Movie news on your iPhone today!
Advertisement
Sign in
Username   Password         Forgot password?
Wanna join? Sign up
Find movies you'll love

SpoutBlog on spout.com

  • Blagojevich Biopic. Casting Call

    Was this review helpful? [Be the first to tell us!]
    Under discussion:

    The Player  (1992)

    The Contender  (2000)

    Ali  (2001)

    24 [TV Series]  (2001)

    Punch-Drunk Love  (2002)

    Saved!  (2004)

    Frost/Nixon  (2008)

    Choke  (2008)

    Recount  (2008)

    One of the many things Illinois Governor Rod Blagojevich did this week — instead of resigning from his position, as many people desired — was sign into law an increase on tax credits for films produced in his state. So, it should be only appropriate, and somewhat bittersweet, for the inevitable movie about his life and corruption hearings to be shot there.

    Now that we’ve got a location for the film, it’s time to cast the players in Blogojevich’s scandalous tale. The Washington Post has already published a list of possible actors to portray the lead (John Travolta, Sean Astin, Gary Cole, Stephen Baldwin, Tom Cruise, Ray Liotta, Charlie Sheen, Mike Myers and Steve Carrell), but more difficult than casting Blogojevich (see our pick below) is determining what other significant figures should be prominently featured.

    A straight biopic calls for way too many characters, so we’ve narrowed the film down to focus on just Blagojevich’s arrest and subsequent (forthcoming) trial. As always, if there’s another character to be included or another thespian suited to a role we’ve cast, chime in with a comment. Also, due to the fact that we’ve previously done posts about Barack Obama casting, let’s just assume that he’ll only be portrayed by a voice on the phone, a la Al Gore in Recount.

    Sam Rockwell as Governor Rod Blogojevich

    The perfect look-a-like casting choice would be former Attorney General Janet Reno, but Sam Rockwell (Frost/Nixon) is also a pretty close match. The actor has already played a lot of sleazy characters, including the lead role in Choke, for which he was recently named one of the “most offensive male characters” of 2008 by the Women Film Critics Circle. Rockwell also has experience portraying a conceited and delusional celebrity in George Clooney’s Confessions of a Dangerous Mind. If that actor-director pair could link up again for this movie, Rockwell could certainly be looking at his first well-deserved Oscar nomination.

    Mary Lynn Rajskub as Patti Blogojevich

    Rockwell is a tad young for the role of Blogojevich, so it’s fair that we also aim younger in casting the actress to play Illinois’ First Lady. Few women are more perfect for the part than Mary Lynn Rajskub (TV’s 24), who is about 8 years Blogojevich’s junior, anyway. Talented for playing cranky and/or two-faced women (mainly we’re thinking of her character in Punch-Drunk Love), she would be excellent as the allegedly foul-mouthed wife of the Governor.



    Mario Van Peebles as U.S. Representative Jesse Jackson, Jr.

    Fittingly the son of an important African American leader (though being an icon of black cinema is admittedly not quite the same as being an icon of the civil rights movement), Mario Van Peebles (Ali) is conversely too old to play this part, especially since Jackson looks a lot younger than he is. But he’s a great, underrated actor (too good for All My Children, that’s for sure) and he could easily pull off a portrayal of the congressman, who was one of the contenders for Barack Obama’s now-vacant Senate seat, and who has apparently been a longtime informant to feds regarding Blagojevich’s shady dealings.

    Martin Donovan as U.S. Attorney Patrick Fitzgerald

    One idea for the part of the federal prosecutor in this case is Richard “John Boy” Thomas. He does look a little more like Fitzgerald, but Martin Donovan (Saved!)  got the Irish-American thing going for him, and it would be more interesting to see if he can do the Brooklyn accent. Plus, Donovan often works with Mary-Louise Parker, who would be perfect for the part of Illinois Attorney General Lisa Madigan if she were an included character in the film.

    Brian Cox (or Albert Finney) as Defense Attorney Ed Genson

    An immediate idea following a Google image search was to jokingly cast actor Kevin Scannell, who played wheelchair-bound lawyer “Gar Girard” in The Player. But as it turns out, contrary to most photos available on the web, Genson no longer has such a handicap. So, a more appropriate suggestion for the famously tough lawyer (often called “the bulldog of the court room”), who formerly won R. Kelly’s child-pornography trial and who will now defend Blagojevich, is The Bourne Identy’s Brian Cox (not ever called “the bulldog of cinema,” though he should be). Or, in the event that you too think he’s easily interchangeable with Cox, Albert Finney (The Bourne Ultimatum) would also be suitable. Whichever of the two is cast, he’ll have to either get Genson’s accent down or have his dialogue overdubbed by William Hurt.

    James Woods as Lt. Governor Pat Quinn

    He may not really look like Quinn, but James Woods (Ghosts of Mississippi) is terrific at changing his appearance for Oscar-worthy supporting roles. This might not be a big enough part for an actor of his stature, but he’d be great at aping the wide-eyed expressions Quinn does when speaking publicly.

    Stanley Tucci as Antoin “Tony” Rezko

    It’s not certain yet if convicted fundraiser Tony Rezko will be involved in Blagojevich’s trial, though his testimonial would serve the prosecution well. If he is a major player, then Stanley Tucci (The Devil Wears Prada), with a puffy makeup job and fake mustache, should fill the role. Although Tucci is not Syrian like Rezko, he did once play a Middle Eastern assassin in The Pelican Brief.

    William Petersen as John Harris

    As Blagojevich’s former Chief of Staff, who resigned from his position after his joint arrest with the governor last week, William Petersen (TV’s CSI) would callback to his similar role as a political scandal figure in The Contender.

    “The Football” as Itself

    One of the harshest punishments for Blagojevich would be for the feds to deny the Governor his beloved hairbrush, which is nicknamed “The Football” (after a term used for the president’s possession of bomb codes). Then, producers of the Blagojevich film should purchase the item for a cameo appearance. Because, as the Governor would declare, there’s no substitute for it.


    Originally posted on:SpoutBlog

  • Muppets, All Through the Night. Clip of the Day

    Was this review helpful? [Be the first to tell us!]
    Under discussion:

    There’s a new Muppet special premiering on NBC tonight called A Muppet Christmas: Letters to Santa. So, because I’m a Muppet-loving fool, I figured it appropriate to feature Jim Henson’s creations once again in the Clip of the Day. This isn’t some kind of marketing ploy, though, and anyway I couldn’t find any clips or ads specific to the new program. In order to make this post more film-related, I initially thought about sharing a scene, preferably a musical number, from The Muppet Christmas Carol, but I wrote enough about my love for that movie last year for another site.

    So, I’ve used this as an opportunity to finally showcase a brilliantly edited music video for a song called “All Through the Night” by Brooklyn r&b group Escort (despite their retro disco sound, they’re a current band, interestingly featuring former members of the popular Boston ska band Skavoovie and the Epitones). It’s not a legitimate Henson production and it doesn’t have to do with the holidays — unless your holidays consist of making love to Muppets all through the night — but it’s one of the best videos I’ve ever seen on YouTube.

    One of the things on my Christmas list this year, by the way, is to hear of a definite production start for Jason Segel and Nicholas Stoller’s planned Muppet movie (and I’d also like Segel’s Muppets-related “Dracula’s Lament” song from Forgetting Sarah Marshall to receive an Oscar nomination). And if those guys can find a way to fit some Muppet disco into their film, I’ll be their biggest fan.

    Check out the awesome music video after the jump.


    Originally posted on:SpoutBlog

  • What’s Buzzing: The Spout Commmunity 12/17/08

    Was this review helpful? [Be the first to tell us!]

    Since I’m all about fostering discussions and highlighting the great content being produced by the Spout community I wanted to try something new here on Inside.Spout.

    “What’s Buzzing” is meant to show you what’s happening on Spout each week in terms of interesting discussions going on and lists that are being created. As you can see this week’s compilation has a distinctly Christmas flavor, from the “Recast A Charlie Brown Christmas” game to a couple lists containing worthwhile movies for the season.

    From the “Credit Where Credit’s Due” department I should not that this was compiled by Christi Kapenga, Spout’s Community Manager extraordinaire. Christi’s the person who’s out there in the community every day helping to solve people’s problems and otherwise keeping things humming.

    –Chris Thilk, Director of Marketing

    Discussions Of Note:

    Best College Flick Quotes?
    Weekly Theme for December 15: Ho Ho Ho
    Out 2008’s nominees for the Best Achievement in Directing Academy Award, whose debut feature film was your favorite?
    Holiday movies: Cartoon mice, Jim Carrey’s face, and the best sports movie ever
    Worst Movie Ever Presents: Worst Present Ever DVD Giveaway Contest!
    Sci Fi Recommendations
    Recast A CHARLIE BROWN CHRISTMAS (1965)
    Anime Meme

    Lists Of Repute:

    College Flicks
    Coming to Theaters
    LA Film Critics Association - Best of 2008
    Down + Dirty Guilty Pleasures
    Best use of Fake Blood
    Ho ho No no’s
    More Good Christmas Movies
    Kids’ Christmas Movies


    Originally posted on:SpoutBlog

  • Children of Invention director Tze Chun: The Media Diet

    Was this review helpful? [Be the first to tell us!]
    Under discussion:

    Windowbreaker  (2006)

    After making a big splash at Sundance several years ago with his hysterical short Windowbreaker, the incredibly prolific and versatile Tze Chun, who in the five years since graduating from Columbia’s undergrad Film Studies program in 02′ has made a whopping 12 low budget short films, will be back in Park City this year with his debut feature, Children of Invention. A feature length version of Windowbreaker, it follows two young Asian children living illegally in a model apartment who are left to fend for themselves when their hardworking mother disappears. We caught up with Tze (pronounced “Z”) to discuss his adoration for inappropriately long Charlie Kaufman interviews, his desire to adapt portions of Virginia Woolf and in what capacity Richard Kern and Britney Spear might become friends.

    What films and TV shows have you watched recently?

    Milk, Synecdoche, New York, Quantum of Solace, Revolutionary Road, Dawn of the Dead, Something Like Happiness, The Wire, Little Britain, Slumdog Millionaire.

    Which ones, if any, had any lasting significance for you? Why?

    I loved Synecdoche, New York.  I didn’t want it to end.  I think the film’s critics are mistaking unexpected construction and idiosyncrasy for messiness.  As a double feature, watch the film and then listen to Kaufman’s two-and-a-half hour interview with WIRED Magazine, in which Air’s “Sexy Boy” plays in the background for a surprising amount of those two-and-a-half hours.

    The Wire.  Self-explanatory.

    Dawn of the Dead.  The acting is bad, the zombies look fake, but it doesn’t matter.  It’s as true a commentary on our culture as anything I’ve seen. I watch it once a month.  Also, zombies in a mall, are you fucking kidding me?  How can you not love this movie?

    How do your viewing habits effect your work as a film director?

    Hard to tell.  I watch a lot of movies, so hopefully it helps?  When I go into production, though, I usually take a little movies break.

    What have you been reading lately?

    Tree of Smoke by Denis Johnson
    Soon I Will Be Invincible by Austin Grossman
    Beware of Pity by Stefan Zweig
    A Free Life by Ha Jin
    The Emperor and the Wolf by Stuart Galbraith
    Revolutionary Road by Richard Yates
    Acme Novelty Library by Chris Ware
    The Walking Dead by Robert Kirkman

    What would be your ideal literary adaptation? Why?

    The Iliad/Odyssey, but with the Gods involved.  Or, the Bible, without God involved.  Also, To the Lighthouse, by Virginia Woolf.  I just want to film the “Time Passes” section to see if I could pull it off.

    What are some books you’ve always wanted to read that you haven’t gotten around to?

    War and Peace, Anna Karenina, The Brothers Karamazov, all the big Russian books.

    What’s been coming out of your stereo recently?

    Q Tip, Cat Power, Black 47

    Is music an essential part of your process for conceiving and writing films?

    Not as much as other filmmakers.  I do listen to music while I write, but a lot of times it’s just to have something in the background.  For me it’s more an essential part of editing.

    What would be your ideal pairing for director and musician for a concern film? Why?

    Richard Kern and Britney Spears.  Kern practically invented Trangressive Cinema, where dangerous, psycho-sexual emotions bubbled quickly to the surface and become violence.  Need I say more?


    Originally posted on:SpoutBlog

  • An Anecdote to Sexy Nazis: Mädchen in Uniform

    Was this review helpful? [Be the first to tell us!]
    Under discussion:

    Valkyrie  (2008)

    Defiance  (2008)

    The Reader  (2008)

    For years Hollywood’s holiday season has been synonymous with Holocaust-themed films –– see this year’s entries The Reader, Defiance, Valkyrie, etc. – or not. But only after reviewing The New Stage Theatre Company’s titillating “Oh, Those Beautiful Weimar Girls!” did it hit me that revisiting the tragedy of WWII every winter makes no sense. For ‘tis the season to be jolly––not watch a Nazi! So I propose to start a new tradition: to stop equating Germany with SS boots and “Seig heil!” salutes every December, and instead go further back in time to when Deutschland was synonymous with sex, drugs, and decadent fun. Yes, this month let’s raise a toast to the high-spirited sleaze of the Weimar years; let’s celebrate the country that, before it gave the world the most notorious psychopath of the 20th century, birthed the first sexy, pro-dyke flick in 1931(!), Leontine Sagan’s Mädchen in Uniform. And you can watch it on YouTube!

    The May/September romance of The Reader ain’t got nothing on this fairly chaste but nonetheless steamy affair between the older, seductress/school “mistress” Fraulein von Bernburg and her fragile, fourteen-year-old student Manuela.  Set in an all-girl, Prussian boarding school, the film is adapted from a novel and play by (lesbian writer) Christa Winsloe and stars the raven-haired Dorothea Wieck, who seems to be carrying a dirty thought in her head at all times, and blond ingénue Hertha Thiele (who originated the role of Manuela onstage).  From the start when Manuela arrives at the school after the death of her mother she’s taken under the wing of the rambunctious Ilse, (played by Ellen Schwanneke who appropriately captures the drama of adolescence) who guides her through the many rules of the strict institution, one of which is to not “fall in love” with the breathtaking von Bernburg, the woman all the girls lustily worship like a rock star.  And these teens are not the least bit coy regarding their infatuation with their mistress – going so far as to sew her initials into a uniform, in one case even carve those initials into an arm!  That the girls are all attracted to a woman and not a man doesn’t even seem to register.  “Manuela, I demand absolute discipline,” the sexy Fraulein declares after shooting a lip-licking gaze upon the golden pupil when they first meet on the shadow-draped stairs.  Von Bernburg transcends gender; she’s simply the essence of dominant hot.

    “What do they call what all the movie stars have?” Ilse inquires as she shows Manuela her secret (male) pinup collection inside her locker.  “Sex appeal,” another girl responds with embarrassed laughter before the dorm full of teens, hormones raging beneath those drab, striped uniforms, giggles over romantic pictures in a book.  The heightened sexual tension is broken only when they’re reprimanded for causing such a stir.  In fact, Mädchen in Uniform gracefully flows from “sin” in the form of lust and gluttony (the half-starved girls wax rhapsodic over favorite foods) to “salvation” through the discipline and punishment of military formations and drills, of forced group confessions – then back again.  The prison guard-like principal warns that girls who misbehave will be deprived of their uniforms – even in the streets!  The threat of nakedness (i.e., sexual humiliation) hangs heavy in the air like an aphrodisiacal perfume. Forever holding hands, hugging one another, playfully touching – these budding blossoms seem poised to burst even behind the metaphorical bars.  “There’s a body, eh?” Ilse assesses admiringly after Manuela expands her chest, popping a button right off her dress with the force of her growing bust.

    But, alas, impulsive Manuela makes the mistake of getting tipsy after a school play and declaring that love that dare not speak its name to the entire student body – and its warden.  “What you call sin, Frau Principal, I call love, which can take a thousand forms,” von Bernburg stoically says in defense of Manuela who is punished through isolation.  When von Bernburg encounters the sensitive blonde again she surreptitiously orders her to go to her room, to wait for her.  But it is there that Manuela, expecting requited love, receives the harshest punishment of all at the hands of her idol, who decides it’s best if they never see each other again.  Devastated the ingénue flees while von Bernburg bravely confronts the principal and resigns, having had enough of her cruel ways.  Saying a prayer, Manuela ascends the winding staircase – and, inevitably, tries to jump – only to be saved by her schoolmates!  No, there will be no “homo must die,” sacrificial dyke ending for Mädchen in Uniform.  Indeed, the most subversive aspect of Sagan’s lesbian flick is its finale, a harsh indictment of the principal, that stand-in for all who judge love, who set the near suicide in motion.  Yes, Manuela and von Bernburg will live while Frau Principal must face herself, come to terms with the lethal pain she has wrought.  The final image of her wandering into those Expressionist shadows alone, fading to black, is worth a thousand wonderful Weimar words.

    To watch the second half of Mädchen in Uniform on YouTube, href=”http://www.youtube.com/watch?v=6_xUHaUj2NY”>go here.


    Originally posted on:SpoutBlog

  • 5 Worst Oscars Hosts

    Was this review helpful? [Be the first to tell us!]
    Under discussion:

    Gigi  (1958)

    X-Men [Film Series]  Production Year

    Iron Man  (2008)

    The Dark Knight  (2008)

    Tropic Thunder  (2008)

    Milk  (2008)

    The Academy Awards barely recognize comedic talent in film, so it’s kind of ironic that the Oscars have typically been hosted by a comedic personality. Since the Academy primarily honors serious movies and performances, it’d be more fitting to have Sean Penn leading the show. But TV audiences love a funny variety program, and the tradition has worked out well thanks to humorists like Will Rogers, Bob Hope and Billy Crystal, so the comedy has been a constant.

    This year, however, the ceremony will feature Hugh Jackman as emcee, and the joke-filled monologue has been axed. But is it still ironic that an actor best known for playing a superhero is hosting an award show that fails to regularly celebrate blockbuster franchises like his X-Men series? And are the producers capitalizing on this irony by hiring Jackman, who will certainly be promoting his upcoming spin-off, X-Men Origins: Wolverine?

    When the choice was announced, plenty of people immediately thought of the ratings-boosting possibility of having Jackman wear his Wolverine costume while performing his hosting duties. For an Oscars ceremony that may end up nominating a superhero film for Best Picture and will be secretly recognizing Robert Downey Jr.’s performance in Iron Man as much as in Tropic Thunder (if he’s indeed nominated for the latter), the singing, dancing Australian is quite appropriate for the gig.

    But despite his ratings appeal to comic geeks and old ladies who read People magazine, could this relatively humorless host be setting himself up for a roast? Here’s hoping he’s at least better than the following Oscars embarrassments:

    Jerry Lewis (1956, 1957, 1959)

    It was his third time as a co-host, and it was also his last, but the thing that may have done him in was hardly his fault. The awards concluded with the presentation of Gigi as Best Picture, yet the telecast still had 20 minutes of airtime to fill. First, there was an awkward Oscar-winner group-sing rendition of “There’s No Business Like Show Business,” during which Lewis kept shouting, “Keep singing!” Then, the over-the-top actor (whose fellow co-hosts included Bob Hope, Laurence Olivier, David Niven, Tony Randall and Mort Sahl), attempted to ad-lib jokes for the remainder of the program. NBC ended up pulling the plug early and ran a short film instead. Exactly 50 years later, Lewis will (somewhat controversially) return to the Academy Awards this February to receive the Jean Hersholt Humanitarian Award. And as long as he doesn’t say anything homophobic (it might be tough if Milk is prominently showcased), he could potentially make up for old times by clowning around for a 20 minute-long acceptance speech.


    Chris Rock (2005)

    One of the problems with comedians as Oscars hosts is that they tend to ridicule Hollywood, and though the people at home may enjoy seeing movie stars’ egos deflated, the stars themselves are not always laughing. This is supposed to be a self-congratulatory celebration, after all. Occasional jabs are fine, but Rock took the mockery to a new level. Even if Sean Penn was too outraged by the Jude Law offense, it’s true Rock could have been a little less insulting to the crowd he was addressing. Not only did he label specific films as “sucking,” he showed the Academy just how obsolete their awards are with a clip of regular moviegoers naming non-nominated movies as their favorites of the year. It was no surprise that Rock was not asked back.

    Chevy Chase (1987, 1988)

    At least Rock was funny enough to come away from his experience undamaged, perhaps because the Academy should have expected little else from choosing him. And it did help that Penn’s humorlessness actually assisted Rock’s mockery of the Hollywood ego. On the other hand, Chase’s opening address in 1988 to the “Hollywood phonies,” was not really that amusing a joke nor was it appreciated by the elite crowd. This was his second duty as an Oscar host, having shared the gig with Goldie Hawn and Paul “Crocodile Dundee” Hogan the year before. But he was similarly not asked back after using his time on stage to knock critics and nominees and also to be so immature as to pretend to pick his nose. Is it any coincidence that Chase’s career also took a downward turn in 1989?

    David Letterman (1995)

    Even less fitting than a comedic actor to host the Academy Awards is a comedic talk show host. But it worked for so many years with Johnny Carson, so Letterman was given a shot. His “Oprah, Uma” shtick really wasn’t too awful, but it has infamously become one of the low points in Oscar history. Worse than its initial appearance, though, are the revisits to the joke, for self-mockery. Letterman’s return for a self-deprecating cameo the following year was appreciable, but continued callbacks have been even lamer than the original offense. Less memorable yet more awkward was the Late Show tie-in of a stupid pet trick assisted by a clearly uncomfortable Tom Hanks. Let us hope the Academy never thinks to ask Jay Leno to host or we’ll be similarly be subjected to “Jaywalking at the Oscars.”


    Nobody (1939, 1942, 1948, 1969, 1970, 1971, 1988)

    The only thing worse than Jay Leno hosting is nobody hosting. The ceremony has failed to have a leader on multiple occasions, including those years the Academy went with numerous co-hosts, which they labeled “Friends of Oscar.” In 1971, that group consisted of 33 members. That’s more than there were awards categories. Some awards shows work without a clear host, as such an event only necessitates an announcer to introduce presenters, but one of the most entertaining parts of the Oscars is always the opening monologue. Interestingly enough, Hugh Jackman is reportedly not doing one of those, so he could very well be just as bad as having no host at all.


    Originally posted on:SpoutBlog