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  • Jeff Wells Would Die 4 Haggis — Clip of the Day

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    Under discussion:

    Purple Rain  (1984)

    Fight Club  (1999)

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    God, I miss the heyday of Prince. But this is not about me: I offer you this clip of the day, from Purple Rain–in which Prince breakdances, vogues and licks his lips at his girl in the crowd, all the while lipsyncing “I Would Die 4 U” whilst wearing high-waisted leather pants and the puffiest man-blouse I’ve ever seen–in honor of Jeffrey Wells. Today on Hollywood Elsewhere, Wells challenged any critic who disagrees with him to a deathmatch. Sort of.

    I would like to challenge any film critic or blogger who strongly disagrees with me about the excellence of In the Valley of Elah (particularly in the snobby-ass, Paul Haggis-hating, nyah-nyah manner in which Slant’s Ed Gonzalez has recently expressed himself) to a bare-knuckles, John L. Sullivan-styled fist fight. I really and truly would be willing to bleed and get bruised and maybe knocked down over this. I know what I know and right is right, and I for one would be willing to stand up and go to the mat to defend my cinematic principles.

    Now, at this point, you’re thinking, “Alright! Critic on critic violence!” And then, “So why’d Karina match this blurb up with a Prince video? Has she lost it? Let’s see some shirtless Brad Pitt!!!

    Hold your horses. Check out Wells’ very next paragraph:

    If I wasn’t such a wuss, I mean. Saying I’d “like” to challenge an Elah hater to a fist fight doesn’t mean I’m doing that. My knuckles would get all swollen and I wouldn’t be able to type for a few days, and then where would I be? I haven’t been in a fight since the seventh grade.

    So obviously, he’s not really willing to go to the mat for Haggis at all. I’m not doubting Wells’ Elah love; in fact, I admire his deliberate use of masculine posturing as misdirection. It makes his puffy man-bloused statement of passion seem all the more sincere by comparison.


    Originally posted on:Spoutblog

  • Blockbuster Buys Movielink: Desperate, or Genius?

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    movielink_online_movie_rental_-_movielink_com-resized200.gifWord hit the web late last night that Blockbuster has acquired Movielink, an online movies-on-demand service that, despite having the backing of some of Hollywood’s key content providers (ie: studios like Warner Brothers and MGM) has struggled to reach critical mass. In the deal, Blockbuster acquires Movielink’s technology, plus the rights to distribute their library, which, if made available through Blockbuster today, would instantly skyrocket their VOD service miles ahead of the content-poor Watch Now program over at Netflix.

    So is this a genius move in the big blue giant’s ongoing battle with their red envelope competitors? Or is it a sign that the former king of video rental is now so weak that it has to outsource innovation? Opinion is split:

    Desperate!!!

    It’s a desperate move to shore up Blockbuster’s online failures…[the deal] gives Blockbuster merely a place at the online-video table, not the ability to eat everyone else’s lunch.” — Owen Thomas, Valleywag

    “[S]ignals more than a little desperation on the part of Blockbuster … Blockbuster is pretty much admitting they’ve been unable (unwilling?) to develop a home-grown service and so shelled out a bunch of cash (which they don’t have) to buy their way into the game.” — Chris Thilk, Movie Marketing Madness

    “Could [be] a last gasp for the once king of movie rentals … [it] may not help since, in a field already crowded with Netflix, iTunes, Amazon and more, Blockbuster is the only one with high operating costs — namely rent on all those brick and mortar stores.” — Scott Gilbertson, WIRED Compiler

    “That’s $80 million in losses for the studio investors on their Movielink project, which is money that could have been invested in higher ROI investments. Like suing their customers. This is clearly a hedge move by Blockbuster … [Blockbuster] needs to defocus on Netflix and think about how to use those stores to its advantage. Otherwise, its long term prognosis is clear - deadpool.” — Mike Arrington, TechCrunch

    “It’ll be interesting to see how Blockbuster prices the movies for Total Access members. If they continue to charge for the movies, it will give Netflix the advantage in price, but if they give them away it will add an additional expense to the costly Total Access program.” - Hacking Netflix

    “Before projecting any increase in market share, Blockbuster’s first assignment is to make Movieline competitive.” — Leo Blanco, 9:01 AM

    Genius!!!

    Apparently, Blockbuster isn’t as hopelessly tethered to its VHS rental-business past as you might think … it’s likely a good acquisition for Blockbuster.” John Paczkowski, All Things Digital

    Blockbuster’s acquisition of Movielink makes it a bit late to the IP VOD party, but we get the feeling the goal isn’t so much to break new ground as it is to plant their feet more firmly in their showdown-to-the-death with Netflix.” — Matt Buchanan, Gizmodo

    “With this deal, Blockbuster could become the triple threat it’s hoping to be, with mail-in, online and in-store movie rentals.” — Kristen Nicole, Mashable

    “Brilliant … All I can say is that Blockbuster is making some very good moves, and I just don’t see how Netflix will compete with them long term unless they also start introducing some new moves.” — John Campea, The Movie Blog

    “Wall Street does seem to think that Blockbuster is making a smart acquisition. Shares of Blockbuster gained 3 percent despite the gloomy tape.” — Paul R. La Monica, CNN Money

    “Blockbuster’s retail presence should give a boost to the viability of kiosks where back-catalog titles can be burned on demand, giving customers more selection than the inventory at a typical store allows.” — Jackson West, NewTeeVee

    Verdict: It’s closer than I would have suspected, but it veers more towards the negative. If Blockbuster were to play every step of this acquisition without a blunder (and that’s kind of a big ‘if’), it would temporarily put them ahead of Netflix in the VOD game. But it still wouldn’t solve those 9,000 brick-and-mortar problems.


    Originally posted on:Spoutblog

  • Toronto 2007: Documentary Picks

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    Under discussion:

    Parallel Lines  (2004)

    phildonahue.pngOn the Toronto International Film Festival’s official Doc Blog, TIFF documentary programmer Thom Powers has been asking various film fest and doc professionals (including Matt Dentler, Agnes Varnum, and David Nugent) to name the nonfiction films that they’re most excited to see at this year’s TIFF.

    No one’s asked me what I think, so of course I’m going to chime in anyway: the film on the Real to Reel program that I’m most looking forward to is probably Obscene, Neil Ortenberg and Daniel O’Connor’s portrait of publisher Barney Rosset, who fought obscenity trials over works like Tropic of Cancer and I Am Curious … Yellow. I’m also interested in Operation Filmmaker, which made a few of the Doc Blog lists. Directed by Nina Davenport, it’s the story of an Iraqi film school student who, after the bombing of Baghdad in 2003, gets a job on the set of Liev Schreiber’s Everything is Illuminated. One blogger, reviewing the film at the Sydney Film Festival, called it “an often gauling example of the naive simplifications that those on the Left, for all that they may mean well, often make.” He didn’t mean that as a compliment, but it’s piqued my interest nonetheless.

    (more…)


    Originally posted on:Spoutblog

  • Be Kind Rewind Trailer — The Non-bootleg Version

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    Ghostbusters  (1984)

    Be Kind Rewind  (2008)

    Remember that terrible camcorder leak of the Be Kind Rewind trailer? It apparently prompted New Line to push an official version of the trailer on to the web. Check it out via YouTube above, and let us know what you think. I’m seeing a little too much Jack Black-doing-Jack Black for my tastes, but come on — it’s a movie about two guys who try to pull off a ten cent remake of Ghostbusters. How could I not fall in love? The studio has apparently pushed the opening up from early 2008 to late 2007 (ie: Oscar-bait season), so they’re probably assuming they’ve got something difficult to resist.

    Also, if you haven’t yet, you should check out Michel Gondry’s channel on YouTube. The “Will it Deblend” clip is a thinly veiled advertisement for the Science of Sleep DVD, but it’s the most charming thinly-veiled advertisement I’ve ever seen.


    Originally posted on:Spoutblog

  • King of Kong Director Seth Gordon: The Media Diet

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    steve-wiebe-plotting-victory-bh.jpg

    On this week’s installment of The Media Diet, we talk to Seth Gordon, director of the documentary King of Kong. King tells the story of Steve Weibe, a mild-mannered middle-school teacher/Donkey Kong phenom who attempts to set the Guinness World Record for highest recorded score on the arcade version of the game. Steve has only one obstacle, and that’s charismatic fast food employee/”Gamer of the Century” Billy Mitchell, who held the Donkey Kong record for 20 years until Weibe managed an unprecedented 1,000,000 point game. Mitchell and Weibe spent several months battling for the Guinness record, and Gordon got it all on film.

    It may sound totally dorky, but it’s also a full-on crowd pleaser. Last weekend, I went to a screening at the  Museum of the Moving Image, where the median audience member age is probably 65, and the King of Kong trailer brought the house down. You can see what all the fuss is about on August 17, when Kong opens in New York, Los Angeles, Seattle and Austin (it’s set to expand to additional cities in the weeks to follow; to find out when Kong is coming to your town, go here and click on “Theaters and Tickets” at the bottom of the page). And click through to read Gordon’s thoughts on Uwe Boll, Saved By The Bell, his upcoming feature adaptation of King of Kong, and the Roger Ebert vs. Gamers debate.

    (more…)


    Originally posted on:Spoutblog

  • Another Day, Another Unnecessary Sequel: Trade Roughage 08/09/101

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    Under discussion:

    The Pink Panther  (2006)

    • Sony’s making a sequel to The Pink Panther. Yeah, the Steve Martin one. The one that was delayed for a year and only barely made back its production costs at the domestic box office. Judging by the cast they’ve put together (which includes Aishwarya Rai, Jean Reno and John Cleese), the studio seems to be banking on international appeal to put the franchise in the black.
    • Brian Lowry reviews NY77, a documentary about the emergence of punk, hip-hop and “a sexually-permissive club scene” in New York in the late 70s. The film, which was produced by Nanette Burstein and premieres on VH1 this weekend, “methodically recreates the period’s vibe — with Geraldo Rivera recalling how at Studio 54, it was ‘absolutely appropriate’ to have sex in the bathroom stalls. (Today, sadly, he can only approximate that experience via his appearances on Fox News.)”
    • Motion capture effects house Mova demonstrated a new 3-D technology at SIGGRAPH this week, aimed at creating life-like models of actors’ faces. According to Mova founder Steve Perlman, the future of 3-D won’t involve plastic glasses, but will be “more like theater in the round, where you can either walk around the scene or move into the scene itself.”
    • Tom Hanks and Nia Vardalos are among the complaintants in a lawsuit filed against financing company Gold Circle Films. Hanks and crew claim Gold Circle “cheated” them out of profits on My Big Fat Greek Wedding. Variety’s Janet Shprintz notes that while Wedding is “one of the most successful indie films of all time”, it’s also “spawned an extraordinary amount of litigation” — this is the third lawsuit involving Vardalos alone.

    Originally posted on:Spoutblog