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  • 51 Birch Street available on DVD

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    51 Birch Street  (2005)

    One of my favorite movies of 2005 is now available on DVD. I became so enamored with 51 Birch Street after I saw it at SXSW 2005, that Spout hosted a grassroots screening to a packed  theater near my house.

    51 Birch Street is a little documentary made by Doug Block about his parents. He’s the kid in the family who makes movies, and–much like me–he’s volunteered to cover all family events. Then his mom dies and he keeps his camera with him as a way to make conversation with his old man. His camera winds up seeing more than he ever expected, capturing what looks like a tea cup filled to the brim with tornado. It’s a small story of your average American family having average problems that quake with cataclysmic force when the truth rises. It’s a pitch perfect telling of how–no matter where you are–family is a black hole always pulling you back to the core.


    Originally posted on:Spoutblog

  • LOL on DVD Today

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    LOL  (2007)

    Years from now, when the planet becomes uninhabitable for humans (Leonardo DiCaprio warned us, and still we didn’t listen!), and when alien anthropologists come to sift through the ruins of Earth to learn about late-homo sapien culture, I can only hope they come across a pristine copy of Benten FilmsLOL DVD and have the aptitude to understand what they’re looking at.

    Of all of the movies lumped into the Mumblecore bucket, LOL comes the closest to making an accurate diagnosis of a certain contemporary real-life character type (the literal gadget fetishist?) that, if seen elsewhere in culture, has nowhere else been properly condemned. The aliens may not understand why these young humanoid males spend so much time at their circa-2006 wired workstations, but if they can find an English-to-Alien translator, David Hudson’s liner-notes essay should put it all into context.

    (more…)


    Originally posted on:Spoutblog

  • Mark Cuban on Dancing With The Stars?

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    markcuban.pngYesterday, TMZ breathlessly announced that they’d landed the tightly-guarded list of the cast and alternates for the upcoming season of ABC’s reality competition, Dancing With the Stars. Then the page view whores made us click through a maddening gallery to confirm earlier rumors that one of those alleged dancing stars is indeed Mark Cuban, the brash billionaire who owns the Dallas Mavericks and who, as owner of Landmark Theaters and Magnolia Pictures, is also at the forefront of the movement to close the theatrical/DVD distribution window.

    I’m willing to bet that Mark Cuban is not on the final list, which is set to be announced on ABC’s Good Morning America tomorrow. My reasoning is three-fold: First, according to an interview that appeared late last week in Portfolio, Cuban is currently recovering from hip replacement surgery. Second, he already did the reality TV thing once, and it didn’t go so well. Third (and probably most compelling), today TMZ published a blurb covering their collective asses if the official cast list fails to match their gallery: “Well placed on-set sources tell us that execs, fearing someone would leak the cast to TMZ, gave the show’s staff and crew names that may or may not be 100% accurate.” Looking at TMZ’s list, Cuban and one of the two former Beverly Hills 90210 babes seem like the easiest names to scratch off.

    So here’s the deal: If Mark Cuban is *not* on Dancing With the Stars, I win the satisfaction of being correct in my assumptions. If it turns out that the part-time movie mogul *is* on the show’s official cast list, as punishment for being wrong about this I promise to live-blog Cuban’s Dancing performance for as long as he manages to stay on the show. I’ve convinced myself that either way, I win on this — I mean, if Louis B. Mayer had entered a dance marathon, we would have wanted a document of it, right?


    Originally posted on:Spoutblog

  • Sweeney Todd For Xmas: Trade Roughage 08/28/07

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    • Dreamworks and Paramount have decided to open Tim Burton’s Sweeney Todd wide on Christmas weekend. The original plan was to open on a couple of screens December 21 and then go wide three weeks later, but the studios, apparently convinced that Johnny Depp’s demon barber could have the appeal of a singing, cannibalistic Captain Jack, think Burton’s Sondheim adaptation has holiday weekend written all over it.
    • “Owen Wilson’s emergency hospitalization and recovery are throwing a major monkeywrench into production of two movies and causing marketing headaches for two more,” writes Variety’s Tatiana Siegel. It seems like a fair thing to  speculate, but the only studio rep who would go on the record dismisses the line of inquiry as “totally inappropriate at this time.”
    • Another day, another set of amazing sidebars announced by the New York Film Festival. This time, it’s a series of “dialogues” with directors Julian Schnabel, Todd Haynes, Wes Anderson and Sidney Lumet.
    • Women in Film, in partnership with GM, have launched an online magazine for/by/regarding females in the film industry. It’s called Traction, and you can find it at wiftraction.com

    Originally posted on:Spoutblog

  • BILLY THE KID on Tour

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    Billy the Kid  (2007)

    Matt Dentler points to this post on the official Billy the Kid blog, with details on the film’s upcoming 13-city Oscar-qualifying tour. New academy rules (which AJ Schnack has covered in depth at his blog) state that a film has to screen in at least 14 cities, in addition playing for one week in Los Angeles, in order to qualify for a Best Documentary Oscar nomination. Billy, which just took the top documentary prize at the Edinburgh Film Festival, already completed its LA week, but starting this weekend it will embark on a tour through 12 unlikely locales, such as Grass Valley, CA and Montpelier, VT. The first stop is Bantam, CT, where Billy the Kid screens tomorrow through Friday at the Bantam Cinema. For more on Billy the Kid, check out Kevin and Paul’s podcast about the film, which lives here.


    Originally posted on:Spoutblog

  • Single-Chick Indie Miracles

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    Broken English  (2007)

    It’s not quite 8:00 AM, but I have a candidate for Quote of the Day. From Michael Atkinson’s review of Broken English, newly released on DVD, at IFC News:

    Posey-triumph and single-chick indie miracle that it is, Broken English may also be the most eloquent portrait of its subject demographic ever made, despite changing two-thirds of the way through into a slightly ditzy French-movie version of itself and robbing a little, in the end, from Linklater’s Before Sunset. While Sex in the City reruns are merely the idiot’s guide to lonely-girl anesthetization, Cassavetes’s feature-film debut is the true gem.

    Whatever you think of Zoe Cassavetes’ film, it’s definitely had an interesting media life. Largely overlooked at Sundance, generally shrugged-over in its theatrical release, reclaimed late in the game by a handful of bloggers (including me) and now, finally, earning glowing reviews at the end of its media cycle. If theatrical distribution is now essentially a commercial for home entertainment sales (and I’m fairly sure Magnolia, English’s distributor, believes it is), than this is perhaps the best reception a film could ask for: the longer Broken English sits in the culture, the more positive attention it attracts. It’s a “sleeper” on a long-tail timeline.


    Originally posted on:Spoutblog