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  • YouTube Trailer for YouTube Documentary. Clip of the Day

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    Under discussion:

    Cloverfield  (2008)

    You’d think a movie about YouTube users would have a great viral campaign, but the trailer for Chuck Potter’s I Want My Three Minutes Back is rather simple. I think it’s in the documentary’s best interest, though, to have a series of spots, each created by a different YouTuber showcased in the film. One trailer would be made by Kevin Nalty (“Nalts”) and employ a lot of fart noises. Struggling filmmaker Nick James (“nickynik”) could do something awkward and reflective. And Cory Williams (“Mr. Safety”) could do a music video for an original rap he’s written about the film. Other users featured in the doc should contribute their own personal take, as well. While we wait for that to happen, though, check out the basic trailer (via YouTube, of course) below.

    Now, I know what you’re thinking: when is this film going to get a proper release? And I wonder, too, when we’ll be able to see this thing for free on YouTube. Well, for now it’s apparently being submitted to the festival circuit, so it may be awhile before it’ll be available in its entirety online. Wouldn’t it be ironic, though, if some big studio like Paramount bought it at a film fest and then refused to allow it to be uploaded to YouTube? If they can believe Cloverfield is worth seeing on a big screen, they’d probably go with a theatrical release for this thing, too.


    Originally posted on:SpoutBlog

  • 5 Movies That Really Made a Difference

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    Under discussion:

    Cruising  (1980)

    JFK  (1991)

    Victim  (1962)

    Philadelphia  (1993)

    Sicko  (2007)

    Milk  (2008)

    It’s already been called the most important civil rights film of the decade, but only time will tell if Milk has any real impact on the gay marriage issue or any other related civil rights matter. Obviously the film, which is set thirty years in the past, can be appropriated by the campaign to overturn Proposition 8, but if that campaign is successful, it will be difficult to prove with certainty Milk contributed to the end result.

    The Birth of a Nation may have inspired a reformation of the Ku Klux Klan and Guess Who’s Coming to Dinner may have opened some minds to wider acceptance of interracial marriage (which had just recently been legalized). However, as Time magazine reported earlier this year, it’s quite rare for cinema to really change the world. A movie like Philadelphia easily gets moviegoers thinking about AIDS and discrimination, for instance, and Sicko exposes some of the supposed benefits of universal health care, yet most of these kinds of message films preach primarily to the choir.

    But at least five films have made an actual difference, either on a local or national level. Will Milk join the small group of movies detailed below?

    Victim (1961)

    Long before Milk, Philadelphia or even Cruising, this British thriller became the first motion picture in history to feature the word “homosexual.” At the time, same-sex acts were illegal in the UK, and so, even though the laws weren’t strictly enforced, the film was quite controversial (and it was banned in the U.S.). Still, this story of a closeted bisexual lawyer who becomes the target of an anti-gay extortion ring had a deep, lasting effect on the people in Britain, and it’s unofficially yet widely considered to have influenced both general acceptance of homosexuality and the 1967 Sexual Offenses Act, which legalized consensual same-sex relations across the pond (anti-sodomy laws in the States, on the other hand, were not completely eliminated until 2003).

    I Am Curious (Yellow) (1967)

    It may seem extremely tame by today’s standards (in the recent words of John Waters, it’s nothing more than a “limp dick and some ugly women naked.”), but this warmer-titled of Vilgot Sjoman’s I Am Curious films became infamous for its depiction of full frontal nudity and an oral sex act that could barely be called fellatio. After being banned in Massachusetts, where it was labeled pornography, it became the subject of an obscenity case that went all the way to the U.S. Supreme Court, where it was ultimately determined not to be obscene. Once it could be freely distributed, it became a must-see, though many were disappointed with it, and it held the record for highest grossing foreign film in the U.S. for more than twenty years. More importantly, the Supreme Court decision was groundbreaking in terms of obscenity law, and the multi-billion dollar pornographic film industry of the 70s was able to happen as a result of this one little Swedish art film.

    The Thin Blue Line (1988)

    This Errol Morris film is considered one of the most influential documentaries of all time, for a couple of reasons. In addition to being significant to the craft of nonfiction cinema, it also had a direct effect on the freedom of one man. Rather than merely present the story of Randall Dale Adams, who was tried and convicted of murdering a Dallas police officer, Morris also investigates the case, with enough detail to convince viewers of Adams’ innocence. Following the release of the film, Adams was able to get his conviction overturned and eventually was released from prison. While rescuing one individual may not be the same as changing the world, The Thin Blue Line is considered one of the only motion pictures to be directly influential in bringing about some kind of change.

    JFK (1991)

    Oliver Stone’s controversial look at the Kennedy assassination didn’t exactly tell us who killed the president. It didn’t even convince everyone that Oswald wasn’t responsible. But despite all the controversy and negative reviews, JFK went on to be a landmark film for its cause, because it led to the passage of The President John F. Kennedy Assassination Records Act of 1992 (aka the JFK Act) and the formation of the U.S. Assassination Records Review Board. Officially, Congress was more annoyed by the conclusions of JFK than inspired by the film, but the result just goes to show (and Michael Moore likely was paying attention) that being a burden can be as worthwhile as being convincing.

    An Inconvenient Truth (2006)

    Davis Guggenheim’s film of Al Gore’s Global Warming presentation didn’t bring about a lot of change or legislation in the U.S., but it did have a significant effect in terms of breaking ground on discussion of the issue. However, it was apparently instrumental in the passing of a law to curb greenhouse gases in California. Meanwhile, elsewhere, it has been employed in school curriculum and it certainly helped Gore win the Nobel Peace Prize. Because not all films can be as direct and quickly effect as The Thin Blue Line and JFK, though, we’ll need more than the past two years to fully see the difference made by this one.


    Originally posted on:SpoutBlog

  • Somali Pirate Movie: Casting Couch

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    Under discussion:

    Out of Africa  (1985)

    Erin Brockovich  (2000)

    When I first had the idea to assemble a dream cast for a movie about Somali pirates, I envisioned a typical actioner with a dash of tense international politics. The pirates would be played by unknown actors of African descent, with the exception of “the good one,” who would be played by either Djimon Hounsou or Chiwetel Ejiofor. He would realize his folly, then become an integral part of the hero’s harrowing siege of a captured vessel. The hero, of course, would be a white, male, American naval officer, rough around the edges, not afraid to cut the crap and do the right thing. As it turns out, the truth of what’s going on in the Gulf of Aden is much more fascinating.

    Enter Michele Ballerin: Virginia socialite, investment banker, weapons dealer. When she’s not breeding horses or fending off allegations of fraud in Austria, she’s running Select Armor, Inc. The company is not your typical private security firm competing for lucrative anti-terror contracts. It’s a small, nimble company, run by a woman, with small town roots, and plenty of murky dealings in places like Somalia.

    What does Ballerin have to due with the pirates? More importantly, who should play her in a movie? More after the jump.

    Not a lot of information is available on Ballerin, but one thing is clear: she would make a great movie character. She’s someone whose leaked e-mails make disparaging remarks about “the f*cks” from the UN who snoop around Select Armor’s dealings. After being put up for a few days Kampala, Uganda by the president of that country, she reportedly said that, “Kampala is a real shithole.” Nevertheless, she has a tremendous amount of traction in Africa, especially in Somalia.

    Enter the pirates: According to this ABC News story, Ballerin personally took over negotiations with the bandits aboard the Saudi oil tanker Sirius Star, when official talks broke down. A senior government official told ABC News, “It’s pretty sad when a horse country socialite has more sway in Somalia than the whole US government.”

    So, the real casting question is who could play Michele Ballerin, the potty-mouthed, middle-aged, Southern debutante who shoots from the hip? She needs to have loads of charm. According to a business contact, Ballerin is treated as royalty in Somalia, even having gained the nickname “Amira,” Arabic for princess. I’ve assembled three candidates, with speculation about how their films would differ. Got a better idea? Leave it in the comments.

    Julia Roberts

    As realized by Roberts, Ballerin would be a cross between Erin Brockovich and Joanne Herring, the Houston socialite and conservative political meddler she portrayed in Charlie Wilson’s War. When the contradiction between her patriotic mission and her crass business dealings are clearly juxtaposed, she would laugh them off with unparalleled grace. For the majority of the film, we would suspect that she was simply floating through her strange life, amused by the spectacle. But in the third act, an incident of piracy would strike a personal chord. She must exit her armored Cadillac, board the hi-jacked vessel, and put her charms to good use.

    Kate Winslet

    Winlset’s version of Ballerin would be considerably more naïve than Julia Roberts’, and younger. Instead of being an entrepreneuring arms dealer tooling around Africa on her charms and business savvy, Winslet’s Ballerin would begin as a bored heiress of a private military fortune. Towed along on business trips by her father, it seems his dream that she’ll one day take over the mercenary business will go unfulfilled, her sense of entitlement is matched only by her apathy. But then, something goes wrong in Somalia, daddy is killed by pirates. With a heavy heart, she takes up her father’s mantle and enters negotiations with the pirates, determined to halt the cycle of needless violence.

    Meryl Streep

    Streep’s Ballerin would be primarily compassionate, echoing her portrayal of another famous white woman in Africa, Karen Blixen in Out of Africa. Her warm smile and genuine personal dealings would deftly hide her shrewd business sense. For the first half of the film, her involvement in international arms dealing would seem like a complete non-sequitur, the movie would hold together only due to Streep’s tremendous talent. Once a business deal goes sour, the rage she so carefully masks is revealed. In the final sequence, she must harness both her gentle charms and her seething anger to negotiate the release of a captured cruise ship carrying not only innocent people, but a hidden arms shipment worth millions.


    Originally posted on:SpoutBlog

  • Independent Spirit Awards 2008 Nominations

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    Under discussion:

    Silent Light  (2007)

    The nominations for the 2008 Independent Spirit Awards are out, and there are a lot of causes for excitement. IndieWIRE has the full list; here are a few of the many reasons to celebrate:

    • Silent Light, which still hasn’t officially been released in the US (although a run at NY’s Film Forum is pending), was nominated for best Foreign Film, alongside Cannes winners Hunger, Gomorrah and The Class, and the upcoming IFC release The Secret of the Grain.
    • Three big nominations for Medicine for Melancholy: director Barry Jenkins and producer Justin Barber were nominated for Best First Feature, Jenkins was named alongside Nina Paley and Lynn Shelton as contenders for the Acura Someone to Watch Award, and James Laxton earned a nomination for Melancholy’s distinctive cinematography.
    • Sean Baker competes against himself for the John Cassavetes Award for the best feature made for under $500,000; Prince of Broadway and Take Out were nominated alongside The Signal, Turn the River, and In Search of a Midnight Kiss.
    • SpoutBlog favorites The Order of Myths, Encounters at the End of the World, The Betrayal and Man on WireUp the Yangtze join in the Best Documentary category; Myths director Margaret Brown was also nominated for the Lacost Truer Than Fiction prize, which goes to an upcoming nonfiction filmmaker.
    • On the bigger film front, Rachel Getting Married, The Wrestler and Vicky Cristina Barcelona were amongst the most nominated films; Woody Allen will compete in the Screenplay category against fellow Oscar winner Charlie Kaufman.

    The full list of nominees can be found here. The Spirits will be handed out, as per tradition, the night before the Oscars in Santa Monica.


    Originally posted on:SpoutBlog

  • Shia Gets a Grisham. Trade Roughage 12/02/08

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    • Shia LaBeouf will take a pause from Transformer movies and unofficial Hitchcock remakes long enough to star in an adaptation of the new John Grisham legal thriller, The Associate. The film will be produced by Lorenzo di Bonaventura, who oversaw past Grisham films The Client and A Time to Kill. Could this mean director Joel Schumacher will also be on board?
    • Peter Farrelly (one of the brothers) and producer Charles Wessler are putting together a comedic portmanteau (or anthology) film with 24 shorts utilizing the writing and/or directing talents of such vets as Brett Ratner, Todd Phillips, Mike Judge and potentially Josh Gordon and Will Speck. The sole Farrelly will direct two installments, but for some reason his brother Bobby is not involved with the project.
    • The media thrashing of Australia includes the film’s reception Down Under, where it isn’t being greeted as the national treasure Fox hoped it’d be. Sure, it didn’t open as big as Mamma Mia! there, but if you look at usual figures for Oz, a US$5.1 million opening is actually pretty good. Besides, did the studio really think Aussies would let it topple Crocodile Dundee for the title of national treasure?
    • Is Kung Fu Panda now the animated feature to beat at the Oscars? The film racked up more than double the amount of Annie Award nominations Wall-E received.
    • Blockbuster stores still exist? I guess the few still out there will now be making some side money through a deal to sell concert tickets via LiveNation. Wait, people still buy concert tickets in person?

    Originally posted on:SpoutBlog