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  • Corbijn’s Videography — Clip of the Day

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    Under discussion:

    Control  (2007)

    In anticipation of seeing Anton Corbijn’s Control at Toronto next week (FYI, that film took a couple of prizes at the Edinburgh Film Festival this past weekend), I’ve been watching some of Corbijn’s music videos on YouTube and iFilm. In the late 80s/early 90s, Corbijn was to go-to guy for Euro-bands looking for something grainy and either black-and-white or in washed-out color, in which they could sulk bitterly whilst stalking around either city or countryside, surrounded with what looked like low-rent Helmut Newton girls in various 80s costumes, and eventually resolve some of the underlying tension and hostility in some suggestion of light S & M.

    (more…)


    Originally posted on:Spoutblog

  • Werner Herzog on Rescue Dawn “Libel”

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    Under discussion:

    Rescue Dawn  (2007)

    Last week, I wrote about Rescue Dawn: The Truth, a website where friends and family of Gene DeBruin, the character played by Jeremy Davies in Werner Herzog’s film, make the case that the director distorted the real life events at the Laotian prison camp in order to puff up the heroism of Dieter Dengler. Conservative bloggers and critics, who had initially praised the film for upholding American patriotic values, immediately turned on Herzog. They were particularly fired up by the claim that Herzog had been contacted by people close to DeBruin but had ignored their pleas to make changes to the film. In response to charges that DeBruin’s defenders were “blown off” by Herzog, Debbie Schlussel wrote, “Since Mr. Herzog would not tell the truth, I will.”

    But over the weekend, I was listening to the August 3rd episode of Filmspotting, which features an interview with Herzog. This interview must have been recorded at least two weeks before Schlussel started the blog firestorm with her post, and in it Herzog voluntarily acknowledges the DeBruin camp’s unhappiness with his version of the story. Herzog concedes the discrepancy between his version and the family’s version, but says the Gene seen in Rescue is basically an exaggeration of certain character flaws related by Dengler to Herzog before Dengler’s death. Herzog’s basic attitude is, “I understand that they love Gene and want to think the best of him, but sometimes when men are put in extraordinary situations, they behave in ways that even the people closest to them wouldn’t expect.” You can listen to the podcast here.

    This would seem to absolve Herzog of the charges of libel that were recklessly flying around the blogosphere last week. It’s not that he willfully mischaracterized DeBruin; the Herzog and the DeBruin camps simply have two different takes on the truth.


    Originally posted on:Spoutblog

  • What’s Going On With Ebert and His Thumbs?

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    ebert.pngLate Friday, the AP ran a story about Roger Ebert’s on-going contract negotiations with Disney/ABC (the producers of Ebert & Roeper) with the headline, “Ebert, No Thumbs, Up or Down, on TV Show“. Along with the wife of his former partner, Gene Siskel, Ebert owns the trademark to the “thumbs up” concept, and according to a press release submitted by ABC to the AP, Ebert had “exercised his right to withhold use of the `thumbs’ until a new contract is signed.” The AP story goes on to report that two episodes of Ebert & Roeper have been taped sans both Ebert and thumbs.

    But in a statement released over the weekend, Ebert said ABC’s press release was misleading:

    Contrary to Disney’s press release, I did not demand the removal of the Thumbs™. They made a first offer on Friday which I considered offensively low. I responded with a counter-offer. They did not reply to this, and on Monday ordered the Thumbs™ removed from the show. This is not something I expected after an association of over 22 years. I had made it clear the Thumbs™ could remain during good-faith negotiations.

    In his statement, Ebert expresses a desire to resolve the dispute, and to get the thumbs back on the air as soon as possible. But is that still a viable possibility?

    (more…)


    Originally posted on:Spoutblog

  • Mask & Dissent: Trade Roughage, 08/27/07

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    Under discussion:

    Mask  (1985)

    • As part of a campaign to promote their film’s upcoming DVD release, the producers of the Michael Moore attack doc Manufacturing Dissent have struck a deal to stream 40 minutes of the movie on AOL’s TrueStories documentary site. According to Variety, AOL’s Stephanie Sharis said they’ll monetize the event “by splicing adds into the video;” they’re hoping to get some free publicity from “plenty of blogs.”
    • SuperBad held onto the top slot at the box office for the second weekend in a row, making it just the third film this summer to show such staying power. Meanwhile, the Weinstein Company’s losing streak continued with a sixth-place open for The Nanny Diaries.
    • The New York Film Festival has announced three sidebars:  “Views from the Avant-Garde”, an annual program featuring films by Ernie Gehr and Ken Jacobs; “Tropical Analysis: The Films of Joaquim Pedro de Andrade,” through which NYFF will screen 13 films by the Brazilian director; and “Chinese Modern: A Tribute to Cathay Studio,” featuring Hong Kong cinema of the 1950s.
    • The Pasadena Playhouse will host the world premiere of a stage musical based on Peter Bogdanovich’s 1985 film, Mask. Despite the fact that the score will be written by the songwriting team who brought us “You’ve Lost That Loving Feeling,” it seems unlikely that Cher will reprise her role. The Playhouse will also host the premiere of Orson’s Shadow, a play based on a real-life encounter between Lawrence Olivier and Orson Welles.
    • Owen Wilson was hospitalized over the weekend after an apparent suicide attempt. Variety cribs the story from National Enquirer, who have a few additional details.

    Originally posted on:Spoutblog