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  • BlogNosh 1/31/08

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    • Above: a detail of the special edition Julian Schnabel-designed Diving Bell poster that we’re giving away. The deadline to enter our giveaway was supposed to be earlier this week, but whilst at Sundance we got too busy to promote it. So, we’re extending the deadline to Wednesday, February 6. Full details on how to enter here.
    • David Pescovitz at BoingBoing links to The Mindscape of Alan Moore, a documentary about the creator of Watchmen and V for Vendetta, which you can watch online.
    • Amelie Gilette at The Onion A.V. Club “always thought that Jamie Foxx’s natural career progression would be Booty Call, Ray, Oscar win, release of the R&B album Unpredictable, release of the R&B album Hot Tub, Academy Award (These Are The Words I’m Sayin’ To You), followed by the launch of Academy Award Winner: The Fragrance (musky ego with notes of ugh).” She was wrong.
    • “In 1993 Justin Timberlake joined the Mickey Mouse Club. In 1993 I officially joined the Mrs Doubtfire Fan Club. While membership is small, we all still share a love of vaccuming to Aerosmith???s ‘Dude Looks Like a Lady.’” Paul Scheer breaks down what sets him apart from the superstar with whom he shares a birthday.
    • “It’s all in there,” James Toback tells Michael Musto of his upcoming Mike Tyson documentary. “The ear biting, the rape charge, which was indeed a setup, and the solitary confinement. Mike’s survived, but he’s not sure into what future. He talks about being 40 as if it were 105 because a lot of people around him are drugged out or dead. Where does he go now?”

    Originally posted on:SpoutBlog

  • Heath Ledger and the Dark Marketing Conundrum

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    heathledgerjoker.pngYou knew this blog post was coming when Warner Brothers issued a say-nothing statement hours after Heath Ledger’s body was found last week. Now, a little over a week later, the scraps of news and speculative think pieces are flooding in; I read them and put the relevant information in a bullet-point list so that you wouldn’t have to.

    • Kim Masters at Slate says The Dark Knight hasn’t entered the ADR phase yet, meaning that if any of Ledger’s lines need re-recording, they’ll have to use a voice double. More interesting is the fact that Warner Brothers is spinning The Merchandising Issue as a moral one: if they don’t sell authorized t-shirts with Heath Ledger’s face on them, “The pirates would come out of the woodwork, and then it’s completely out of control.”
    • Chris Thilk says the third party companies who planned to partner with Warner Brothers on tie-ins (including Hersheys, who are planning some kind of Batman chocolate bar) were mostly not planning on using Joker imagery anyway, and will be able to continue with their capitalization plans unabated.
    • Borys Kit passes along word that WhySoSerious.com has been appended with a black ribbon. The creepy Joker images and Ledger soundbites otherwise remain intact.
    • Meanwhile, at Reel Pop, Steve Bryant reports that the “Why So Serious?” poster featuring an image of Ledger, which will likely be taken out of print, is selling for upwards of $70 on eBay. “Does the fact that I desperately want one make me soulless and insensitive?”

    More on Ledger, The Dark Knight, etc etc:

    The Dark Knight trailer: Chris’ Review

    Heath Ledger Joker Pics??

    Heath Ledger Found Dead??

    Joker Prequel: The Nontroversy (the prequel itself no longer exists on YouTube, but here are two posts about what it was like).

    Daniel Day-Lewis on Heath Ledger


    Originally posted on:SpoutBlog

  • Del Toro’s Hobbit Movies Will Be Too Stylized

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    Under discussion:

    Spider-Man 3  (2007)

    Pan's Labyrinth  (2006)

    The Hobbit  (2010)

    The Hobbit 2  (2011)

    After finally seeing Spider-Man 3 the other day, I’ll be happy to never see another Sam Raimi movie again. So, when it was announced Monday that Guillermo Del Toro, instead of Raimi, was in talks to direct the back-to-back Hobbit movies, I was somewhat relieved. But now with Del Toro himself pretty much confirming he’s on board for the Lord of the Ring prequels (I know in the book world prequel isn’t the appropriate word, but in the New Line film series, and as far as mass audience is concerned, it is), I’m still a bit worried about the look of the films. Will Gollum suddenly have no eyes, like many of the creatures in Del Toro’s recent works? Will he be played by Doug Jones rather than a CGI Andy Serkis? Will Middle-earth now be a more stylized place?

    One of the great things about Peter Jackson’s LOTR trilogy is that he made it look fairly straight-forward. There wasn’t much of the filmmaker’s personality in it. Sure, some of Middle-earth’s design had its influences (Rivendell looked painted by Maxfield Parrish, for example), but you couldn’t say the films necessarily or significantly reflected Jackson in any sort of a stylistic sense. Del Toro is much more of an auteur, though, and it’s easy to imagine his Hobbit duology bearing more a resemblance to his own films than to Jackson’s LOTRs (just look at how Hellboy II looks so similar to Pan’s Labyrinth). Of course, New Line couldn’t let too much divert from what the audience is used to, right? No way would anybody permit for Del Toro to do his own thing with Gollum or any other part of the franchise so that it would be unrecognizable to moviegoers. But then why not just hire some new, more malleable director to be Jackson’s Matt Reeves/James McTeague/Tobe Hooper?


    Originally posted on:SpoutBlog

  • Trailer of the Day: Be Kind Rewind (Sweded)

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    Making a “sweded” version of his own film’s trailer seems like such an obvious next step in Michel Gondry’s viral marketing of Be Kind Rewind. I can’t believe I didn’t see it coming. What’s next, self-”sweded” trailers for Eternal Sunshine of the Spotless Mind, The Science of Sleep, Human Nature and Block Party?

    In case you haven’t been following the promotions for Gondry’s latest post-modern surrealist fantasy film and have no idea what “sweded” is, it refers to the cheaply produced remakes of Hollywood movies that Jack Black and Mos Def’s video clerk characters create in Be Kind Rewind in order to restock their store’s rental library after they accidentally erase all the originals. OK, that was a long sentence, and is probably confusing if you’re not at all familiar with this movie. So, check out the real trailer here, and acquaint yourself. (Then check out Karina’s November clip-of-the-day post about “sweded” trailers and posters and her early January BlogNosh post about fan-made “sweded” trailers.)

    (more…)


    Originally posted on:SpoutBlog

  • Build a Ship, Sail to Sadness in NY

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    build-a-ship-2.jpg

    A low budget musical, highly improvised, shot on consumer video and blown up to film? I’m there. I’ve been wanting to see Laurin Federlein’s Build a Ship, Sail to Sadness since reading write-ups of its premiere at Rotterdam a year ago, followed by a number of conflicted but non necessarily dismissive reviews from LAFF. I’m so excited that it’s finally coming to New York tomorrow. Here’s an excerpt of the synopsis from Anthology Film Archives’ calendar:

    An absurdist musical travelogue, BUILD A SHIP follows young solitary Vincent as he rides on his moped through a deserted Scottish mountain region. His mission: to ???heal the loneliness??? of the few scattered inhabitants by introducing a mobile disco to the area. Driven by messianic determination and an addiction to petrol fumes, he struggles to keep his disintegrating vision afloat amidst the hostile landscape and stubborn indifference of the locals.
    Conceived around the idiosyncratically witty and eloquent persona of lead-actor and collaborator Magnus Aronson, whose heartbreakingly poignant pop songs punctuate the low-key proceedings, BUILD A SHIP is based on many hours of conversations between Aronson???s Vincent and the real-life residents of the area and was filmed using two consumer Hi8 video camcorders, resulting in an intentionally low-fi, grungy look that corresponds to Vincent???s defiant struggle: to erect a vision of perfection, glamour, and aesthetic refinement within the imperfections and dullness of everyday reality.


    Originally posted on:SpoutBlog

  • Tom Petty: Not Quite the Superstar That Peter Bogdanovich Led Us To Believe?

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    tompetty.pngIdolator passes along the news that networks are feverishly trying to counterprogram against “the allegedly low starpower of the veteran rocker” at the center of Sunday’s Super Bowl halftime show, Tom Petty. But how could that be? Peter Bogdanovich spent four hours telling us that Petty is the biggest, most beloved, and most important rock star IN THE WORLD. I simply refuse to believe that a work-for-hire hagiography might have embellished the appeal of the man who commissioned it. If Spike TV execs think their competitive eating special will out-draw “Free Fallin’”, then I can only assume they didn’t see Bogdanovich’s movie.

    To be fair to Bogdanovich, Idolator’s Maura Johnston calls a bit of bullshit on the story, which originated with The Hollywood Reporter, and Idolator’s hipster commenters come out in full force to defend Petty’s demo-crossing likability.

    That still doesn’t change the fact that the most interesting thing about Bogdanovich’s film is the way it betrays the fact that Petty paid him to make it, an issue which I went into in this podcast. Also of note: I sat through the entire four-hour film, totally sober, and didn’t nod off once, and I STILL don’t know who did the guitar solo on Runnin’ Down a Dream. I would have liked to find out because, to use what I believe is the appropriate parlance, it’s fucking sick.


    Originally posted on:SpoutBlog

 


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