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  • Rome Burns — Clip of the Day

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    Under discussion:

    Contempt  (1963)

    La Dolce Vita  (1960)


    A massive fire broke out last night at Rome’s Cinecitta Studios, the mega-complex that has hosted hundreds of productions, from La Dolce Vita to The Life Aquatic. Ironically, the only set damaged beyond repair by the blaze was that in use by the HBO drama Rome. Above, you’ll find an English-language news report about the fire; click through the jump to watch the trailer for one of my favorite films shot in and around Cinecitta, Godard’s Contempt.
    (more…)


    Originally posted on:Spoutblog

  • Movie Downloads: The Pros and Cons

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    netflix.pngBlockbuster supporters (and stockholders) who got all excited about yesterday’s announcement that the video chain has purchased movie download site Movielink might want to wait before opening that bottle of champers. In a blog post titled “Video Downloads … Suck,” Om Malik*** points to a study by Parks Associates, which was (apparently coincidentally) released yesterday. Only 16 percent of those surveyed said they were happy with the selection of movies and TV shows available for download online, and only 13 percent agreed that those videos are sold for a reasonable price. “In other words,” says Malik, “The majority think downloads are too expensive and they suck.”

    With all the “downloads are gonna save the industry” talk that seems to be going around, this would seem to be a study worth paying attention to, but I do wonder about the demographics of those surveyed. And the terms used in the press release also seem dangerously vague. Parks acknowleges that they’re lumping together products obtained from both legal, paid services like iTunes, and illegal P2P networks, which is already problematic, but it would seem that the term “video downloads” would be subject to even further confusion. Are we talking about studio movies, or “user-generated” videos, or both? What about streaming? What about YouTube? What about porn?

    The findings of the Parks study certainly seem to stand in contrast to those expressed by Chuck Tryon, in his recent article in Flow. Tryon describes the experience of using Netflix’s Watch Now streaming service as a positive one, not least because it allows him to escape the “bright red envelope collecting dust” syndrome common to so many Netflix users. As Tryon puts it,

    The Watch Now option feeds the desire for immediacy or spontaneity associated with trips to the video store. Audiences are not forced to wait the 2-3 days for that little red envelope to show up in the mail…Instead, as I’ve watched online, I’ve found myself watching movies more frequently than at any time in the recent past, while being more willing to take chances on certain movies, based in part on the perception that I’m making a relatively spontaneous decision, one that won’t result in a movie sitting on my shelf for several weeks at a time.

    Tryon notes that one potential downside of the Watch Now system is that you’re stuck watching a movie on a computer, which tends to transform the idea of renting a video from a potentially communal to an almost necessarily solitary experience. But with Netflix rumored to have a set-top box in the works, that problem may be temporary. I’ve long been of the opinion that once we get to a point where there’s a more feasible way to connect files from the computer to the TV, downloading will explode. But then again, that theoretically should have been accomplished by the AppleTV, and in my three months as an AppleTV owner, I’ve yet to find a film for sale on the internet that I both want to watch, and can watch through all the Apple DRM.

    If I took part in that survey, I’d have to concur that the current selection of movies available for download is not ideal–but if the Apple Store were to stock the movies I want to see, I’d be downloading left and right.

    ***Full disclosure: I write a weekly column for Om Malik’s NewTeeVee.


    Originally posted on:Spoutblog

  • Biggie Smalls Movie Holds Internet Casting Call

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    Under discussion:

    Soul Food  (1997)

    Training Day  (2001)

    biggiesmalls.png

    Fox Searchlight is in the process of casting Notorious, a drama about the life and death of slain rapper Notorious B.I.G. (AKA Biggie Smalls, AKA Christopher Wallace), a project which Biggie’s mother and former managers have been trying to get made for seven years. Having apparently exhausted Hollywood’s supply of obese African-American actors (”His looks, his stature, what he represented, the swagger, the sensibility of the man — all those elements are very difficult to find, no matter where you go,” says producer Wayne Barrow), they still can’t find a leading man. So starting this Sunday, the production will begin accepting audition tapes from the general public via BiggieCasting.com.

    Two years ago, when the film was still set to be directed by Training Day’s Antoine Fuqua (it’s now in the hands of Soul Food’s George Tillman), Barrow said the producers were considering a number of known actors, including Anthony Anderson. But I guess he forgot about that, because by way of justifying the open call, Barrow told USA Today that “no one came to mind outside of Forest Whitaker who could capture that essence genuinely” — and, at 46, the Oscar-winning Whittaker is about 20 years too old for the role.

    I think this is a tricky proposition. On the one hand, I see how it makes sense–there certainly couldn’t be a more cost-effective way to hold open auditions. But in the same USA Today story, Biggie’s mom, Violetta Wallace, makes it clear that they’re not looking for a Biggie “impersonation,” and in the current spoof-obsessed web climate, you have to assume that that’s exactly what they’re going to get. Can you imagine how many skinny white college dudes are going to read about this and take it as an open invitation to corrall a bunch of coeds into a hot tub for borderline-racist (and definitely sexist) “Big Poppa“-inspired video antics?

    The real Biggie formed his persona at a cultural crossroads: born into a relatively stable home set amidst the crack-infested streets of Bed Stuy, he made a conscious decision to drift away from his private school life and immerse himself into what we on the West Coast would have called “thug life” (okay, not me–I was white, suburban and 12–but that’s what I learned from watching the MTV). If the producers are really looking for someone who gets the character and his background, who will give a deeply felt performance instead of an actorly-one, I doubt they’re going to find it by appealing to the YouTube generation. But I’m sure the audition tapes will be good for a laugh.


    Originally posted on:Spoutblog

  • Jackie Chan Suffers To Satisfy Martial Arts Fans Wet Dreams

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    Under discussion:

    Rush Hour [Film Series]  Production Year

    jackiechan.pngEarlier this week, Grady Hendrix (co-founder of Subway Cinema, the collective that puts on the annual New York Asian Film Festival) re-launched his Kaiju Shakedown Asian cinema blog at Variety. Yesterday, Hendrix posted a mighty listicle, in an effort to catch his readers up on the Asian film world gossip that they missed while the blog was on its “six month bathroom break.” And thank God he did, because otherwise, we would have never known about this post on Jackie Chan’s official blog, dated July 16 and titled “Absolutely No Fun”. An excerpt:

    Today is Monday. I have to begin my fourth day of prosthetic make-up. Thinking about doing the same thing tomorrow just makes me feel like there is no joy in life. Supposedly, I was scheduled to finish filming my prosthetic make-up shots today. But they told me they needed an extra day because they haven’t finished filming all the shots. When I heard this news, my whole body felt like it was about to break down. I totally lost my appetite. I didn’t want to drink. I didn’t want to speak. I didn’t want to make any phone calls. Even if someone called me, I didn’t want to answer the phone. I didn’t want to write my diary. If they needed me to film, then I would film. Otherwise, I didn’t want to do anything else…

    The prosthetics are for a film Chan is making for The Weinstein Company with Jet Li, called Forbidden Kingdom, and since the pairing of the two stairs makes this a huge project for martial arts fans he’s apparently contractually forbidden from releasing pictures of the “no fun” make-up job (Twitch linked to some cast photos in June, but there are no close-ups of Chan). We wouldn’t want to wish this kind of suffering on anyone, but you’ve got to wonder: is Chan undergoing some kind of karmic retribution for continually enabling the ascendancy of Brett Ratner?


    Originally posted on:Spoutblog

  • FilmCouch #32

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    Under discussion:

    Broken English  (2007)

    An artist takes on the remake of a canonical film by opening up the creation to the YouTube generation. Interviewing artist Perry Bard who is calling for people everywhere to shoot pieces of their lives to remake Dziga Verdov’s Man with a Movie Camera (1929) shot by shot. Also, Karina Longworth gets personal about Broken English (2007) starring Parker Posey, Gena Rowlands and directed by Zoe Casssavetes. We also discuss The Gleaners and I (2000).

    Download FilmCouch #32 or subscribe in the iTunes store (search for “filmcouch” or click here to launch iTunes) and a new free episode will download every Friday. Join the FilmCouch group


    Originally posted on:Spoutblog

  • Alec Baldwin Works: Trade Roughage, 08/10/07

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    Under discussion:

    Enter the Dragon  (1973)

    Spider-Man 3  (2007)

    • alec18.jpgSo much for Alec Baldwin’s previously stated ambition to quit acting and “do something better” with his life. He’s signed on to play a supporting role in a Dane Cook comedy called Bachelor No. 2, which starts shooting next week in Boston. Baldwin is also expected back on the set of his NBC sitcom 30 Rock later this month.
    • WB has hired an executive producer of The Shield to direct a “noir-style” remake of the Bruce Lee classic Enter the Dragon.
    • Variety’s Marc Graser has an assessment of the entertainment options available on the new Virgin America. “Airline charges $8 per pic — a somewhat steep price to watch Spider-Man 3on a nine-inch screen. At least the pics are unedited.”
    • One of my favorite docs from Sundance 2007, Julien Temple’s Joe Strummer: The Future is Unwritten, will simultaneously debut in theaters and on video-on-demand via IFC’s First Take program. Expect to see it on your cable menu in early November.
    • Breaking: Chris Noth cashes check.

    Originally posted on:Spoutblog