I'm never quite sure what to think about Wes Anderson. Oh, he's brilliant, especially visually, there's no debating that; unfortunately, he knows it a little too well. Still, when iTunes was being infuriatingly local last night and I was unable to download
Hotel Chevalier due to being outside the US, it ruined my evening.
I managed to get a version. Low quality, and I believe the beginning has been chopped off (please tell me, my version starts with Jason Schwartzman opening the door of his room), but I was very happy with it nonetheless.
It's a strange little movie. It's unmistakably Anderson, from the way it's shot to the small details in the set decoration, and even in the way the two characters talk. It never quite takes off, but I was left wanting more, and that can't be a bad sign, can it? Unusually enough for Anderson, it doesn't feel like the characters' whole world is contained on screen, like all they ever were and will be is here, it feels like they are fully realized characters with interesting stories beyond the screen. They breathe. And that's a welcome change.
I'm looking forward to
The Darjeeling Limited. The three brothers setup makes me hope it will be more
Royal Tenenbaums than
Life Aquatic. And to keep me entertained in the meantime, I just ordered
Bottle Rocket, which I found clumsily charming the first time around.
Originally posted on:
As cool as a Fruitstand