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The Future is Debatable. BlogNosh 05/29/08
Under discussion:
Beverly Hills Cop IV
(2008)
Second Skin
(2008)
Earlier this week, Jonathan Marlow published a rant on GreenCine Daily, titled
They didn’t build their sales model for
you
. Much of the piece is given over to a description of the dire state of distribution affairs for truly independent filmmakers. Marlow, who acquires films for GreenCine’s DVD-by-mail main site, essentially argues that filmmakers should put less weight on dreams of theatrical distribution and concentrate on the many new media options. I didn’t comment on this story earlier because, well, my reaction was pretty much the same as
Agnes Varnum
’s: “It reads to me as a good summary of where things have been for last couple of years in film sales, so my question is what’s the news? Do people really not know this information?”
Tom Hall
also weighs in on the Marlow piece, from a festival programmer’s perspective: “Let me begin by taking exception to Marlow’s straw man, one that I have seen being built over and over again on panels and in discussions among filmmakers and programmers over the past few years; Film festivals are not, in fact, an ersatz distribution system for films.”
If you live in New York and/or read the blogs of people who do, chances are you’re aware of
The Emily Gould Fiasco
. Funnily enough, Juan and Victor Piñeiro, brothers as well as director and producer of
Second Skin
, have bared witness to several
smaller-scale Emily Gould fiascos
over the past decade and a half.
Finally,
Paul Scheer
explains why, although no one will admit to wanting it,
Beverly Hills Cop 4
will make back twice its budget in its first weekend: “I’m like an abused sequel wife, I keep going back to theaters time and time again to get mercilessly kicked in the cinematic balls for having faith that a sequel can actually be good as it’s predecessors.”
Originally posted on:
SpoutBlog
posted on Thursday, May 29, 2008 5:01 PM by
SpoutBlog
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