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Risselada Blog

  • The Monster Squad

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    The Goonies  (1985)

    The Monster Squad

    Man is this one ridiculous.

    I'm fascinated by some of these 80's adolescent comedies.  Its hard to believe some of the stuff would be put out by Hollywood in a movie aimed at this audience anymore.  I mean a lot of the stuff is not what they would call politically correct nowadays.  Watch for the actor who plays Wayne from The Wonder Years call one of the kids from the Monster Squad a "faggot" for instance.  I think it goes even beyond some of what you'd see in The Goonies, which this movie most likely was trying to recapture some of the success from.

    Also look on the special features from the new DVD to see Tom Noonan who plays the Frankenstein monster in his makeup speaking as if he were the actual monster who is also an actor.  It's slightly funny in a sad way.

    Rating: 3/10


  • Iron Man

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    Iron Man  (2008)

    Iron Man

    I'm not a big comic book or comic book movie fan in general.  I certainly don't altogether dislike them.  In fact, I think in general I am more curious about them than not.  I can appreciate a lot of the entertainment value in them.  But I think sometimes when I talk about them I can come off as sounding like I altogether despise them.

    In about the last ten years there has been an explosion in comic book / superhero movies, and in fantasy movies altogether (or at least it seems like it to me).  I'm not sure if it can be attributed to advancements in special effects or some other cultural phenomenon, but comic book / superhero are now the staple of every summer blockbuster season.  These are the types of movie that break box office records.  And thus I'm wary of them, and often tired of hearing about them.

    Tired of seeing the ads.  Tired of everyone you know obsessing over them.  Tired of seeing the characters faces all over products, and tired of seeing product placement all over the movies.  Tired of films that have probably had a million producers with their fingers all over it with money on their mind.  Tired of films that have probably gone through the ringer of test groups.  Tired of films that purport to give some kind of important message but are actually just giving you the same old shit and dumbing you down.

    And besides all that, I'm kind of sick of the fakeness.  No one would deny that most comic book superhero stories are fantasy, but it's usually the kind of fantasy that I wouldn't really want to live in, and I get sick of seeing so many people getting so obsessed with.  Wishing this world had some magical force that could enforce justice.  Wishing for super powers that would make their life more interesting.

    I guess it's just my preference to watch more ambiguous or humble characters, seeing beauty in the strange everyday things we do.

    Maybe I'm generalizing a complex situation on all sides, but this is often how I feel while watching these types of movies.  And I probably would not even be seeking out to see most of them, but again they are often huge blockbusters that everyone else wants to see.  And ever time I've seen these movies it's usually because someone else asked me to go see it with them.  Again, it's not that I don't have fun, but I'm just trying to explain why I sound so picky when I eventually do describe them.

    So that was an awfully big intro into my blog about Iron Man.  This is another movie people went nuts about.  I rarely heard anything bad about it.  Now everything was executed as you'd expect, but there were no real surprises.

    Now that I think about it, I already talked this thing to death in one of the groups here at Spout.  So you might as well just go look there if you want to see some of my stronger reactions.

    http://www.spout.com/groups/The_Film_Library/Iron_Man/512/30114/ShowPost.aspx

    Rating: 7/10


  • movie year countdown - round #2 - #12 - 1984-5 - Runaway Train

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    Runaway Train  (1985)

    This blog entry is part of my “movie year countdown round #2”.  Read more about that here.

    Runaway Train

    Every time I hear or read the title of this movie, the Soul Asylum song of the same name starts playing through my head.  Anyone have any recommendations how to stop this from happening??

    I had remembered seeing just a couple minutes of the end of this movie on TV in a hotel when I was quite young.  The image of that train, and those ragged looking people in that stark and cold landscape was especially memorable.  I always had it in my head to see this whole movie some day just based on those few minute of imagery.

    Upon seeing the whole thing I was just somewhat disappointed.  The images in much of the film held up to what I remembered.  And Jon Voigt and Eric Roberts did a fantastic job in the creation of some compelling characters.  But something about the dialogue just didn't click.

    I was reading more about this film and found out the script was originally written in Japanese to be directed by Akira Kurosawa over a decade earlier.  Then the script was translated into English to be directed by Andrei Konchalovsky who had pretty much only directed Russian language films before this.  I think there was some loss in translation going on.  Although the movie was enjoyable, I can't help but wish it had been made by Kurosawa in the first place.

    Rating: 7/10


  • This Film Is Not Yet Rated

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    This Film Is Not Yet Rated

    I think anyone who really loves film as an art form an a form of discovery that has so much more to be explored would find most acts of censorship as unfortunate.  In the United States we have no official, government regulated legal censorship.  But we do have a industry self regulated entity that essentially censors movies with the illusion that it doesn't.  It's the ratings board that was created by the MPAA.  The members of this board are anonymous.  There are no official rules on how they even place one film into one rating or another.  The people who are on the board don't even have any official training in child psychology or anything related to it.  They are just supposed to be average parents of young children (it's later revealed most aren't).  You may argue that even official government censorship would be better than this since at least then you have transparency and the ability to reform.  Many people who speak in this documentary make such an argument.

    This film takes a great look at the MPAA ratings board.  How was it created.  What processes does a filmmaker go through.  How do they pander to big studios while leaving actual artists out of luck when it comes to making real art readily available to the public.

    There is a lot of unmasking here of not only the practices, but of the actual identities of the people who are passing moral judgment on the films that you see in almost any movie theatre.  And in a wonderful bit of meta-film the movie you are watching itself goes through the MPAA process.  I can't imagine what the board members who thought of themselves as anonymous thought having to watch the movie to give it a rating and seeing their names and faces up on the screen for everyone to see.  Of course they themselves had the power to regulate whether the film would be seen by a mass audience or not, but at least now the information is out there to anyone who really wants to seek it.

    The way these people are used and bullied by the MPAA and studios is astounding.  Although they let themselves be put in these positions.  It's such a place of control and fear that the MPAA and movie studios take.  They are not protecting our children as they claim, but protecting the studios from protest and bad press.  But in the meanwhile they have conditioned the American people to which types of things are actually offensive or not.  And it has created a society where the natural reaction of many people is to feel like violence is wonderful and sex is offensive.

    I highly recommend this film.  Show it to as many people as you can!

    Rating: 9/10


  • Duck Soup

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    Duck Soup  (1933)

    The Naked Gun  (1988)

    Duck Soup

    It seems like I watched two of my absolute favorite comedies back to back.  The Naked Gun which I wrote about in my last post, and then Duck Soup.  And to me these are some of the pinnacles of their own particular genres of comedy for their era.

    I think I was trying to show them off to my girlfriend.  I purchased all of the Marx Brothers films from the two different studios they worked at when there was a sale on boxed sets at Borders a while ago.  I'm making my way through them.  I've seen all of their movies up through A Day at the Races before, but none after that.  I've heard they go down hill after that.  But if there is even one moment in any of those films that is as wonderful as any moment in Duck Soup, then they should be worth watching.

    As each brother is introduced I think you start to like the next one more than the last.  And then one reappears again and becomes your new favorite.  You have to fight over who is the best until they end up all dressed up like Groucho in the same pajamas and you realize it would never be this great if they were alone and not a team.

    I love how the film deteriorates from order to absurdity in the face of war.  By the end Groucho has a new military uniform from a different era on in every scene.  I think you can see the link as to why I love both the Marx Brothers and the Zucker/Abrahams/Zucker team.  Both films have serious characters with zaniness going on around them, but they kind of just allow it to keep going.  And then some of these absurd sigh gags come in that seem to break the reality of the film, but then disappear again.  I love it!

    Rating: 10/10


 


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