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Risselada Blog

  • director introductions - Yasuzo Masumura - Kyojin to gangu (Giants and Toys)

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    Giants and Toys  (1958)

    This is the first film I've seen by director Yasuzo Masumura

    Kyojin to gangu (Giants and Toys)

    Funny, scary, and exciting stab at the world of competitive corporate business and marketing in Japan.  Although I can't say it isn't strange, it's probably the more accessible and amusing films of the Japanese New Wave.

    I don't have too much to say other than if you are as perturbed as I am about marketing and advertising in the modern worlds, and like a good satire on how soul sucking the whole system is, then throw this one on your queue.

    Rating: 9/10


  • director ratings - Frank Capra - Arsenic and Old Lace

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    Film Name  Production Year

    This is the fourth feature length film I've seen by director Frank Capra.  I chose to watch this film based on previous good ratings I've given other films by this director and to better my favorite directors by algorithm listing.

    Arsenic and Old Lace

    I can't stop rating every Frank Capra movie I see a 10.  I don't know if this is some pattern that I have established myself that I cannot break myself from, or if it's a pattern that Capra established with his amazing career!

    I felt hesitant about giving this movie another 10.  I kept second guessing myself.  Wouldn't a 9 really be more appropriate?  The movie doesn't have the same kind of morality that Capra's other movies I've seen had.  In fact there are even some reprehensible characters that it seems like we are supposed to feel sympathetic for!  But the movie was a lot of fun.  But was it really THAT much fun?  It seemed to be done really well, but was I just somehow associating Capra with his past films??  This movie can't be better than a 9.  But maybe I'm just saying that because it seems silly for me to be giving every movie this guy made a 10!  But I basically do the same thing with the movies of the Coen Brothers.  Have I fallen into a trap with them as well?  That's my own internal decision making process.

    Essentially a filmed stage play.  Capra knows how to keep it exciting and take advantage of the capabilities of film without adding or doing anything unnecessary just to differentiate this as a film over a play.  For instance, the whole play pretty much takes place in one house.  And Capra never sets the action outside of it, or even in other rooms that normally wouldn't be seen in a play, unless it's really essential for making the movie better.

    Regarding the elements of time and space it's a much less epic film than the other Capra movies I've seen.  But regarding character and plot elements, there is no shortage of depth or quantity.  A lot of fun, with some real silly acting from Cary Grant.

    This should be a Halloween staple in the same way It's A Wonderful Life has become a Christmas staple.  If you get the time, slip this one between your Halloween horror movie marathons this year.

    Frank Capra:
    Total feature length films seen: 4
    Previous average film score: 10
    New average film score: 10

    Rating: 10/10


  • director introductions - Barbet Schroeder - Général Idi Amin Dada: Autoportrait (General Idi Amin Dada: A Self Portrait)

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    This is the first film I've seen by director Barbet Schroeder

    Général Idi Amin Dada: Autoportrait (General Idi Amin Dada: A Self Portrait)

    Schroeder had the insight to know that turning control over to General Amin about what he wanted to say and do as the subject of this documentary would yield much more interesting results than trying to direct the way the film would go himself.  The reason for this is that, as outrageous and offensive as Amin may seem to most of the rest of the world, Amin believed he was completely in the right.  He had total confidence and no secrecy or shame.

    Although the scope of his ambitions were laughably beyond his resources or abilities, they were still quite dangerous and evil.  And although he never had the chance to enact anywhere near the level of destruction and oppression he had in mind, he still did manage to perpetrate quite a few atrocities in his own nation during his time.

    It's both easy to stand back and be amused by his impotence and ignorance on a global scale, but just as easy to get sucked in by his charms and horrified by his atrociousness.  I think the scene where he is racing everyone in the pool is one of the most telling.  He goes completely sideways and is a horrible swimmer.  It's a combination of a show of his lack of skill, yet getting to the top by intimidation and bullying mixed with a strange kind of charm.

    I can't really say it's a new favorite of mine, but certainly a good study for anyone exploring the personality of evil dictators.

    Rating: 7/10


  • director introductions - Larisa Shepitko - Voskhozhdeniye (The Ascent)

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    Winter Light  (1962)

    Fargo  (1996)

    Voskhozhdeniye  (1976)

    This is the first film I've seen by director Larisa Shepitko

    Voskhozhdeniye (The Ascent)

    Discovering films like this is one of the greatest joys in life.  Films that are so transcendent that they are able to fully reflect the completeness of the human condition in whatever aspect of life they are depicting.

    I'm also a sucker for stark winter landscapes.  There's something about the starkness, bleakness, and danger of it all that seems to open everything up, take it to the edge, and lay it bare.  Like Fargo, or Winter Light, or the final installment of the Human Condition (good name) series.  Just having that landscape is by no means a given for a great movie though (was just recently disappointed by Shadows of Forgotten Ancestors), if anything it gets me in a certain mood that now must be fulfilled.

    The main themes have to do with how important are certain causes.  What causes are worth dying for.  When is a cause more important than the self or other people.  When is it the other way around.  Emotional and sometimes impossible decisions to make.  The emotions here are so powerful.  The acting fantastic.  The faces so real.

    What a disappointment to learn after watching this movie that the director was killed in a car crash just shortly before beginning her next work after this.  Thank goodness she made a few others before this that I will surely be checking out.

    Rating: 10/10


  • director ratings - Aki Kaurismäki - Ariel

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    Ariel  (1989)

    Down by Law  (1986)

    This is the fourth feature length film I've seen by director Aki Kaurismäki.  I chose to watch this film based on previous good ratings I've given other films by this director and to better my favorite directors by algorithm listing.

    Ariel

    I fell in love with the first Kaurismäki film I ever saw, The Man Without A Past.  My experience so far has been that Kaurismäki's distinctive style is largely consistent between films.  So I believe that if you see one and love it, you'll probably love the rest of them.

    I'm not really sure what the title of this film means, but the plot is similar with the other films I've seen in that a main character goes through some significant life changing event but doesn't react emotionally.  In fact, no one gets over emotional in these films.  The lines and movements are often delivered with the deadest of deadpan.  I find the contrast it creates to be highly amusing and often profound.

    You have to take a lot of things for granted in a Kaurismäki film without too much justification.  When two characters meet, fall in love, and dedicate their lives to each other forever on the same night, you have to believe it's true.  In any other film, if two characters proclaimed such love for each other in such a direct and laconic manner after knowing each other for only one night and about five seconds of screen time, you would take it for a joke.  But it's only because this is the way the characters always talk that we believe them.

    Also, we have to accept things that are never shown and accept that they will never be shown because they are not important for this film.  For instance, how many films have characters escape from a prison but never mention or show how they did it.  There is just a cut from them in prison, to them running away.  The only other movie I can think of it Jim Jarmusch's Down By Law.  And you may know that these directors have a good friendship and have worked together and traded actors in the past.  If you like Jarmusch as well, that might be another recommendation to check out a Kaurismäki film.

    Aki Kaurismäki:
    Total feature length films seen: 4
    Previous average film score: 9.6667
    New average film score: 9.5

    Rating: 9/10


  • director introductions - Yuen Woo-ping - Jui kuen (Drunken Master)

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    Drunken Master  (1978)

    The Matrix  (1999)

    This is the first film I've seen by director Yuen Woo-ping

    Jui kuen (Drunken Master)

    The film that really boosted Jackie Chan's career into super stardom level, at least on his native continent.  There's nothing too profound here (not that there is in any of his movies I've seen) but it's a lot of fun and there is LOTS of fighting.  Lots of impressive and interesting fighting too.  The plot holds just enough to keep instigating the many fight scenes.

    If you have only seen Jackie Chan's somewhat more recent, bigger budget and mostly modern urban setting films, check this one out and see what you think.  I find it a bit more pure for some reason.  And I personally find the "drunken" style to be one of the most entertaining to watch in kung fu films.

    Also it would be a chance to see one of the first efforts by director Yuen Woo-ping who many people may recognize as the name of the fellow shipped over to Hollywood to do the fight choreography for The Matrix.  Although in Drunken Master you won't see any special effects like that for the most part, or even any of what they call "wire work" I believe.  This is pretty much all the strength and skill of the actors, and the long takes show it's real.  You really can feel a lot of the physical pain Jackie went through in making this!

    Rating: 9/10