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  • SpoutBlog Week in Review

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    Joe Swanberg’s BUTTERKNIFE Trailer

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    Originally posted on:SpoutBlog

  • BlogNosh 01/04/08

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    Under discussion:

    300  (2007)

    • “As a student and fan of special effects and new media,” writes Bob Rehak at Graphic Engine, “I???m struck by the completeness with which the top 10 [grossing films of 2007] encapsulate an evolving mode of high-tech production in serial media.” Those films, of course, include titles like 300, Ratatouille and the latest Harry Potter flick, all of which enjoyed “enormous profitability … in striking contrast to their devalued cultural status.”
    • Earlier this morning, I came up with a few reasons why New Line might have bumped Be Kind Rewind by a month. Chris Thilk offers another: it could be because Cloverfield is expected to “march through the box-office like a monster rising from the depths of the sea.”
    • At LIBERTAS, Dirty Harry predicts that in calling Knocked Up sexist, Katherine Heigl has irreparably damaged her appeal. “Heigl might???ve thought the quote would help her with the feminist crowd which obviously means so much to her, but the American male who made her a star will only see??arrogance, and that???s a turn-off.”
    • “Dear Studios,” writes Hacking Netflix. “Stop treating your paying customers like thieves.”

    Originally posted on:SpoutBlog

  • 5 Great Actors, 5 Crap Bond Films

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    The news that Mathieu Amalric, star of The Diving Bell and the Butterfly, has been cast as the next Bond villain may not be such a great sign for Bond 22. Nothing against Amalric??????in fact, just the opposite: the best actors have a tendency to show up in the worst Bond films. Here’s five bits of evidence to support that thesis; tell us what we’ve missed/why we’re wrong in the comments.

    1) Max Von Sydow, Never Say Never Again

    A lot of 007 purists barely acknowledge this “unofficial” Bond film, which was made outside the auspices of the Ian Fleming-sanctioned production company behind the rest of the franchise. But we have to include Von Sydow on this list, as the actor, who coincidentally plays the father of Amalric’s character in Diving Bell, was the source of an initial rumor that Almaric would be taking on the role of Ernst Stavro Blofeld, played by Sydow himself in Never.

    Never came out the same year as Octopussy, but made less money; it’s essentially a rehash of the far-superior Thunderball. Sean Connery came back to play Bond after a 12 year hiatus, whilst Von Sydow takes over the recurring character of Blofeld, head of the villainous SPECTRE, previously played by Donald Pleasance, Telly Savalas and others. Wikipedia has a chart comparing the various Blofelds across the seven films in which they appear, which pegs the Pleasance and Savalas incarnations as a clear inspiration for Dr. Evil. Von Sydow’s characterization of Blofeld broke from that mold, and reactions were/are mixed. At Not Coming to a Theater Near You, Leo Goldsmith mocked Von Sydow’s “Dracula accent and silly haircut,” but The Bond Film Informant praises Von Sydow for making Blofeld “cool, calm and bearded.”

    So, like father like fictional son? Somehow I can see Amalric rocking the “cool, calm and bearded” thing a little more easily than the “creepily impetuous Siamese cat-careeser” thing, but we shall see.

    (more…)


    Originally posted on:SpoutBlog

  • Sci-Fi Needs a Savior

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    Under discussion:

    Blade Runner  (1982)

    In the new issue of Entertainment Weekly, Mark Harris declares that sci-fi movies are in trouble, that they’re not giving us any new ideas and are in fact too nostalgic and derivative. Harris himself is saying nothing new — Blade Runner director Ridley Scott expertly stated this last summer at the Venice Film Festival — but I applaud his solution and his call for someone to rise to the occasion and save the genre from itself:

    Perhaps science fiction needs to be saved from the very people who love it the most. Nostalgia for a form can be annihilating to creativity, so while its devotees are swamped in their own canon, trying to mine now-sacred texts for any new material, I wish a great writer or director with no particular affection for the genre would let his imagination loose and see what it yields. It happened 40 years ago, when Stanley Kubrick, following his own ice-cold muse and his fascination with science itself, decided he wanted to create something that ”extended the range of science fiction,” a genre that didn’t particularly impress him. What nerve! The result was 2001: A Space Odyssey, which changed the game so completely that in movies, the sci-fi genre immediately vanished for a few years while everyone surveyed an irrevocably altered landscape.

    (more…)


    Originally posted on:SpoutBlog

  • R-Rated Prom-ises in a PG-13 ‘Prom Night’

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    Under discussion:

    Prom Night  (1980)

    Prom Night  (2008)

    Has the PG-13 rating become something of a teaser for R-rated content? I’ve had this suspicion for some time now, but I feel it’s confirmed with the new trailer for the Prom Night remake. The horror flick is another PG-13 redo of an R-rated movie, another example of the contrast between the marketing allowances of now and then. But wait, is it just me, or does the Prom Night trailer feature subject matter that is still inappropriate for kids aged 13 to 16 (and younger, since the rating requires no ID)? Maybe there’s none of the soft-core nudity of the original, but there’s still that idea that prom is time for getting it on in a hotel room. Sure, the idea is nothing new to most kids, but that doesn’t mean it has to be encouraged — even if a slasher film like this can be interpreted as a punishment to those sex-having teens.

    Regardless, though, of whether or not this movie features anything graphically or thematically inappropriate (disclaimer: I am no puritan nor censor; I saw the original Prom Night when I was some single-digit age, and I came out just fine), the point is that it’s something of a lie to act as though kids under 17 are not going to be attracted to those graphics and themes that are being hinted at. Even if the kids don’t end up seeking out the real-deal, they’re likely to imagine their own interpretations of what falls between the lines. Plus, isn’t it possible that a movie can communicate or stimulate a falsely tame image of sex and violence by presenting tamed-down sexual and violent material?

    (more…)


    Originally posted on:SpoutBlog

  • BE KIND REWIND Release Pushed Back

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    Under discussion:

    Be Kind Rewind  (2008)

    According to The Playlist (and, for what it’s worth, Box Office Mojo is backing this up), New Line has pushed the release date of Michel Gondry’s Be Kind Rewind back a month, from January 25 to February 22. It would be impossible not to question What It All Means. After all, this is not the first time this film has been shuttled down the calendar, but the January date sure looked sticky for awhile. The studio had planned a compressed indie film media blitz to unfold over the next three weeks, to include sending Gondry on a multi-city Apple Store tour in advance of Rewind’s Sundance premiere. New Line probably just feel like they need an extra four weeks after all that to run TV ads, and that’s fair. But let’s wildly speculate as to what else could be going on, after the jump.

    (more…)


    Originally posted on:SpoutBlog