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As cool as a Fruitstand

  • Goodfellas

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    GoodFellas  (1990)

    I saw Goodfellas 4 days ago already, but I kept putting off writing about it. Why? Well...I'm afraid I'm going to blaspheme.

    Oh, not blaspheme in the "fucking show yourself, you goddamn bloodsucker" way I was talking to the hiding mosquito in my room on my hunt after the movie, infected by the language. No, blaspheme as in: I didn't really like it all that much.

    Oh, Scorses is definitely a master filmmaker, so I did find much to admire: there are some breathtaking tracking shots, the dialogue snaps like it should, basically every technical aspect is perfect. Somehow, though, I was unaffected.

    One thing might be that it's long, and that I didn't find the story particularly engaging or suspenseful. To put it crudely, I didn't really care who lived or died. It might be that I found the switching between the perspective of the voice-over from Henry to Karen and back distracting and unnecessary. More importantly, I think it's from a lack of affinity with Scorsese's take on the mafia as a topos.

    It's interesting that almost every director to take on the genre of mob movies has his own take on it. To Coppola, the family aspect, the traditional side, was most important. To Tarantino, gangsters are just the epitome of cool. In Mann's movies, being a gangster is just a job like another, with it's own rules and ethics, sure, but not all that different from being a cop, a journalist, a cab driver.

    To Scorsese, it's a calling.

    And see, that's where he loses me, because I can't for the life of me understand Henry. He describes it in detail: he likes the respect he gets, the perks, that he doesn't need to wait in line.

    I mean really? To not have to wait in line you're ok with hurting and killing people? You're happy to exploit people?

    Of course, the element of the film that is intriguing, I have to admit, is the unreliability of the narrator. Henry justifies a little too much, tries too hard to justify the mafia as a not-so-evil form of business. They protect these people after all, see? Also, in the voice-over he seems reluctant to use violence, quite a nice guy actually, but he seems just a little too eager to hit his wife for that to be true.

    I'm almost scared to type the above, to justify myself by saying "it's not the movie, it's probably just me". After all, this is #92 on the most recent AFI list, #18 on the imdb top 250. But I'll be bold, and say it outright: I think Goodfellas is overrated.

    If you'll excuse me, I'll go run and hide now.
    Originally posted on:As cool as a Fruitstand

  • Hairspray & Once

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    Hairspray  (2007)

    Once  (2007)

    Yay! My first two press screenings. Two musicals, but they couldn't possible have been more different. Whereas everything in Hairspray is oversized, from the protagonist to the hair through the feelings and the stars, Once is one of the smallest, most understated and most quietly charming films I've ever seen.

    I liked Hairspray more than I thought I would. It's infectious, the way a musical should be, and even if I was a little disturbed because it seemed to equate discrimination against fat people to racism, I ended up rather liking it. It's mainly because it feels so refreshing to see people really dance instead of shots of moving body parts edited together as fast as possible, but also because of the performances. I wasn't really impressed with John Travolta, but I admire him for taking the role straight, without apologizing for it through caricature, James Marsden was a true surprise here (what a voice!) and I'm sure we'll hear more from Elijah Kelley.

    But Once, well, that's an entirely different ballgame. I don't want to say too much, actually, because I think it's best seen without any expectations or prior knowledge. I'm grateful to Sam from filmspotting because he was the one reviewer not agreeing with the near universal adulation of this film. It lowered my expectations enough that I could still be surprised by how wonderful it is.

    I'm very happy that Glen Hansard, of the Frames, plays the main part, and not Cillian Murphy as was apparently planned at first. Together with the hand-held camera and the naturalistic style, the fact that it's two unknown faces playing the unnamed Guy and Girl means there's a very everyday quality to the film. Realism is the last thing you expect in a musical, but the music is totally organic here.

    Ok, I'll stop now. Go see it! I mean, seeing Hairspray, you'll be entertained, but it doesn't really stick in any way, not the music or the details. Once, on the other hand, is still playing in my head.
    Originally posted on:As cool as a Fruitstand

 

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