Frem Here To Awesome Festival
Advertisement

SpoutBlog on spout.com

  • FilmCouch #58 - Michel Gondry (Be Kind Rewind)

    Was this review helpful? [Be the first to tell us!]
    Under discussion:

    Be Kind Rewind  (2008)

    Juno  (2007)

    Michel_GondryA call with Michel Gondry clears up our misconceptions of Be Kind Rewind–a movie I think is deceptively amazing but Kevin’s on the fence about–and both of us decide he’s a fascinating director. This Sunday, Diablo Cody will be crowned greatest screenwriter of 2008 at the Academy Awards (I predict) for Juno and I also predict it will crush her (and I’m not just saying that because I’m bitter there’s only a minute worth of interview to play here).

    *Transcript of Michel Gondry interview after the jump

    (Subscribe to FilmCouch–Spout’s weekly movie podcast–in the iTunes store and an episode will download each Friday)

    FilmCouch 58

    (more…)


    Originally posted on:SpoutBlog

  • Be Kind Rewind

    Was this review helpful? [Be the first to tell us!]
    Under discussion:

    One Crazy Summer  (1986)

    Ski Patrol  (1989)

    Be Kind Rewind  (2008)

    Be Kind RewindI should say first that I am about to wholeheartedly support the world viewing Be Kind Rewind in the face of what I believe will be a lot of poopooing over this movie (it’s currently “rotten” over at Rotten Tomatoes). I will also say I am not a Michel Gondry fanboy or, even, somebody who could pass for a hipster (that segment of the population making Wes Anderson, Michel Gondry, Spike Jonze and Puma economically viable). I saw Be Kind Rewind at Sundance 2008 thinking it would be a pallet cleanser from long nights of editing interviews and watching the really challenging stuff. But Be Kind Rewind was the most subversive movie at Sundance this year. So much so, I question the programmers even knew it.

    The premise is straight from a sub-genre of comedy that has brought us such classics as Ski Patrol and One Crazy Summer (a perfect ball of ice cream for Gondry to hide his medicine in). Two slackers who while away their days in a hole-in-the-wall hangout–owned by a kindly old proprietor–have to raise more cash than they’ve ever seen or the hangout gets the wrecking ball. Antics ensue. The antics are brought to us by Jerry (Jack Black) and Mike (Mos Def) as they remake a library of hit Hollywood movies with a VHS camcorder when Jack Black inadvertently erases all the tapes at their neighborhood video shop (the hangout). The montages of their backyard productions are the stuff people will go to see this movie in droves for, and they are fall-down funny. However, these montages end partway through the story to make room for the proverbial “plot.”

    (more…)


    Originally posted on:SpoutBlog

  • Trailer of the Day: Coraline

    Was this review helpful? [Be the first to tell us!]
    Under discussion:

    Coraline  (2008)

    The (somewhat) new teaser trailer to Henry Selick’s Coraline begins with a command to put on your 3D glasses. This does you no good watching the thing in Flash (via Cineplex), so I’ve provided a special look at the trailer above (plus, it’s the only copy I could find on YouTube). It obviously appears to have been caught in a theater with a video camera, but I also think the bootlegger put his 3D glasses over the camera’s lens. I know, it’s difficult to tell, and I’m not even positive that would work, but to me it looks like some of the scenes have that extra depth. Of course, it could just be a 3D screen without the glasses. One shot seems especially blurry and comprised of a double image, which is kinda how a digital 3D image looks when you take off the glasses. Unfortunately, I’ve misplaced my own Real D frames and can’t test them out to see if they’d work with my computer screen (I’ll assume they don’t).

    Okay, now that my head hurts a bit, let’s assess what we’ve seen (watch the Flash version if you don’t want eye and headaches). Well, there’s not much there, but it’s certainly enough for the Selick fans, especially those big enough to have helped the 3D rerelease of his The Nightmare Before Christmas make so much cash over the last couple Halloweens. I’ve never been all that into Selick’s work, as impressed with it as I may be, but I’ll see just about anything in digital 3D (I would have gone to the Hannah Montana movie if I wouldn’t have appeared to be a pervert) and I’m intrigued by a few shots that remind me a little of Jan Svankmajer and the Brothers Quay.

    Coraline won’t arrive in theaters until February 6, 2009. Hopefully my eyes will be back to their normal focusing abilities by then.


    Originally posted on:SpoutBlog

  • SXSW Preview: Intimidad

    Was this review helpful? [Be the first to tell us!]

    Above, you’ll find the trailer for Intimidad, David Redmon and Ashley Sabin’s second SXSW premiere in two years, after 2007’s devastating Kamp Katrina. Shot on both film and video over the course of four years, Intimidad documents a young couple’s life on the Mexico/Texas border. Screening as part of SXSW’s Lone Star States program, the film premieres at the Alamo South Lamar on Friday, March 7, at 10pm. Below, Ashley and David answer the 4 Questions We’re Asking Everybody.

    Tell us about your movie. Who did you work with, why did you make it? Give us the reductive, 25-word or less, “It’s like [pop culture reference a] meets [pop culture reference b]!” pitch, then explain what the quick and dirty sell leaves out.

    Ashley Sabin: David Redmon and I have been working on this film for about 4 and a half years. We started making the film as a Victoria Secret factory film. It’s through the organic process of watching the footage and finding the story that we realized the film was not about the factory and more about everyday intimacy told by the main characters, Cecy and Camilo. It’s also the first film I ever shot so it’s interesting/nerve wrecking to see the growth in my own filmmaking development. We left cameras with Cecy and Camilo and they essentially became part of the crew. We started filming their daughter - Loida - when she was 2 years old up until now (she’s six years old). Watching her grow is one of my favorite parts of the movie. We might something similar to 7up where we film her for the next 10, 15, or 20 years and see where she ends up (but it depends on her and her parent’s decision). She is an amazingly charismatic little girl!

    David Redmon: Ashley and I worked together, but the family in the film also worked on it. It’s about a family trying to stay together to accomplish their dream of buying land and building a house in Reynosa, Mexico.

    Do you have a day job/a non-filmmaking occupation that raises money for your filmmaking efforts? Tell us about it.

    AS: David and I are lucky enough to not have to get a second job this month. However, I would consider our second job distribution. We have put out our first two films, Mardi Gras: Made in China and Kamp Katrina. It’s a lot of work and adds a whole other layer to our relationship with our films but I find it very rewarding.

    DR: Yes, we travel to colleges, show our films, and discuss them with students and teachers. I’d like to finish the book I started a few years ago.

    Have you been to SXSW before? If so, tell us about your funniest story from the experience. If not, what are you looking forward to re: the festival and/or the city of Austin?

    AS: We were at SXSW last year with our feature documentary, Kamp Katrina. Everything about the festival was amazing and great. We met some remarkable people who we still stay in touch with and saw some great risk taking films. I guess the only speed bump was when I got the nerve to walk up to an unnamed film distribution guy and give him the “pitch” of our film and my card and he looked at it and passed it off to the woman next to him. What a sly guy! Both shocked and mortified I walked away. This event reaffirmed why I do self distribution and love it!

    DR: Yes, we ran into a crazy man who spontaneously took us to four different all night parties in the pouring Texas thunderstorm rain, until we ended up at a diner at 5am and finally found out his name: Michael Lerman [co-director of SXSW 2008 feature Natural Causes].

    Let’s get hypothetical: You’re on death row. The night of your execution, you’re allowed to watch any two films of your choice. What would you pick for your last-night-on-Earth double feature?

    AS: I always get hung up on these questions because days later I always want to add on more but I think that if my life were to end I would need something comforting so I would resort to childhood favorites, Labyrinth and Princess Bride, or and maybe if I got a third Harry and the Hendersons. These three films my younger brother and sister and I would watch over and over again. It’s partially why I have a serious but rather silly phobia of Bigfoots. I guess to confront that phobia I should go see the doc on Bigfoots but I would need to do with David by my side.

    DR: Down By Law and Santantango.


    Originally posted on:SpoutBlog

  • Having Fun With the Hasbro News

    Was this review helpful? [Be the first to tell us!]
    Under discussion:

    Transformers  (2007)

    G.I. Joe  (2009)

    As if Toy Fair 2008 wasn’t reminding us enough about the intermingling of Hollywood and the toy and game industry, Hasbro and Universal had to go and announce a six-year partnership, which will result in at least four (mostly) board-game-inspired feature films. It wasn’t that surprising, considering the success of Transfomers and the anticipated success of G.I. Joe, both of which are based on Hasbro properties, and the still-shocking news from last summer that Ridley Scott is developing a Monopoly movie (not to mention that Hasbro had previously announced its intentions while switching from CAA to William Morris last year). Plus, this comes as a perfect follow-up to the recent Mattel/CAA team-up.

    Personally, I’m wondering why the deal is so exclusive against brands that aren’t board games (Stretch Armstrong being the exception). I would love to see movies based on Mr. Potato Head, Lincoln Logs and Easy-Bake Oven. And as far as the games that aren’t getting any love, I’d be interested in movies based on Guess Who, Mouse Trap, Jenga and Risk (the Australians take over the world!!). Like me, the rest of the blogosphere has gone ga-ga for alternate ideas. Also, a lot of bloggers have been overly critical of the deal and have had some harsh responses to the list of properties that were optioned for the partnership. Check out some of my favorites after the jump.

    (more…)


    Originally posted on:SpoutBlog

 


Advertisement