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  • DePalma Gives Up

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    depalmaredacted.pngIt looks like the “battle” over Redacted is over. Brian DePalma was a guest this morning on WNYC’s The Brian Lehrer Show. Lehrer asked DePalma to comment on the lead story on the gossip page of this morning’s NY Daily News, which is essentially a transcription of the widely-circulated video documenting Monday’s DePalma press conference at the New York Film Festival. DePalma gave a restrained recap of the situation and then said, “I exhausted my legal options about 24 hours ago.”

    He was most likely referencing the alleged DGA decision that ruled Magnolia can, against the director’s wishes, release the film with black bars placed over the faces in the images in question. I say “alleged” because this DGA decision has not been reported in the trades nor confirmed by press release––I’m getting my information from comments made on Movie City Indie by Magnolia’s Eamonn Bowles and someone who appears to be DGA General Counsel David Korduner.

    Regardless, this appears to be as far as DePalma is willing to fight. At the end of the segment, Lehrer asked DePalma if the battle will delay Redacted’s release date, and the director said no. “I’m afraid that controversy is over,” he sighed, clearly resigned. There’s no indication he has any plans to take Mark Cuban up on his offer to let DePalma take the film off Magnolia’s hands.


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  • Gondry to Make Animated Feature With Son

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     paul-willowz2.jpg

    It’s probably not a great sign that the release of Michel Gondry’s upcoming Be Kind Rewind, starring Jack Black and Mos Def, has been pushed back to the icy winter wasteland of late January. With major critics too busy in the proceeding weeks to see much beyond Oscar hopefuls before heading off to Sundance, it’s traditionally the portion of calendar where movies destined to draw bad reviews go to hide. But even if that one’s a wash, Gondry’s next project sounds really, really cool. He tells MTV News:

    I am working on an animated film with my son…We’re translating our relationship into a futuristic story with a dictator and a rebel. He’s the dictator in the story [and] it will be based on [his] art.

    The MTV story doesn’t specify which son Gondry’s talking about–he has two–but according to Director’s File, it’s Paul Gondry, who is 16. He recently made an animated music video for The Willowz. You can watch that here; I’ve pasted a still of it above.

    For a slice of the father-son relationship ostensibly inspiring this new project, check out this interview Paul conducted with his dad for INTERVIEW Magazine last year, around the time Michel’s The Science of Sleep was released in the U.S. In the interview, Gondry said he cast Gael Garcia Bernal in that film’s lead role because “he looks like [Paul] a little bit.” Paul said, “It’s hard for me to watch your movies sometimes because they’re always based on everything you went through and I was there with you in a way.” Michel responded, “Same for me.”

    [Via Twitch]


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  • NYFF: Peter Bogdanovich and Running Down A Dream

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    petty.jpg

    I did it: I survived Peter Bogdanovich’s 4 hour and 15 minute Tom Petty documentary, Running Down A Dream. I cannot call myself a Tom Petty fan–In fact, I’d probably be more inherently receptive to a four hour documentary about Peter Bogdanovich–but there’s something about this film that fascinates me. I think maybe it’s that, in terms of the nature and total efficiency of the production, it actually achieves Bogdanovich’s apparent lifelong ambition to emulate Howard Hawks.

    But more on that in a future episode of FilmCouch. Right now, here’s what you need to know: it feels shorter than four hours, it’s gonna be a wet dream for Tom Petty fans, it’s screening in 20+ cities on October 15 (you can find out where and buy tickets at TomPetty.com), the DVD will be available at Best Buy only the next day, and it premieres on the Sundance Channel October 29.

    Bogdanovich did a press conference after the screening, and surprisingly, in forty minutes he lapsed into just one impersonation of a dead film icon. It makes sense that he’d want to make most of his time on stage at Lincoln Center to promote the movie–after all, this is his first appearance at the New York Film Festival in almost forty years. “This is the first time I’ve had a film in the New York Film Festival since 1971, when I had two films at the festival, The Last Picture Show and my first version of Directed By John Ford,” Bogdanovich said. “Which [together] totaled about four hours. So every 37 years, I get four hours at the New York Film Festival.”

    The director is well aware that the film’s length lends it a bit of stigma–and he’s more than prepared to defend it. Listen to him do so here. We’ll have more Bogdanovich soundbites on next week’s podcast.


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  • This Listicle is Event-Sized: Trade Roughage, 10/10/07

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    • fred-durst-limp-bizkit-photograph-c10041720.jpgIt’s hard to pick a single line to isolate from this Variety story about the soon-to-be-in-production fourth Terminator flick–I LOLed throughout. Is the the part where the film’s budget is described as “event-sized”? Maybe the part where the producers shamelessly hint that Governor Schwarzenegger will make a cameo? Or, maybe the meticulous breakdown of the Terminator chronology, ending with financier Derek Anderson’s insistence that “this is set in the future, in a full-scale war between Skynet and humankind” (phew!) Actually, everything you need to know is contained in the proposed title: Terminator Salvation: The Future Begins.
    • Brad Silberling will direct Will Ferrell in a big-screen adaptation of Land of the Lost. The project, which is categorized as an “event comedy” (when did ‘event’ become an adjective?) is set up at Universal, who took a bath on their last “event comedy”, the bloated Evan Almighty. Thus, the Lost budget “was recalibrated from $125 million to $100 million in order to earn its start date.”
    • Rejoice! Fred Durst’s directorial debut The Education of Charlie Banks is FINALLY coming to theaters and DVD! Caption that photo however you see fit.

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  • The Dumping of Jesse James Continues

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    I’m getting ready to see a four-hour Tom Petty documentary directed by Peter Bogdanovich (yes, seriously) so I’ll have to be brief, but bits of news are trickling out that indicate Warner Brothers has essentially sabotaged its already half-assed wide-ish rollout of The Assassination of Jesse James By The Coward Robert Ford by making it nearly impossible for critics in mid-size cities to see the thing. The evidence follows after the jump; if you’ve seen/heard similar stories from your part of the country, do post links in the comments.

    (more…)


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  • Warner Brothers Has Nothing Against Women

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    Warner Brothers’ Jeff Robinov responds to Nikki Finke’s allegations that he’s put the kibosh on producing movies starring women. Anne Thompson writes:

    Warner production prexy Jeff Robinov insists he is moving forward with several movies with women in the lead. Indeed, he is offended by rumors of his cinematic misogyny.

    Action features starring women remain a hard sell for many moviegoers. But Robinov said he is still willing to put a femme star into an action role. “But, like any other movie, it has to be the right movie with the right actor and the right filmmaker at the right time,” he said.

    Much more at the link, but like I said: the news wasn’t that the studio was turning away from (mis)casting female movies stars in action movies; the news was that they cast a bunch of Oscar-winning actresses over 30 in poorly conceived genre fare, and then dropped the ball on marketing. The real news nugget within Robinov’s protestation is that heavy reservation, “the right movie with the right actor and the right filmmaker at the right time.” The optimistic read on this is, “we’re taking a conscious step away from producing movies like The Invasion and The Reaping that bleed money, misuse high-caliber talent, embarrass just about everyone and please almost no one.”

    I’ll leave the less optimistic readings to others. At the end of the day, the studio’s slate of projects is going to speak for itself.  Nikki hasn’t yet responded, but you know it’s coming.


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