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  • Philadelphia in the Movies

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    Under discussion:

    Dawn of the Dead  (1979)

    Mannequin  (1987)

    Rocky  (1976)

    Trading Places  (1983)

    Witness  (1985)

    Philadelphia  (1993)

    12 Monkeys  (1995)

    The Sixth Sense  (1999)

    It’s been more than 100 years since the Philadelphia Quakers changed their name to the Philadelphia Philadelphians, which was thankfully shortened to “Phillies” very quickly, probably by printers who were afraid of using up all of their ‘P’s in the printing press. Since being founded in 1883, they’ve been one of the most tenacious teams in baseball, winning six pennants, and the World Series in 1980. In fact, in all of American sports (not just baseball), the Phillies are the team that’s been in one city with one name for the longest time. They’re one game away from another World Series win tonight, despite being the Major League team with the most losses in history. We celebrate their scrappiness with a list of quintessential Philadelphia movies. Check them out after the break.

    Rocky

    When most people think about Philadelphia and movies, the first thing that springs to mind is the iconic shot of Rocky Balboa running up the stairs to the Philadelphia Museum of Art and triumphantly pumping his fists to the sky from Rocky. City Commerce Director Dick Doran said Sylvester Stallone and the movie did more for Philadelphia’s image than Ben Franklin,  and that scene has probably been recreated by thousands of people that visit the city. In fact, the closing credits of Rocky Balboa is a long montage of images of people imitating his famous run, and there are countless fan recreations on YouTube.

    The Philadelphia Story

    Even though it’s set entirely on a Hollywood soundstage, this 1940 film skewers Philadelphia high society  in a comedy of errors. It also features Katherine Hepburn, Jimmy Stewart, and Cary Grant at the top of their game, with Stewart winning an Oscar for Best Actor for his role. Katherine Hepburn had previously starred in the Broadway play the film is based on, and eccentric billionaire Howard Hughes bought the film rights for the play and gave them to her as a gift. Which was somewhat ironic, since Philip Barry had written the play for her in an effort to bring her back to Broadway. It’s still one of the best-written romantic comedies of all time, and the city of brotherly love is probably proud of the fact that its name is in the title.

    Mannequin

    Set in the famous Wanamaker’s department store in downtown Philadelphia, this is one of those quintessential 1980s movies that critics hated, but audiences adored. Although this story about window display mannequin come to life might not hold up well today, it has grossed over $42 million dollars and was considered such a success that they made a sequel in 1991 called Mannequin Too: On The Move. That one didn’t do quite so well. The original featured both Andrew McCarthy during his rise in the Brat Pack, and Kim Cattrall in her pre-pre-pre Sex and the City days. Besides giving us Starship’s “Nothing’s Gonna Stop Us Now,” the film has become iconically linked with Philadelphia through Wanamaker’s, now a Macy’s, which was the first department store in Philly and one of the first in the United States in 1876.

    Philadelphia

    This movie provided the one-two punch of a powerful performance from Tom Hanks along with Bruce Springsteen’s “Streets of Philadelphia” song, both of which netted Oscars. This film not only addressed AIDS and gay issues in a straightforward manner that was extremely new for Hollywood, it helped open the door for future films and even television series in the sexually conservative (at least in gay and lesbian terms) entertainment industry. It also was shot in key locations around the city, including the courtroom scenes which were filmed in an actual court in Philadelphia. Ironically, Denzel Washington’s character says he prays that the Phillies will win the pennant, and when this film came out in 1993 they did just that.

    The Sixth Sense

    M. Night Shyamalan famously shoots all of his movies in or around Philadelphia, and this is easily his most famous. Shymalan goes out of his way to show that the film is set in his hometown, including in the opening scene where Bruce Willis and Olivia Williams are looking at a citation Willis has just received from the mayor. The camera pans all the way down to show the words “of Philadelphia.” The film also features several key locations in South Philadelphia. The filmmaker has continued to show love for the city, although audiences haven’t been loving his movies. The Sixth Sense grossed over $600 million at the worldwide box office, but his latest, The Happening, has only pulled in $163 million.

    Dawn of the Dead

    Although most of this film takes place in a shopping mall in Monroeville, PA, the action starts in Philadelphia with the main characters fleeing from pandemonium in the city via helicopter. The entire city has become overrun with zombies, which is probably high time to leave any city. The Philadelphia S.W.A.T. team responds to an apartment building full of zombies, which doesn’t turn out so well for them since zombie attack from your reanimated dead loved one probably isn’t in the training manual. Romero shot the film in and around Philadelphia for around $650,000 dollars in 1978, and it still stands as one of the best horror movies of all time and the strongest in his zombie trilogy which includes Night of the Living Dead and Day of the Dead.

    National Treasure

    Right on the heels of the success of The Da Vinci Code came this Nicolas Cage starrer with historic clues to lost treasure hidden in Philadelphia. The central clue in the film is the Declaration of Independence, which leads the main characters to Independence Hall (where the Declaration was signed) in Philadelphia where they find a pair of special glasses hidden by Philadelphia’s most famous historical resident, Benjamin Franklin. Although the treasure ends up being underneath an old church in Boston, the scenes in Philadelphia with the secret brick and Franklin’s glasses are one of the most interesting homages to Indiana Jones’ headpiece to the Staff of Ra in Raiders of the Lost Ark. Nicolas Cage’s character is also named Benjamin Franklin Gates, so they had to show some Philly love.

    Trading Places

    This comedic version of the prince and the pauper tale is set in an affluent neighborhood in Philadelphia, and in the offices of a commodity brokerage downtown. It’s a double rags to riches tale, with Winthorpe and Billy Ray (Dan Ackroyd and Eddie Murphy) swapping places before they turn the tables on the Duke brothers and bankrupt them as well. Winthorpe’s mansion is actually a real location in a ritzy part of town, and many of the downtown scenes key Philadelphia locations and even local television reporters as extras. Although Randolph and Mortimer return briefly in Murphy’s Coming to America, they’re seen as bums in New York, and not Philadelphia.

    Witness

    Ironically, most of this key Philadelphia movie doesn’t take place in the city at all, but rather in the Amish communities of nearby rural Lancaster County. The film opens with a very young Lukas Haas witnessing a murder, which leads to a conspiracy within the city’s police department. Police Captain John Book, played by Harrison Ford, is shot while discovering this, and takes Haas back home to protect him. However, he collapses from his bullet wound, and is nursed back to health by a bonnet-wearing Kelly McGillis. He stays on to protect the boy, and is eventually accepted by the community before offing the bad guys and returning to the big city.

    12 Monkeys

    While this Terry Gilliam post-apocalyptic film is set mostly in modern-day Baltimore and Philadelphia, it’s the shots of the virus ravaged Philly that are the most haunting. Bruce Willis roams the future devastated landscape in his steampunk environmental suit while encountering wild animals and looking for clues that can help the human race repopulate and return to the surface. The iconic ending sequence in the airport was actually shot inside the Philadelphia Convention Center, and the asylum where Willis is a patient is the Eastern State Penitentiary, which is the one of two things Charles Dickens wanted to see when he visited the U.S. The other was Niagara Falls.


    Originally posted on:SpoutBlog

  • Dear Zachary Director Kurt Kuenne: The Media Diet

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    The most talked about film at Slamdance this year was Kurt Kuenne’s Dear Zachary, a devastating account of the filmmakers’ admiration and grief for his murdered friend Andrew Bigby, who was almost certainly murdered by his wife Dr. Shirley Turner, who later fled to Newfoundland before she could be brought to trial and remains in custody of their child, born months after Andrew was slain. In a Sunday Los Angeles Times article Kuenne, formerly a Filmmaker Magazine “25 New Face in Independent Film” and currently doing the festival rounds with his short Slow, expressed his hopes that the film, which opened earlier this month in LA to effusive praise and opens in New York this Friday, can influence Canadians (who recently elected a new parliament) to change their extradiction laws in hopes of catching Turner.

    We caught up with Kuenne to discuss more trivial matters: his great affection for Wall-E, feeling over analysis as a guide to filmmaking and finding inspiration in children’s books.



    What films or television shows have you seen recently?

    I’ve recently seen mostly older films — Frank Capra’s Lady for a Day, John Huston’s The Misfits, an old English movie called The Brothers from 1948 — almost all projected in a theater, which was great.  In recent release: Nick & Norah’s Infinite Playlist, Vicky Cristina Barcelona, Wall-E.


    Which ones stuck with you and why?

    Wall-E really stuck with me, I saw it twice. I love how the characters’ emotions are conveyed through the objects they choose to keep and share with each other, like Wall-E’s desire to share his old VHS tape of Hello, Dolly with Eve.  It’s also just incredibly poetic in its execution.  I love the “dancing” scene between Eve & Wall-E when he powers himself through the sky with a fire extinguisher.  Lady for a Day also stuck with me, as it’s a terrific fairy tale that completely sucked me into the emotional life of Apple Annie, and her tragic need to pretend to be someone else in order to insure her daughter’s happiness.

    Does your interest in them have anything to do with your own work as a filmmaker? How, if at all, do your cinematic influences affect your own style and preoccupations?

    Wall-E reminds me a lot of my favorite film, E.T., which was one of the films that made me want to make films.  They both share that they are love stories told almost without dialogue.  Capra’s films celebrate the dignity of the human spirit, which is something I certainly try to do in my own work.  The aesthetics of older films have influenced me a lot, particularly in the short film comedy series I currently have playing festivals, as they’re all done in a romantic, retro black & white negative style. I don’t tend to over-analyze my own filmmaking choices that much or where they may have come from, because I believe that if you think about it too much you can end up frozen in indecision or ruin the sense of spontaneous energy;  I just do what feels right to me.

    How often do you read literature? Do you wish you read more?

    I’m always reading something, though I’ve tended lately to read a lot of non-fiction.  I just read Frank Capra’s autobiography, The Name Above the Title and re-read Cameron Crowe’s Conversations with Wilder. I love hearing about artists’ experiences directly from their own mouths. I’m reading a collection of Preston Sturges’ original screenplays right now, currently reading “Down with McGinty”, which he re-titled The Great McGinty when he made it. I’ve had “The Grapes of Wrath” sitting next to my bed for a while but haven’t jumped into it wholeheartedly for lack of time. I would like to find more time simply enjoy “full meals” like that and not feel like there’s too little time to tackle something big.

    What would be your ideal literary adaptation and why?

    This is a hard one to answer;  I don’t believe, as a lot of people seem to, that a book’s ultimate potential is to be turned into a dramatic feature film with actors. It can just be a great book, an idea that’s expressed best in book form and that’s enough. I have enough of my own stories rattling around my head to keep me busy making movies for years, so I want to get my own stories told before I spend years of my life re-telling someone else’s.

    How, if at all, has reading informed your filmmaking?

    Because prose and poetry are so different in their construction from most films, they inspire me to approach cinematic storytelling in ways that might not ordinarily occur to me. I find that the strongest influence I take from reading is a desire to tell stories in a different way and find a new approach. I’ve taken a lot of inspiration from shorter children’s books, i.e. Dr. Seuss. Their simplicity and economy are very inspiring to me.

    What are you listening to recently?

    I’ve been listening to a lot of scratchy old LPs of old movie scores on vinyl recently:  Max Steiner, Dmitri Tiomkin, Bernard Herrmann, Rodgers & Hammerstein, Now, Voyager, Lost Horizon, Carousel, etc.  In more recent music, I’ve been listening a lot to Gabriel Mann, both his solo work and his new band “The Rescues”.

    If you could collaborate with one musician on a film, who would it be and why?

    I’m a composer and tend to score my own films, but I have collaborated with the aforementioned Gabriel Mann before and look forward to doing so again. I think he’s a genius songwriter, arranger, orchestrator and has a singing voice like no other — his voice has a distinct personality and its power can also put you through the wall when he chooses to use it that way. I would love to have Huey Lewis sing something for one of my films someday, his voice and energy just click with me in a way I find hard to explain. On the orchestral front, I would love to have met and learned from Bernard Herrmann before he died.  John Williams and Ennio Morricone are my favorite living film composers. I derive great joy from scoring my own films, but I would love to spend time with and learn from those two.


    What would be the ideal pairing of filmmaker and musician for a concert film. Why?

    I prefer to see music live.


    Originally posted on:SpoutBlog

  • Charlie Kaufman Attacked By Dogs

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    Under discussion:

    Why did Kurt Anderson conduct a radio interview with Synecdoche, New York director/writer Charlie Kaufman in the middle of the dog run at Washington Square Park? Presumably, so we could have the pleasure of watching the above video, in which Kaufman tries to explain is desire “to give the world something that isn’t crap,” but is distracted when pounced on by adorable puppies. Cue Jon Brion’ “Little Person,” and watch grown men reach for the Kleenex. The full Studio 360 segment with Kaufman can be listened to here.

    Via Rach.


    Originally posted on:SpoutBlog

  • DOWNFALL Meme Revisited

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    Under discussion:

    Downfall  (2005)

    Way back in May, I discovered (long after the rest of the world, I though) that the 2005 German film Downfall had become unlikely fodder for a huge number of YouTube spoofs. This weekend, Virginia Heffernan looked into the meme for the New York Times. In my post, I commented on the irony that although millions of people have now been exposed to Downfall via the various YouTube spoofs, the videos don’t work as compelling advertisements for the movie itself. Now Heffernan notes that the ubiquity of Downfall as seen out of context not only fails to promote the film, but actually damages the experience of watching it:

    In fact, the lesson of the parodies seems to be that Downfall was a closeted Hitler comedy. Having seen the spoofs before seeing the movie, I find it virtually impossible now to watch the film with a straight face. Ganz, the Swiss actor, takes his performance seriously. But something in the character name “Adolf Hitler” also seems to have liberated Ganz to play flat-out melodrama. His goofy, trembling, hopeless rage — in which is wedged a vituperative aria aimed at the traitors he perceives everywhere — recalls nothing so much as Jeremy Piven’s raving meltdowns as the jerk agent Ari on the HBO comedy Entourage.

    From Oscar nomination to Entourage comparisons in three years flat? That’s probably the best argument I’ve ever heard against Free Use.


    Originally posted on:SpoutBlog

  • HIgh School Musical Schools For Record. Trade Roughage 10/27/08

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    Under discussion:

    • High School Musical 3 had the biggest opening weekend of any musical, ever, grossing $42 million to leapfrog over Saw V’s respectable-for-an-effing-fivequel $30 million. What the latter number will mean for Lionsgate’s reported turn away from genre film is anyone’s guess, but when Saw V grosses another $2 million, that franchise will surpass Friday the 13th as the highest grossing horror franchise in history. Also, Changeling had a ridiculously high per screen average, which might indicate that it’ll be able to hold on through Oscar season despite extremely mixed reviews.
    • Richard Linklater and Todd Haynes will participate in a conversation on indie filmmaking at the 2009 SXSW Film Festival. The festival, which will go forward next year under the direction of Janet Pierson for the first time, will also welcome Stanley Kubrick’s brother-in-law/producer Jan Harlan and IMDb founder Col Needham.
    • Christine Vachon’s Killer Films will produce its first big-budget action movie, a medieval period pic called William the Conqueror.

    Originally posted on:SpoutBlog