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SpoutBlog on spout.com

Val Lewton Remakes. EIGHT of them.

Under discussion:

Lady Scarface  (1941)

RKO has announced that they’re setting up a production company to remake eight classic, Val Lewton-produced thriller/horror films over the course of the next two years. The movies to be remade include I Walked With a Zombie (a mystical-racist spin on Jane Eyre, one of Lewton’s many collaborations with director Jacques Tourneur), While the City Sleeps (star-studded late Fritz Lang), Lady Scarface (the one starring Judith Anderson and Eric Blore, not the porno of the same title), The Body Snatcher (most notable for a single scene showdown between Bela Lugosi and Boris Karloff), Bedlam, The Leopard Man, The Monkey’s Paw, and The Seventh Victim.

I’m a huge fan of the Lewton films, but they’re not the kind of thing you can really be precious about??????remaking Lewton’s library isn’t exactly like remaking Citizen Kane (which RKO coincidentally also holds the remake rights for). For the most part, Lewton was tasked with making micro-budget schlock that could be cranked out quickly and turn an even quicker profit, and it’s almost an accident that the films hold up as well as they do today.

But it is a bit troubling that Twisted Pictures??????the people who brought us the Saw franchise??????are co-financing four of the remakes, including I Walked With a Zombie. Even leaving aside the fact that Zombie is the one Lewton film I’ve seen that could never be made in its original form today??????check out the “weird Black magic” double entendre in the original trailer above??????the thing that makes the Lewton films great is that most of the scares are psychological, rooted in the implication of things that we can’t actually know and don’t actually see. Can you a imagine a more unnatural bedfellow than the see-everything style of Saw? No one’s expecting a batch of B-horror to be reformulated into grade-A masterpieces, but I don’t want to see RKO bastardize these titles as mere cover for the churning of more generic torture porn, either.

[Via Bloody-Disgusting]


Originally posted on:SpoutBlog

posted on Friday, February 01, 2008 12:00 PM by SpoutBlog


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vhsparrow
Posted Sunday, February 03, 2008 9:02 AM

Speaking of Lewton and the parenthetical 'Citizen Kane' in this regard, both Lewton and Wells were auteurs -- they brought their thinking caps to the game and the films they made were highly-conceptualized arrangements, not the gratuitous torture-porn that we've come to celebrate in 2008.

Unless they enlist some talented Zack Snyder-types, these movies are quickly going to become forgettable dross.

As anyone who saw the Scorcese-produced special on Lewton that premiered on TCm will tell you, the Lewton films occurred at an unusual confluence of money and talent -- Lewton was an extremely talented guy who was content to work in the B-movie shed on the baxk-lot; any other producer would have quickly pushed for the bigger-budgets, better talent and all of the accolades. But Lewton prefered the freedom of his B-movie ghetto.

These days, you need either money or talent to get that formula right. Given the WGA state of affairs, I really don't see those remakes satisfying anyone beyond a first weekend of curiosity.