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  • BlogNosh 02/06/08

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    Under discussion:

    Quiet City  (2007)

    • barackplatz.png
    • Erik Skillman, the Criterion designer who recently regaled us with tales of his process putting together the box image for Berlin Alexanderplatz, has applied some of the same techniques to a portrait of Barack Obama. “I’m not sure I quite captured him (there’s a little hint of Reinhold in there that’s kind of strange), but for a 20-minute sketch it’s not half bad…” [via Cinetrix]
    • Mike Jones has already started blogging Berlin. We’ll be keeping an eye on Filmbrain, Twitch and of course Berlin-based David Hudson for updates over the next week or so.
    • Jette Kernion on the magic trick of Quiet City: “You can’t watch a man and woman who become fast friends like this without wondering whether they’ll hook up, which provides a small amount of suspense. But you get so caught up watching these people and their friends that the romantic potential hardly seems to matter most of the time.”
    • Kevin Kelly balks at Christina Ricci’s suggestion that there’s a “sad guy” thing in Speed Racer that will make the boys cry: “What’s a sad guy thing that’s not a sad girl thing? Does Speed lose his penis during one of the races and get told that he can’t have any Speed Juniors?”

    Originally posted on:SpoutBlog

  • Vanity Fair’s Star Wars Sploogage

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    theforceunleashed.pngThe whole Lucas/Spielberg Indy 4 cover made a certain kind of sense. It’s an epic narrative, the story of underdogs turned Hollywood royalty, and it’s also about the passing of torch from the star sphere of the 70s-80s-90s to the new generation, however annoyingly it may be embodied by Shia LaBouf. This kind of reification of Hollywood myth is the only way to pay Graydon Carter’s salary nowadays, even if it’s not something the average Christopher Hitchens reader really has much use for.
    But why is Vanity Fair exhaustively covering a new Star Wars video game? To the point where they’ve not only posted a three-pager about the technology behind Star Wars: The Force Unleashed, but a 14-page slideshow of stills from the game itself? Are they that desperate to win the Digg crowd, and if so, do they really think teenage gamers will become loyal customers after this issue reels them in? Was this a contractual thing??????ie: did Lucas only agree to the Indy interview on the grounds that the game would get coverage as well? And if so, why didn’t he offer better quality images than the one screen-capped at right?


    Originally posted on:SpoutBlog

  • Jason Reitman Badly Defends His Directorial Duties

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    Under discussion:

    Ghostbusters  (1984)

    Juno  (2007)

    The biggest shock in the Oscar nominations this year was certainly Jason Reitman’s bid for Best Director. In fact, it’s such a given that the Juno helmer won’t win the Academy Award that even the kids know it. One brave brat from the Santa Barbara Middle School Teen Press even tells Reitman to his face that he has no chance, in this slightly amusing video that’s circulating the interweb. Many are suggesting the clip was actually set up by Reitman himself, though the fact that he posted the video on both his Myspace and YouTube pages only makes it clear that he’s probably responsible for the thing showing up on the net at all. Either way, he at least has a good sense of humor regarding everyone’s doubts that he deserved the nod.

    My favorite question, and one that I wish he had a better answer to, asks what his actual role was as director. That’s something I’d actually like to know. The acknowledgment of Juno having first and foremost a great script and great actors seems to indicate this is indeed an inside joke, but at least the question is a bit better when asked a second time: “but what did you do?” Anyway, the reference to the director’s father, Ghostbusters helmer Ivan Reitman is a bit sloppily handled by the kids — the fact that they are aware of Papa Reitman but don’t know Jason Reitman didn’t write the Juno script is further evidence that this is all a pre-written gag by someone other than middle schoolers. And meanwhile I still don’t really know what kind of great, Oscar-worthy contribution Reitman really made to the film.


    Originally posted on:SpoutBlog

  • Trailer of the Day: Where in the World is Osama Bin Laden?

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    Under discussion:

    Super Size Me  (2003)

    I was one of the many who enjoyed Morgan Spurlock’s debut feature documentary, Super Size Me, but mostly only because it came at the tail end of an anti-fast-food kick for me that began with Eric Schlosser’s 2001 book Fast Food Nation. By the time Spurlock showed up on the big screen with his silly McDonalds-only diet/experiment, I had already given up fast food two years prior, had lost 65 lbs. over the course of a summer (only partially as a result of not eating fast food, of course) and wasn’t exactly in need of convincing. But I was in the mood for some comedy, and Spurlock entertained as needed. Did he deserve the Oscar nomination? Not at all.

    This time around he’s even less of a pioneer. In fact, I think the Where is Osama Bin Laden? jokes were already dated when Super Size Me hit theaters. This isn’t to say that I think the search for the terrorist should be over, nor that I think we should shrug off the topic of Bin Laden and Al Qaeda just because it’s been more than 6 years since 9/11. I just don’t see how a feature-length documentary, which from watching the trailer appears to consist of nothing more than Spurlock annoying people with his query, can keep the issue funny enough throughout its whole running time. Actually, thanks to the trailer I now have doubts that Where in the World is Osama Bin Laden? is even funny for a minute of the film’s length. Of course, it received mixed reactions from Sundance last month, where Karina reviewed it somewhat favorably, so perhaps my doubts aren’t completely justifiable. Maybe this is just a failed trailer. Or maybe, judging by the little (also dated) joke on The Da Vinci Code (or is it on National Treasure?), this trailer is simply aimed at a broader audience with a broader (and simpler) sense of humor.

    As of yet, The Weinstein Co. has not set a U.S. release date for the film.


    Originally posted on:SpoutBlog

  • Obama, Celebrity and Substance

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    LIBERTAS has an interesting post about how that Will.I.Am “Yes We Can” Obama video??????in which celebrities like Scarlett Johansson and Kate Walsh sing over and mug in front of Barack Obama’s New Hampshire primary “concession” speech??????is emblematic of a new kind of Hollywood political support. Dirty Harry riffs on a post by Jim Geraghty, who notes that the clip’s “substance-free message of ‘yes we can, unity is good, we have hope and the hopes of children are important’” is unobjectionable “because there???s no ideas in it; it???s entirely emotion.” He goes on to say that aligning oneself with that emotion is less a political action than participation in a “pop-culture phenomnenon.”And because pop culture is something American’s know how to participate in without thinking, by extension Barack Obama becomes the ready-made candidate for those who can’t really handle much more than passive consumption of an image as a stand-in for a feeling.

    Dirty Harry actually sees this as a good thing. He likes the idea of ” a quiet advocacy from Hollywood for their guy (or gal)” because it stands in contrast to previous celebrity-led political spectacles, in which stars “have hurt their own careers and the candidate they want elected saying unbelievably stupid things.” But writing about the “Yes I Can’ video at NewTeeVee, Wagner James Au couldn’t disagree more…

    (more…)


    Originally posted on:SpoutBlog

  • Julian Schnabel Poster Contest: Last Day to Enter!

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    Here’s your final reminder: if you want a chance to win that limited-edition Diving Bell and the Butterfly one-sheet, designed by Julian Schnabel himself, go here and enter our contest. We’ll accept entries until midnight tonight, and will announce a winner on Friday.


    Originally posted on:SpoutBlog

 


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