The worm turns and squirms in Frownland, an aptly named film made on the cheap in and around New York. An up-close, painfully intimate portrait of a hapless, manipulative schlub, a Loser with a capital L, the film offers for our horror and our empathy a creature whose very existence is a rebuke to the stultifying uniformity (the niceness, the neatness) of what now often passes for American independent cinema. Written and directed by Ronald Bronstein, making his feature-film debut, this is personal cinema at its most uncompromising and fierce.
The first paragraph of Manohla Dargis’ rave review of in the New York Times. Read the full thing here.
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