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  • Events: Denver, Werewolves, and The Future

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    Under discussion:

    Teen Wolf  (1985)

    teen_wolf.jpgNews of a number of can’t-miss events has flown into my inbox over the past 24 hours. In chronological order:

    • This Saturday, The Pioneer Theater in New York is presenting a six-film, 584 minute werewolf movie marathon. $25 buys tickets to the whole affair, or if you really just want to show up at 4 AM to catch Teen Wolf (and who could resist, after seeing the poster to the right?), individual shows are $5 each. For more information, visit The Pioneer’s website.
    • The Denver Film Festival runs November 8-18. There are many reasons to be excited about this festival (and Mark Rabinowitz has and will continue to list many of them on his blog), but here’s a new one: I’m going to be speaking on a panel about film blogging, alongside Mark, James Israel from indieWIRE, and director AJ Schnack. For more info and tickets, go here.
    • Alas, because I’ll be in Denver that weekend, I won’t be able to head up to Cambridge for the Futures of Entertainment conference, which is happening November 16-17 at MIT. Organized by the Convergence Culture Consortium of the school’s Comparative Media Studies program, the conference will bring together academics and industry experts to discuss a variety of new frontiers of form and content, from mobile distribution to fan labor and the “architecture of participation.” There are only 200 seats available, so if this sounds good to you, register now.

    Originally posted on:SpoutBlog's blog

  • Redacted vs. Medium Cool. Clip(s) of the Day.

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    “I’ve been thinking about Medium Cool a lot lately,” writes Chuck Tryon at Newcritics. “In part because I’m teaching it, but also because the film’s treatment of history and documentary would seem to inform the debates about Brian DePalma’s Redacted and the decision to remove some documentary photographs from the film’s final montage.” Chuck hasn’t seen Redacted yet, but he makes some interesting connections in the full post, which you can read here. I havent’ seen Medium Cool since my first year of college (that’s about nine years, if you’re counting), and Chuck’s post inspired me to try to dig up some clips online. All I could find was the trailer above.

    The thing that struck me when watching the trailer is that it looks very “real.” Obviously, I’m too young to have seen Medium Cool at the time of its release, so I don’t know if this is really a legitimate response–I don’t really know what “real” looked like in 1969. But even if it’s just a so-so approximation of 1969 reality, Medium Cool would seem to have something over Redacted, which wants to be a dispatch straight from contemporary popular media but, with its school play version of combat and video blogs kabuki, fails miserably.

    Check out the Medium Cool trailer above, and the Redacted trailer below the jump. The almost image-free Redacted trailer is the ultimate teaser, a physical illustration of Brian DePalma’s insistence that the whole movie is comprised of material that an unnamed someone doesn’t want you to see. As Chuck notes, Medium Cool was, literally a movie that was considered too controversial and ground-breaking for release. In contrast, its trailer plays as a perfectly preserved slice of zeitgeist.

    (more…)


    Originally posted on:SpoutBlog's blog

  • Is Netflix Committed To Indie Distribution?

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    netflix1.pngInc.com [via Hacking Netflix] recently asked five entrepreneurs what they would suggest to help Netflix win their on-going battle against Blockbuster once and for all. Let’s ignore, for a minute, the fact that it seems really weird to ask a handful of confirmed capitalists what they would do to help a single corporation to secure a market monopoly. I think Withoutabox’s David Strauss is right on the proverbial money with his suggestion that Netflix should seek out niche audiences and put a greater push behind indie films:

    Netflix should distribute more obscure films. It started down this path last year when it helped to distribute The Puffy Chair, which got raves at Sundance. Targeted niche outreach of this kind is harder to do than mass outreach, but if you develop a lot of loyal little audiences over time, in the way that eBay did, you often end up with a larger audience than if you go after the mainstream.

    It wasn’t that long ago that Netflix seemed to be on the forefront of this. But at this point, I’m not sure they have any interest.

    (more…)


    Originally posted on:SpoutBlog's blog

  • Making-of PSYCHO Movie In The Works

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    psycho1.pngMTV reports that Anthony Hopkins is getting ready to play Alfred Hitchcock in a film about the making of Psycho. IMDbPro has scant additional details: the film is in the script phase, and it will eventually be directed by Ryan Murphy, a TV writer who directed last year’s Running With Scissors. Helen Mirren will co-star as Hitch’s wife Alma.

    This makes two slice-of-Hitchcock’s-life projects in the works, after Number Thirteen, which stars Dan Fogler as the young Hitchcock, and which I wrote about here. Psycho was shot on the Universal backlot, so hopefully the Hopkins film will at least touch on Hitch’s decadent steak-and-wine lunch ritual at the Universal commissary.

    Semi-related: Jim Emerson’s entry on the Psycho shower scene for The House Next Door’s Close-Up Blogathon.


    Originally posted on:SpoutBlog's blog

  • John Kerry is Not A Very Good Film Critic

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    john_kerry_cheesesteak.jpgAt Steady Diet of Film, Erin has a great post about two not-so-great film recommendations that came her way via form emails from John Kerry and the ACLU. Particularly alarming (to me, anyway) is Kerry’s endorsement of Paul Haggis’ In The Valley of Elah. In the portion of the email that Erin excerpts, Kerry essentially uses rhetoric to fight rhetoric. Elah is not “an ‘anti-war’ film,” he says (his fear quotes, BTW), because that term is too “too cheap and easy and clichéd.” “No,” says Kerry. Elah “is a film about soldiers and families.” Nothing easy or clichéd about that!

    To which Erin responds:
    (more…)


    Originally posted on:SpoutBlog's blog

  • Zobel, Scorsese, Lumet: Trade Roughage 10/23/07

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    Under discussion:

    Low and Behold  (2006)

    • leoandmarty.pngNew indie production/distribution company Elephant Eye is teaming with Palm Pictures to produce Craig Zobel’s follow-up to the Gotham-lauded Great World of Sound. Zobel co-wrote Turkey in the Straw with Barlow Jacobs, who wrote and starred in one of my favorite underseen films of the year, Low and Behold. The Hollywood Reporter says the project is expected to have a higher budget than Sound and to “include more A-list stars.”
    • Following in the illustrious footsteps of Clint Eastwood and, um, Ben Affleck, Martin Scorsese’s next project will be based on a Dennis Lehane novel–this time, it’s Shutter Island. Scorsese will once again direct lil’ buddy Leonardo DiCaprio in the lead.
    • Sidney Lumet will receive a Career Achievement Award from the Los Angeles Film Critics Association at their annual awards gala in January.
    • Marc Graser reports on how the Southern California wildfires are impacting Hollywood life. You’ll take some comfort in knowing that although flames threatened to shut down productions in Santa Clarita and half of Los Angeles’ luxury hotels are booked full of Malibu refugees, “Paris Hilton’s home just steps away up the beach was unaffected.”


    Originally posted on:SpoutBlog's blog

 


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