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  • remember back when..

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    Glory Daze  (1996)

    ..it was the 90s, and people had just discovered *realistic* young adult comedy/dramas ? this is one of those.

    besides the obvious fun of the punk rock shirts/posters/product placements (when else are you gonna get to hear mtx on a soundtrack?) there ws little to keep me entertained.

    it was another one of those movies whose narrative moves along at a steady pace, and then 2 thirds of the films action has to take place (due to over-spending I would hazard a guess) in the last third.

    this movies heart is in the right place, and it was the 90s, the decade where even the most succinct of us with something to say ended up a little muddled (SFW being a prime example) so I'll cut it some slack.

    It's worth it for the all star cast. and the only time you'll ever see french stewart play alongside the likes of matt damon. 


  • I'm in love with the way you feel

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    Juno  (2007)

    So, Juno.

    It is as good as you hope it’s going to be. And even though it’s UBER indie (in more of a SXSW way than a Sundance way) it doesn’t get in the way of the movie. Hell, it’s the reason you love it more. Which is quite some feat. Considering how fashionable it is to love to hate that kind of a movie right now.

    Ellen Page is super-fantastic as Juno, it would have been incredibly easy for the characters eccentricities and speech pattern to become all kinds of irritating, She plays it well though and suddenly quirky doesn’t seem so annoying at all. It actually seems kind of cool.

    That was one of the things that really resonated with me here. So many hooks for me to reach out and connect with. From the Tara McPherson artwork in Juno’s room, through the pop culture infused dialogue, to the bit where Jason Bateman’s character shows Juno the Carpenters tribute record as he gushes about the Sonic Youth cover, which caused me to turn (somewhat excitedly) to my boyfriend and proclaim, “I have that, I have that!”

    The world that Juno inhabits is the same one that I do.

    The other thing (and stop me if I’m getting too personal here) that really struck me about Juno is, essentially its a movie about growing up. And not just in a regular coming of age way. Although there’s plenty of that to keep the younger segment of the target demo happy. As much as the movie is about Juno herself trying to deal with having a child, without cashing in her own childhood completely, it’s about the ” Lorings” (the adoptive parents) doing their  final part of growing up too.  The curious thing (and I felt this ALL the time during gossip girl) is that the *adults* in this movie do things like make mix CDs with Sonic Youth on, and wear familiar band shirts, and once opened for the Melvins and have Kozik Artwork framed on their walls.

    And I’m not sure who I relate to the most. Do I have the bigger crush on Michael Cera, or Jason Bateman ?

    The more I think about this I realise that this is the intrinsic different between this kind of a movie/tv show now, and anything released pre - my so called life. The grown ups are just as important as the kids, and it would appear, the film-makers can’t make up their minds who it is they identify with the most.

  • Actually good vampire affair

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    30 Days of Night  (2007)

    The movie was awesome.

    Cinema audiences should be given lessons in how to behave during a screening.

    For those of you who didn’t read the comics ( and if that includes you, then you should - NOW) The basic premise is, in the northern-most town in the US, (Barrow, Alaska) there is no daylight for 30 days. Obviously this is somewhat of a vampiric dream, what with all of that food and non of the pesky undead-threatening daylight, so they move in to slaughter the towns remaining residents. Head vampire gets wind of this, and becomes annoyed - turns out the way vampires have managed to stay around all this time, is convincing us that they don’t exist - it is therefore imperative that no-one survive to tell the tale of what really happened.

    It’s incredibly simple as a story, and one that’s so obvious when you hear it, you wonder why no-one had used it before. (There was a giant debate about this on AV club, apparently there may have been a similar idea in a Twilight Zone episode once) but it’s the simplicity that works so well. It fits with the bleakness of sunlight free Alaska, and the starkness of a town light on residents.

    David Slade does a fantastic job directing. It looks like the comic. I haven’t seen anything look this much like the source material since Sin City. It’s a welcome relief in this day and age that it’s CGI free and relies on make-up, acting and clever framing to make the movie as barren and menacing as it is. The vampires look amazing. Ben Templesmith (The comic book artist) must be ecstatic about this, his vision is translated almost flawlessly onto the screen. There’s an incredible aerial shot as the townsfolk are being slaughtered, all GoogleEarth with gunshots and pools of browny-red blood spilling out onto the desolate snowy white canvas. There are very few clean lines here, much like the artwork it’s kind of watery and low contrast in look. Besides a few discrepancies the movie follows the comics storyline well, so fans of the graphic won’t be disappointed.

    All of this being said, this probably isn’t an ideal film to watch at the cinema. It’s not a slasher, and although incredibly gruesome, doesn’t feature too many jumpy moments. It’s more of a slow,yet consistent,burner. And it’s hard to feel scared by this kind of movie while you’re in a multiplex full of people. Home alone in the dark though, would be a completely different story. Added to that you wouldn’t have any of the annoyance of an audience laughing as a knee jerk mechanism to actual horror.

    I was a little worried about Josh Harnett being cast in this role, but all credit to the guy, he pulls it off. He’s pretty good at playing a somewhat understated leader though. Melissa George is nowhere near as irritating as I imagined she’d be. But it’s Ben Foster, as the stranger who really stands out. Although his role isn’t all that large, it’s definitely one of the most memorable, I understand he’s not unfamiliar with the role of deranged psycho, but it works for him.

    30 Days of night is something we’ve (alright, I’ve) been waiting for, for about 2 decades now, a genuinely scary vampire movie. Watch it, but maybe wait til DVD if you want it to have the desired effect.

 

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