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  • Doomsday delivers

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    Under discussion:

    Dog Soldiers  (2002)

    The Descent  (2006)

    Doomsday  (2008)

    Rambo  (2008)

    One of the most enjoyable movies I've seen recently is a bizarre but cookin' action movie called Doomsday. It's Neil Marshall's (Dog Soldiers, The Descent) latest horror/sci-fi movie.

    Doomsday is like Escape From New York meets The Stand. It's post-apocalyptic filmmaking at its most enjoyable. And I've got to talk about how regarding violence, this movie has its cake and eats it too.

    This is a graphic film; for short burts it's as graphic as Passion of the Christ or the new Rambo, which  both disturbed me quite a bit. What's strange is that while I found the intense violence in Passion or Rambo to be much more sickening than entertaining, the violence of Doomsday really appealed to me as entertainment. What is even stranger is that one of the themes of Doomsday is the futile and selfish nature of cruelty... so it somehow manages to be really fun-violent while trying to unmask actual fun-violence as an abomination!

    And it's got killer car chases and fight scenes, too. WTF? This is surely a strange kind of great movie! Anyone know of a big-studio production that's as complex and fun as this? My contention is that the studios largely don't know how to pull this kind of thing off.

    I recommend this to all sci-fi and horror fans, anyone interested in violence in films, and anybody who likes wild rides. You'll be shaken and stirred by this movie, and you'll be smiling woozily when the ride gets over.

    PS--For those interested in the setup: when a deadly virus breaks out in Scotland, the UK quarantines the entire nation. A giant wall is constructed, and the virus is successfully contained. The  world tries to forget about how they left Scotland to rot.

    Twenty years on, it looks like the same virus has suddenly appeared in downtown London. An elite military team is briefed that there is evidence of survivors in Glasgow, Scotland. The team has twenty-four hours to find these survivors--if in fact they really exist--and find out how they survived the epidemic.

    The viewer's joy ensues.


  • Weekend at Bodega Bay

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    Under discussion:

    The Birds  (1963)

    Magnolia  (1999)

    The Happening  (2008)

    SPOILER ALERT: Don't read if you want to see Magnolia.

    The most surprising aspect of this movie is how long it takes for the birds to attack. When they finally do, it feels like they're interrupting a movie that would've been perfectly good without them, a complex and suspenseful screwball comedy.

    Ultimately the thrills of the second act fall short, and not because of cheesy effects. Hitchcock and co. are remarkably resourceful within their technical limitations. No, what makes it fall short is that birds just aren't that scary.

    M. Knight Shyamalan cites this movie as inspiration for The Happening. There's a thematic connection, but structure-wise a film that's far closer is From Dusk Till Dawn. Both films deliver in the first act and drop the ball when the tone switches. (And Shyamalan's film is inept but comical all the way through.)

    I think I would like this movie more if it were called Weekend at Bodega Bay; calling the film The Birds is like referring to Magnolia as The Frogs.


  • It's really happening

    1 out of 1 people found this review helpful. [What do you think?]
    Under discussion:

    The Happening  (2008)

     

    The deliberate comic relief is hard to untangle from the knot of absurdity in this flick. 

    Is this line a joke?

    DESCHANEL: We can't just stand by and be uninvolved observers! We're not assholes!

    How about the following exchange?

    LEGUIZAMO: I'm going to tell you something nobody should ever say to their best friend.

    WAHLBERG: Why is everyone saying that to me lately?

     


 

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