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  • BUTTERKNIFE Episode 4: Bongo Board

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    Under discussion:

    Frownland  (2007)

    BUTTERKNIFE 4: Bongo Board

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    This episode of Butterknife co-stars Sean Prince Williams, the cinematographer of Frownland. You can go to Spout.com???s Butterknife page for more info on the series, to watch future episodes, to talk about the show, and to sign up for email updates.

    Previous episodes:

    Plastic Hassle (with Kentucker Audley)
    Sicilian Style (with Tony Baker and Frank V. Ross)
    Key Witness (with Michael Tully)


    Originally posted on:SpoutBlog

  • BlogNosh 02/18/08

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    • “Sex appeal is a big deal,” notes Ryland Walker Knight. “These Vanity Fair restagings seem to understand this, and are, for the most part, pretty cool.”
    • Michael Guillen reviews Medicine for Melancholy, which is due to premiere at SXSW, at The Evening Class. Barry Jenkins first feature, says Guillen, “looks like it was shot in black and white and tinted by hand.?? Whether or not Jenkins and [cinematographer James] Laxton intended this to parallel how the color can be taken out of a person of color through the compromise of assimilation and the coercion of gentrification is anyone???s guess; but, that???s how I read it.”
    • At ShortEnd Magazine, Noralil Ryan Flores reviews a book I’m currently dying to read, Pictures At A Revolution: Five Movies and the Birth of the New. “Each moment, vivid as a snapshot, seeks its soul in that tireless inspiration not uncommon in Americana, that unflappable desire to produce, often at all costs–million dollar costs–the next big trend.”
    • Did Dennis Lim’s much-linked interview with Jacques Rivette inspire you to [re]familiarize yourself with the old French master’s work? You can watch three of his features on Jaman.

    Originally posted on:SpoutBlog

  • ANTicipation MANagement

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    Under discussion:

    Batman Begins  (2005)

    Hot Fuzz  (2007)

    antmancomic.jpgEdgar Wright has been linked to an adaptation of the Marvel superhero Ant Man since before even Shaun of the Dead was made. Surprisingly, he’s still attached to the project, a feat that is rare in Hollywood. But since Ant Man is a lesser character in the Marvel Universe, there seems to be less of a rush to get him up on the big screen. However, last week Wright told Empire that he has at least completed a screenplay after all these years, and he is taking a meeting (undoubtedly with someone from either Marvel Studios or Paramount) about the movie this week. The writer-director, who last gave us Hot Fuzz, is still unsure what his next gig will be, though he seems to have it narrowed down to Ant Man and another comic adaptation titled Scott Pilgrim’s Precious Little Life, the plot of which sounds more in line with Wright’s penchant for comedic gore.

    While I eagerly anticipate anything that Wright serves up, I’m especially interested in the Ant Man adaptation. In an interview with Moviehole last year, Wright mentioned that part of the project’s original appeal was the obscurity of the character. And I would have to agree that certainly it would be less stressful and more fun to adapt a comic without the same kind of fanbase as a Batman or X-Men. You could pretty much have free reign as far as what to do with him. It’s pretty much the opposite of Ang Lee trying to do something interesting with the Hulk, a comic book character that everyone is familiar with. Sure, there are times when you may have a popular property and an inventive filmmaker and it can work, as it did with Christopher Nolan’s Batman Begins. But that was like a miracle. I’d hate for Edgar Wright to adapt a property that is on its own highly anticipated, because if it failed, it would be doubly disappointing. So, all I can do is hope that this supposed meeting goes well.


    Originally posted on:SpoutBlog

  • Oscar Party This Sunday in New York

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    We’re joining forces with our friends at The Reeler to throw an Oscar viewing party, this Sunday in New York City. If you’re in town, do come out and enjoy free fondue, a cash bar, special prizes (including a set of Eleni’s Oscar cookies, pictured above, to the smartest prognosticator in the room), and much drunken yelling at the screen. All pertinent details can be found here. See you there!


    Originally posted on:SpoutBlog

  • Trailer of the Day: Journey to the Center of the Earth 3D

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    Under discussion:

    Total Recall  (1990)

    Captain Eo  (1985)

    The Core  (2003)

    I am one of the biggest supporters of digital 3D, but I just can’t get behind Journey to the Center of the Earth 3D. It appears to be the most exploitive of the technology as little more than a gimmick and attraction. Every bit of computer generated imagery looks tailor made to look neat in three-dimensions. And then the story was probably constructed around those shots. Hell, even that non-CGI shot of Brendan Fraser spitting into the sink seems to exist only so that the spit will appear to fly at you. This isn’t a movie; it’s an amusement park-appropriate spectacle — like Captain EO.

    Directed by Oscar-winning ILM effects master Eric Brevig (Total Recall) and based on the classic Jules Verne story, Journey to the Center of the Earth 3D is obviously about a journey to the center of the earth, in 3D. It also apparently features dinosaurs, phosphorescent hummingbirds, giant man-eating fly-trap-type plants and a really, really long fall that reminds me of Fraser’s role in the underrated Joe Dante comedy Looney Tunes: Back in Action. Those things alone at least make the movie sound better than The Core. Of course, that isn’t saying much. (more…)


    Originally posted on:SpoutBlog

  • The Post-Spielberg Olympics

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    Under discussion:

    Hook  (1991)

    TIME has a story about Steven Spielberg’s departure from his post as creative consultant to the Beijing Summer Olympics, and most interestingly, how China will need to scramble to save face in the wake of it.

    Landing Spielberg in the first place was a coup, considering that China’s main goal with the games is to sell the idea “that China has returned to its rightful place as a world player whose opinion matters.” That’s not necessarily a fiction??????Spielberg, after all, dropped out of his commitment in frustration over China’s “opinion” on their trading partner Sudan and Darfur??????but the idea that China is ready to play on the world stage without facing the blowback of various human rights issues and international political, trade and manufacturing controversies certainly seems like a fantasy worthy of Hollywood. Can they pull off this globalist fairy tale without the guiding vision of the man who brought us Hook?

    It’s a situtation that’s going to require serious damage control. As a spokesman for Human Rights Watch puts it in the article, “They are trying to have a perfect Games and present a picture of unmitigated success to the world. And here is something that is not a success.” Part of the problem is that protest groups, emboldended by the Speilberg exit, have started lobbying other Hollywood types associated with the Games (Ang Lee is another creative advisor), as well as the event’s corporate sponsors. China can probably survive the loss of their hired Hollywood cred, but if Coca-Cola drops out, their dreams of joining the big boys on the global-pop cultural stage will be dashed for good.


    Originally posted on:SpoutBlog

 


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