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  • Film Nerd Terrorists on YouTube

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    In an email exchange this week with John Damer-a regular FilmCouch listener–he mentioned a movie called Gabriel Over the White House. Just go to this movie’s Wikipedia page, and a movie-dork acid will start to fill your stomach. William Randolph Hearst made a movie where there’s a gangster driveby of the White House and the President predicts last week’s bailout plan?!?!?! You must see it.

    You start searching for the DVD and, probably, wind up at Amazon.com. There you’ll find a few secondary vendors selling VHS copies of the movie for over $100. Your heart sinks. A little more digging reveals there’s no copy at the local library. For the more Internet immersed, you may try Archive.org hoping the copyright expired and it’s now in the public domain. No luck. MGM still holds the rights. But there’s a guerrilla spirit of VHS movie collectors out there who won’t let baby be put in the corner.

    YouTube is the current battleground in getting hard-to-find movies released, and John Damer has decided to start blogging about film essentials that are likely only available to you there. It was a short debate he and I had: Keep them a secret so they don’t get taken down? Or start letting people know as a bottom-up protest to release these movies in some legal way?

    My vote fell on the latter side because doing nothing usually results in nothing. Watch them while you can! Gabriel Over the White House (1933), The Decline of Western Civilization (1981), Quatermass and the Pit (1967)

    Postscript: Kevin Buist and I have an in depth discussion this week about Gabriel Over the White House on FilmCouch. That podcast will be up Friday morning.


    Originally posted on:SpoutBlog

  • Porno, Not Sex. Clip of the Day

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    Clerks II  (2006)


    Seth Rogen & Elizabeth Banks In “This Is Not Sex” Directed By Tony Kaye from Mean Magazine on Vimeo.

    It’s a tired gag, but filmmaker Tony Kaye (American History X) has fun with the “it’s not what you think” shtick and manages to make it work better than normal. However, whether it’s actually thanks to him or to the ever-lovable Elizabeth Banks and Seth Rogen is unclear. What is clear, at least, is that this promotional video for Kevin Smith’s Zack and Miri Make a Porno is probably too good for the feature film it’s linked to. Kaye is the one who should be releasing his eighth movie, while Smith should be the one making experimental non-commercials for him.

    The other thing I have to say about any promotional materials for Zack and Miri is this: more Darryl Robinson! That man is comedy gold, and while the poo in the toilet joke in the trailers is funny, it’s mostly Robinson’s bits that have me interested in this movie. And I hate the idea of wanting to see another Kevin Smith flick after Clerks II, so for anyone to make this seem appealing to me is worth his weight in gold.


    Originally posted on:SpoutBlog

  • Working Girls (and Boy): Our Five Favorite Movie Hookers

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    Night Shift  (1982)

    Taxi Driver  (1976)

    Mysterious Skin  (2005)

    From the turn-of-the-century Northwest to seedy 70’s NYC, from an 80’s morgue to 90’s Japan to the modern-day midwest, the oldest profession in the world is onscreen to stay. Here are five timeless performances that are worth the peep show.

    Julie Christie as Constance Miller in Robert Altman’s McCabe & Mrs. Miller

    Julie Christie is exhilarating in her Oscar-nominated turn as the smart and sexy Constance Miller, a no-nonsense businesswoman in the wild and wicked Northwest who just happens to be in the business of selling sex. In fact, it’s Warren Beatty’s dream chaser John McCabe who is the bimbo to Miller’s sly fox. Like a whore himself, he needs the professional madam’s charms and chops to make a living more than she needs him as a partner in their bordello/tavern venture. Sex-positive feminism at its finest.

    Jodie Foster as Iris Steensma in Martin Scorsese’s Taxi Driver

    Oscar loves hookers. Astonishingly wise and mature beyond her years, Jodie Foster delivers an Academy Award nominated portrayal of teen prostitute Iris Steensma in Scorsese’s 1976 “Taxi Driver” that is both streetwise and viscerally vulnerable. Whether Iris is slow dancing with Harvey Keitel’s pimp Sport Matthew, or conversing with Robert De Niro’s damaged Travis Bickle she is always the focus of attention in the scene, the object of desire, less an underage “sex slave” than a screwed up Lolita who’s learned far too young how to use her sexuality to control any situation. That Foster intensely studied the girl who played Iris’ best friend, a hooker in real life, is readily apparent by this focused, nuanced, nonjudgmental performance.

    Shelley Long as Belinda Keaton in Ron Howard’s Night Shift

    Normally I’m not a fan of director Ron Howard, but his bizarrely funny 1982 Night Shift allowed Shelley Long to shine as hooker Belinda Keaton in a way that showed she could hold her own onscreen opposite heavier hitters like Henry Winkler and Michael Keaton. So what if the premise of a nerdy Joe named Chuck Lumley (Winkler nerdy? Take that, Fonzie!) becoming a pimp to a fur-clad, cliché wrapped whore, turning the morgue he and Michael Keaton’s Bill Blazejowski work at into a brothel, is silly? The ensemble cast pulls it off, ushering in the crazy entrepreneurial 80’s in screwball style.

    Miho Nikaido, Ai in Ryû Murakami’s Tokyo Decadence

    Ryû Murakami’s 1991 Tokyo Decadence is one of my all-time favorite S&M flicks, not least because Miho Nikaido gives a refreshingly understated performance as Ai, a professional slave/call girl whose highly erotic acts of submission blew the mind of even this hardcore pervert. No need to “act sexy” if the script calls for your character to be forcibly fitted with a vibrator while being degraded at the hands of a sadistic yakuza john. Nikaido sizzles in collar and heels.

    Joseph Gordon-Levitt as Neil McCormick in Gregg Araki’s Mysterious Skin

    “Mysterious Skin,” the 2004 movie based on Scott Heim’s novel about two teenage boys forever haunted by their respective childhoods, is the film with which director Gregg Araki finally grew up, his most mature and poignant flick to date. Joseph Gordon-Levitt’s young hustler Neil McCormick is the male Iris Steensma with more of a back-story. The fact that Neil was abused by his Little League coach – and embraced that abuse rather than allowed himself to become paralyzed by it – is apparent in every downward spiral move Neil pursues. Joseph Gordon-Levitt invests the character with the same sexual knowingness as Foster does Iris, that of a child whose only power in the world is through simultaneously wielding the body as instrument of seduction and red-blooded weapon.


    Originally posted on:SpoutBlog

  • Bad Lieutenant Remake Still Sparking Baroque Threats From Ferrara

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    Bad Lieutenant  (1992)

    Mary  (2005)

    Bad Lieutenant  (2009)

    Hell hath no fury like Abel Ferrara underpaid for his intellectual property. In an lengthy interview with Nick Dawson for the FILMMAKER Blog (pegged to the long-awaited US first run of Ferrara’s 2005 film Mary, which starts at Anthology Film Archives on Friday), the filmmaker has more complaints about the Nicolas Cage-starring, Werner Herzog-directed remake of Bad Lieutenant. The big problem seems to be that rather than offer Ferrara and his crew a big (or, biggish), Ed Pressman and the producers of the remake simply paid Ferrara “twenty grand” and shut him out. My favorite quotes from the interview, taken out of context:

    “I can’t believe Nic Cage is trying to play that part. I mean, if the kid needed the money… It’s like Harvey Keitel said, “If the guy needed the money, if he came to us and said, ‘My career’s on the rocks,’ I’d cut him a break.”

    “I’m not doing the prequel to Aguirre: the Wrath of God, OK? Let me put it that way.”

    “Give us $8 million, we’ll come up with something. They give me twenty grand and say, “Go **** yourself.” Gimme a break!”

    “Ed Pressman sucks **** in hell, period. You can print that.”

    There’s much, much more here.


    Originally posted on:SpoutBlog

  • Of All The Things at Stranger Than Fiction

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    Standing in front of a packed crowd at the IFC Center last night before the SXSW-presented New York City premiere of his doc Of All The Things, Jody Lambert contemplated his good fortune. “To have Janet Pierson introduce the movie, to be part of Stranger Than Fiction, to have John Pierson send you an email…it’s kind of like Bonertown, USA.”

    To say that there were boners all around might be an exaggeration, but Lambert’s goofy, feel-good film definitely pleased the crowd. Jody’s father Dennis Lambert is the songwriter and/or producer of dozens of mainstream pop-rock hits, from “Baby Come Back” (after the screening, Lambert noted that its use in Swiffer commercials has been “very lucrative”) to “Ain’t No Woman” to (my personal favorite) “Do The Freddie.” After spending twenty-plus years writing hits for other artists, eventually Lambert moved down to Boca Raton to start a new life with a new wife and daughter, and a new career as a real estate agent. But “Bags and Things”, the solo album that Lambert released in the early 70s which flopped in the States, is a huge hit in the Phillippines, and Things follows Lambert as he embarks on a tour of that country performing the songs from that album which have apparently become the standard soundtrack for Filipinos in love.

    Although the filmmaker is not on camera much, Things plays very much like a love letter from a son to this father. But when the tour hits its peak with a Valentines Day concert in a giant stadium, the doc turns into a concert film for awhile, offering us the chance to contemplate a very specific sort of American pop song. Lambert’s music is a fusion of early 20th century standards, Motown, and British Invasion rock, all wrapped up in the the various inflections (disco, country, funk, white bread radio rock, etc) of whatever performer the song was written for. As hits singles and threads in our American “cultural fabric”, as Lambert puts it, these play like some of the least passionate songs of all time, and could in fact be held up as shining examples of What Went Wrong when the music subcultures of the 50s went mainstream. (A spectacular example is “We Built This City,” a song written because Grace Slick wanted a hit on MTV, which is apparently cursed: not only was it voted the worst of all time by BLENDER, but it spectacularly comes back to haunt Dennis while on tour.) But somehow, when performed by 60 year-old Lambert for hordes of screaming Filipino fans, both his solo material and the songs we associate with their famous recordings really feel like personal compositions. One almost wishes that the invisible hands behind the milquetoast superhits of the 70s would tour more often.

    A select crowd in New York will get a first-hand glimpse at the Dennis Lambert experience tonight; he’s playing a showcase at Joe’s Pub, but it’s already sold out. Of All The Things will screen at AFI in LA next month.


    Originally posted on:SpoutBlog

  • Musical Actors: Five Recastings That’ll Make You Look Twice

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    Forget about Don Cheadle replacing Terence Howard as James Rhodes / War Machine in Iron Man II, which smells a lot like the “we’ll threaten to replace Tobey Maguire with Jake Gyllenhaal” tactic that Sony used for Spider-Man II –– Hollywood has been doing this for years. It was bad enough back in the days of television with Dick Sargent replacing Dick York in Bewitched, but now it’s becoming pretty commonplace for producers to replace actors in iconic roles. Although now it’s more common due to monetary concerns, which seems to be what has taken Howard out of the War Machine suit, it’s also common to see an actor ankle a role because they don’t like the source material, or the direction the character is taking. We’ve put together several different re-castings, which all happened for a variety of reasons: money, dissatisfaction with the script, test audience reactions, and actors just growing tired of playing the same character. Check them out after the break.

    Jack Ryan Through The Years

    Alec Baldwin –> Harrison Ford –> Ben Affleck –> Ryan Gosling (?)

    In Tom Clancy’s series of “Ryanverse” books, action politician and former teacher Jack Ryan has dne everything from rescue a rogue Russian submarine to become the President of the United States. Alec Baldwin first played the role in 1990’s The Hunt for Red October, but he was unavailable for the sequel Patriot Games (which in the books is a prequel), due to a stint on Broadway. The producers then approached Harrison Ford, who took over the role for two movies, with Clear and Present Danger being the highest grossing Ryan film to date.

    Ford decided not to play the role a third time, and for 2002’s The Sum of All Fears they decided to try and jumpstart the franchise with a young Jack Ryan, casting Ben Affleck in the role. At the time, Ford reportedly told Affleck, “Knock yourself out. I don’t want to do these movies anymore.” Which contrasts with what he just told AOL’s Moviefone: “I thought that we hadn’t quite exhausted the potential of the Jack Ryan character. Those films were, I think, very good movies. I wouldn’t mind doing another of those.” Nevertheless, there’s a rumor that Ryan Gosling will become the new Jack Ryan in Without Remorse, which is currently in development. Personally? I thought Baldwin made the best Jack Ryan, but he’s a better Jack Donaghy.

    Jodie Foster and Julianne Moore as Clarice Starling

    Jodie Foster –> Julianne Moore

    When Foster declined to reprise the Clarice Starling role from Silence of the Lambs in Hannibal, the producers considered a list of actors that ranged from Winona Ryder to Gillian Anderson, who lost the role because her contract at Fox said she couldn’t play another FBI agent. Even though Foster had initially said she’d do it and had specific notes on the script, eventually Julianne Moore won the part, but in the end it wasn’t much of a prize –– it’s hard to remember that Ridley Scott directed this movie, because it just didn’t have a the spark or charisma of the original.

    Similarly, if you rent the excellent Manhunter, you’ll see William Petersen in a non-CSI role playing FBI agent Will Graham, who actually captured Hannibal Lecter (oddly spelled Lecktor in this movie), played by Brian Cox. Later Hollywood remade this movie as Red Dragon (the name of the book) with Anthony Hopkins reprising his Lecter role, and Ed Norton playing Will Graham. Although if we include remakes on this list, it’ll stretch on far too long.

    Maggie Gyllenhaal and Katie Holmes as Rachel Dawes

    Katie Holmes  –> Maggie Gyllenhaal

    Katie Holmes turned down a big payday when she decided not to return for the sequel to Batman Begins, and missed out on being in the biggest movie of this year. It’s still unclear if her decision shows Tom Cruise’s influence at work, or if she just didn’t want to do it now that she’s a mommy, but it was one of those head-scratching moments that just makes you wonder what happened. Maybe she bristled at the paltry two million dollars she was being offered for the role, especially since the part was beefed up for The Dark Knight.

    The Jennifers of Back to the Future Part II

    Claudia Wells –> Elisabeth Shue and Crispin Glover –> Jeffrey Weisman

    Back to the Future Part II saw two major roles get recast, and in some cases rewritten completely. Claudia Wells, who played Marty’s girlfriend Jennifer in the first film, decided to leave acting since her mother was diagnosed with cancer, and she later took more time off to have children. Her part was recast with Elisabeth Shue stepping in, and they had to re-shoot the ending sequence of the original movie since that’s how Back to the Future II opens.

    Additionally, Crispin Glover found out that the producers were using his image without his approval for the sequel, and he sued the directors and producers, including Steven Spielberg. The case was settled out of court, and the Screen Actors Guild later implemented rules to prevent this from happening again. As a result, Glover’s part was recast with Jeffrey Weisman playing George McFly, and most of his scenes show the back of his head, or him floating upside down (he’s supposed to be in traction, having hurt his back) and wearing heavy prosthetics.

    Smokey and the Bandit, Part III

    Burt Reynolds –> Jackie Gleason –> Jerry Reed

    This story is so strange that it makes me want to go back and watch this movie again, even though I remember how terrible it was when I saw it as a kid. This movie was originally titled Smokey and the Bandit III: Smokey IS The Bandit, with Jackie Gleason playing both Buford T. Justice, and the role of the Bandit. We sure would have like to see him as the Bandit, but apparently audiences didn’t and were too confused by the dual roles. So the studio dumped Gleason as the Bandit, and rewrote the film to have Jerry Reed as the Bandit.

    If you remember from the first two movies (and it’s forgiveable is you don’t have the lore of Smokey and the Bandit memorized at this point), Reed was the Bandit’s best buddy, Cledus Snow, who drove the big truck. However in this third installment, the Enoses (I swear I’m getting dumber by remembering all of this stuff) decided that the Bandit was too egotistical, and hire Snow to do their bidding. In the climactic scene, when Smokey finally catches the Bandit, he seems him as Burt Reynolds, who reprised the role just for that one moment. Now I need to go get a stiff drink. If someone out there can find the footage of Gleason as the Bandit, you’ll make my day. Thank god he made Nothing In Common with Tom Hanks before he died, because this would have a been a terrible film to end a career with.

    I was going to include Michael Gambon replacing Richard Harris in the role of Dumbledore, which opens up a whole realm of actors who had to be replaced because they died. Then I realized there’s actually quite a lot of those, so look for that in a future post.


    Originally posted on:SpoutBlog