Telluride 2008 Festival
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  • BUTTERKNIFE Episode 5: Laugh Attack

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    Frownland  (2007)

    BUTTERKNIFE 5: Laugh Attack

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    This episode of Butterknife co-stars Sean Prince Williams (again), the cinematographer of Frownland. You can go to Spout.com???s Butterknife page for more info on the series, to watch future episodes, to talk about the show, and to sign up for email updates.

    Previous episodes:

    Plastic Hassle (with Kentucker Audley)
    Sicilian Style (with Tony Baker and Frank V. Ross)
    Key Witness (with Michael Tully)
    Bongo Board (with Sean Prince Williams)


    Originally posted on:SpoutBlog

  • Ways to Boost the Oscar Ratings

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    Every year it seems we see the same post-Oscars article about how the ratings for the telecast are down. But this year’s show may have been the worst ever. The Associated Press has called it a “dud” and reports that preliminary ratings point to this being the least-watched in history — 14% worse, in fact, than the previous least-watched telecast, in 2003. There was a lot of speculation going in that it would receive a poor viewer turnout, mostly because the nominated films weren’t as well-known or seen and because the writer’s strike allowed for little definite planning. Aside from the lack of mainstream appeal, though, this year’s ceremony is also being considered a bore, whether due to its predictability or its shortage of interesting, exciting or hilarious moments.

    So, I’ve been wondering how the Oscars could both draw more viewers and be more entertaining to those of us who tune in every year, no matter what. I have my own ideas, I’ve asked friends and family and I’ve searched the blogosphere for what the people want. Hopefully the Academy will pay attention:

    (more…)


    Originally posted on:SpoutBlog

  • Oscar Clips on YouTube? That Would Be Too Easy.

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    Scott Kirsner passes along the news that even though the Academy has an official Oscar YouTube channel, they’ve so far failed to use it to showcase clips from last night’s show. Not only that, but they have YouTube hard at work removing clips from the show uploaded by other users??????this clip, and this one, and this one were all removed within three hours of their upload.

    And not only THAT, but with the exception of a clip from last year’s Jack Black/Will Ferrell/John C. Reilly medley, most of the recently uploaded clips from actual Oscar telecasts date back to the 75th edition of the show??????which, of course, took place in 2003. So if you’re just now getting around to blogging about Adrien Brody kissing Halle Berry, you’re in luck! Or, you would be, if the entire channel didn’t disable embeds.

    Chris is coming up with a list of things the Academy can do to improve telecast ratings, so check back later this afternoon for that. But this kind of thing has got to be one explanation for last night’s show doing so poorly. The new generation of celebrity porn addicts don’t even know they’re supposed to obsess about the Oscars, because the Perez Hiltons of the world are instead blogging about Jennifer Aniston’s frozen eggs, because at least they have visual aids for that.


    Originally posted on:SpoutBlog

  • Lars Von Trier: So THAT’S What He’s Up To

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    Anthony Kaufman points to this profile of Lars Von Trier in the Telegraph, occasioned by the UK release of the filmmaker’s last, brutally underrated feature, The Boss of it All, in which we learn that Von Trier is apparently in need of paying the mortgage aiming to put at least one more conventional English-language film in the can before continuing with the Dogville/Manderlay trilogy. His next project, called Antichrist, is described thusly:

    …a “psychological thriller that evolves into a horror film”. It features one man and one woman, yet to be cast, will be shot in Germany and in English this summer and deals with the favourite Von Trier topic of cruelty between the sexes: “You have to guess who is the Antichrist,” says its producer, Meta Louise Foldager, mischievously. Von Trier is testing ways of manipulating the image in it.

    So there’s that. While we wait, you can watch the “blooper” reel from the video Von Trier shot for the theme song to his TV series, The Kingdom. I’ve seen this thing 100 times, but it never fails to make me laugh.


    Originally posted on:SpoutBlog

  • Oscar-Winner Officially Announces Sequel

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    Two of this year’s Oscar winning films were sequels. And only two Oscar-nominated films are officially slated for sequels. But only one film fits both of these truths. The Bourne Ultimatum, which was a bit of an upset in its winning of three Academy Awards, including the shocker of Best Editing (which Christopher Rouse certainly deserved), will definitely be getting a follow-up, if this Variety article from Friday is correct (via Cinematical and Empire). The possibility of a fourth Bourne installment has been floating around for awhile now, despite the fact that Ultimatum so nicely tied up the series’ storyline and despite implications from Matt Damon and Paul Greengrass that continuing the franchise is unnecessary. But considering Ultimatum was a box office hit, and a critical favorite (it was one of the best mainstream films of the year) and has now won three Oscars, it seems like a no-brainer that Universal should want to keep Jason Bourne running.

    The same can’t be said for that other Oscar-winning sequel, Elizabeth: The Golden Age. Although director Shekhar Kapur has said he wants Elizabeth to be a trilogy, it’s unlikely that the third film will be greenlit anytime soon. Of course, the plan is to revisit the story after another decade and things could well be different in ten years. Even if it weren’t likely to be a box office or critical success, it could be worth making just for the Oscar glory. I know that Alexandra Byrne wasn’t the first costume designer to receive Oscar nominations for work on two different films in the same series (Ngila Dickson and Richard Taylor were both nominated for two LOTR films), but if she suited Cate up again for a third film, she might be the first to have that honor of making it three. Meanwhile, Cate could also be the first actor or actress to be nominated three times for playing the same character.

    (more…)


    Originally posted on:SpoutBlog

  • The JUNO Press Cycle is Complete

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    Unlike other major papers, which mostly went with a cover shot of a resplendently emotional Marion Cotillard, the ever-classy New York Post puts “former stripper” Diablo Cody on the cover of their Oscar morning-after edition, letting her outdated job description stand in for her name. And with THAT, the rags-to-riches transformation from strip club Cinderella to Oscar winner, as well as the little indie-choo-choo-that-could fiction that made it happen, (the Post story actually uses the phrase “the little indie that could”, and refers to the win itself, which was the second-biggest lock of the night behind Javier Bardem, as a “shocker”) is complete.

    Oh, and did we mention that the Post, like Fox Searchlight, the teeny-tiny independent company that made and released Juno, is owned by Rupert Murdoch? Vertically integrated corporate strategy is a beautiful thing.

    Via Tim Shey.

    UPDATE: I apologize for suggesting that Cody only wore one earring to the Oscars. I was clearly wrong.


    Originally posted on:SpoutBlog

 


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