gosford Park and Crash (along with runner up for this list, Matt Dillon), Ryan is best cast as “their father” to Reese Witherspoon’s kids.

    Jon Voight - In case you’re thinking Brendan Fraser is the father of the inexplicably famous actor list, I present Jon Voight. For all the film-o-philes yelling, “Not Joe Buck! He was nominated for Midnight Cowboy!” I refer you back to the explanation in the first paragraph of this post, and also remind you that Marisa Tomei has an Oscar. I also offer the above clip that’s been on this blog before for your viewing pleasure.


    Originally posted on:SpoutBlog

  • Inglorious Bastards Script is Tarantino’s “Ur-Text”, Apparently.

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    Under discussion:

    Pulp Fiction  (1994)

    Grindhouse  (2007)

    Quentin TarantinoWhy don’t I give a shit about Quentin Tarantino’s Inglorious Bastards? Is it because I sat through (and even partially live-blogged) his masturbatory “lecture on cinema” in Cannes––is it just too soon? Is it because I’ve seen Pulp Fiction so many times that I can no longer actually see anything in it at all? Is it because I walked out of Grindhouse saying. “Well, THAT joke isn’t funny anymore…”?

    I don’t know what it is! But I know that some of you probably care, so if you haven’t already, check out Vulture’s preview/review of the script.

    Having read the whole thing, Vulture says it’s “definitely the ur-text of Quentin Tarantino’s career up to now,” and maybe THAT’s my problem with it––I don’t think I’d be able to get into one more parade of Stuff Quentin Likes, especially if its greatest virtue is that it’s like what he always does, but more so. Some keywords/key phrases that pop out: “Greek nudes from the Louvre”; “This whole Chapter will be filmed in French New Wave Black and White”; “the film’s antagonist [is] a Nazi officer named Landa who’s known as the ‘Jew Hunter’”; Brad Pitt will maybe play a “‘hillbilly from the mountains of Tennessee, who has around his neck a scar from where he survived a lynching.” Um…well, at least he’s expanded his purview beyond Los Angeles and Japan, right? Is that enough?


    Originally posted on:SpoutBlog

  • Silent Light to FINALLY Open?

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    Under discussion:

    Silent Light  (2007)

    Today is my 28th birthday (cue self-reflexive old maid joke). I wasn’t even going to mention it here, but Anthony Kaufman has written a blog post with a promise that, if it ends up coming true, would be a pretty fantastic present, for you and me: I’d get to see Carlos Reygadas’ Silent Light get a theatrical release, and you’d get a reprieve from me bitching about it.

    Here’s what’s going on: yesterday, news broke that Palisades Media had acquired the left-behind library of recently-shuttered distributor art film Tartan. The Variety story on the matter was fairly vague, and didn’t say much regarding the films that had been sitting on Tartan’s shelf awaiting a theatrical release, including Light, Princesses, You the Living, etc. Kaufman exchanged emails with Palisades about the future of Light, and ‘was told it would “absolutely receive a theatrical screening now,’ with, of course, one caveat: ‘but everything is still TBD.’”

    So, you know. Don’t get your hopes up or anything, but … eeee!


    Originally posted on:SpoutBlog

  • ‘Regime Change’ Docs Make Sheffield Lineup

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    Under discussion:

    FrontRunners  (2008)

    The Sheffield DocFest has put out a preview of their 2008 lineup. The festival launched a number of sidebars last year based on theme––Green, Sports, Music, etc––and this year, they’re adding two more: Kinky Docs, described as “a celebration of sex and its representation in documentary”; and “Regime Change,” timed to capitalize on the US presidential election, which will have just ended the day before Sheffield begins (assuming there’s no need for a recount). Familiar titles on the latter sidebar include Full Battle Battle, Bulletproof Salesman and the recently-acquired Front Runners. Highlights from the preview after the jump.

    This Kinky Docs premiere sounds amazing:

    WorldRevolution (dir. Klaus Hundsbichler) UK Premiere
    WorldRevolution is the story of Stefan Weber and his cult Viennese rock band Drahdiwarbel, their rise to fame, Austrian politics and Stefan’s pet chicken.

    The Green panel will showcase Sundance hit Flow: For the Love of Water, as well as Paul Devlin’s Blast!, in which the filmmaker’s brother “leads an international team of astrophysicists from the Arctic to the Antarctic to launch a revolutionary telescope on a NASA high-altitude balloon. No less than the origins of the Universe are at stake on this risky scientific adventure that seeks to answer humankind’s most basic question ‘how did we get here?’”

    And on the Anti-Doc strand––dedicated to supporting “‘documentaries with bite’ that challenge the form of traditional documentary filmmaking and deliver messages through unconventional modes”––Sheffield will screen Peace With Seals. The synopsis:

    The central question, “Why did the seal disappear from the Mediterranean?” is an interesting one, but helmer Miloslav Novak and scribe Ferdinand Pitrosu aren’t interested so much in answering it as they are in following around an affable Italian filmmaker named Emanuele Coppola. This indulgent and fanciful film follows the trio as they blunder from Sardinia to Turkey using seal Trojan horses and night vision cameras.


    Originally posted on:SpoutBlog

  • Guy Ritchie Gets Downey. Trade Roughage 07/10/08

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    Under discussion:

    Iron Man  (2008)

    • Robert Downey Jr will go straight from Iron Man victory lap to Guy Ritchie’s brave attempt to overcome his wife’s fatal pull Sherlock Holmes movie. The project is being fasttracked in order to beat that other Sherlock Holmes movie, the one with Will Farrell and Borat, to the screen.
    • So much for “final offers”: the day after AFTRA ratified their deal with the studios, news breaks that the AMPTP has offered SAG a $10 million, retroactive-to-July 1 bonus if they agree to ratify the contract by August 15.
    • The NY Times is getting a cash infusion by selling the development rights of their stories to Hollywood studios. The most recent story to go on the block (and the 15th in two years) is “This Strange Thing Called Prom,” a June 22 piece about students at a multi-culti Brooklyn high school preparing for the big night. Miramax bought it, but hasn’t yet attached any talent.

    Originally posted on:SpoutBlog