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  • The Naked Gun: From the Files of Police Squad!

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    The Naked Gun  (1988)

    The Naked Gun: From the Files of Police Squad!

    Sometimes it's most difficult to say stuff about your favorite films.  You've seen them so many times, expressed your love for them in so many ways.  Anything you say about them now seems obvious and redundant in your experience.  The Naked Gun and all of the early films from the Zucker/Abrahams/Zucker comedy team fit this description for me.  For me they comprise the most laugh-out-loud hilarious movies of all time.

    The comedy has an absurd logic to it that especially appeals to me.  You begin with a film that is played completely straight.  You write with all the clichés of a genre, without any humor or surprises.  Then you pick out the absurdities.  There is a consistency to the straight part of the film.  The jokes almost exist on another plane.  They come and go for the audiences benefit, rarely for the benefit of the characters of the plot.  Sometimes they are even nullified from one shot to another.  When well executed it makes me laugh like nothing else.

    It's a style that these guys perfected, if not created.

    Several generations later we have movies that try for the same style without any of the effect.  That is because these guys had rules.  They knew what was funny, and they stuck to it.  There was some kind of wonderful, beautiful science about it.  Now unfortunately even the guys from this first generation are being recruited by their bastard spawn of the genre to direct sub-par movies.  It's a real shame.

    The Naked Gun is the movie version of a TV show called Police Squad.  Only a few episodes were aired before it was canned.  Someone at CBS said that the show was brilliant but didn't work on TV because you need to pay attention, and people who watch TV don't pay attention.  I guess it's true if you are doing your laundry or chatting with someone while the TV is on, you can kind of gather what's happening with any basic stupid sitcom.  But since all of the jokes in Police Squad / The Naked Gun are in the background or some contrast between the audio and visual,  you need to be really focused on what's happening.  So the material worked as a movie for a while, but does the steady decline of movies in this genre indicate that maybe people no longer pay attention at the movie theater either?

    Although I keep hoping some day a genius of comedy will return to helm a comedy film that lives up to this one.

    Rating: 10/10


  • Spout Mavens review - Yihe yuan (Summer Palace)

    3 out of 3 people found this review helpful. [What do you think?]
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    Summer Palace  (2006)

    I've been pretty lax about making myself write these maven reviews in a timely manner.  I notice that just about everyone else has already written a review on Summer Palace already, and anything I'm about to say has probably already been covered by someone.  I'd recommend joem18b's review of the film as one of the most comprehensive collection of thoughts on various aspects of the film.  Of course it may take you longer to finish reading his 4,778 word review than it does to watch this 140 minute movie.

    How much does enjoying and understanding this film rely on being already aware of certain aspects of a culture?  It's a question I have to ask when considering a film made outside of the culture I am familiar with.  In this case I am very unfamiliar with China's political history and the featured events in Tiananmen Square.  This movie shows some of the physical events occurring, but the reason behind them is not explained.  I thought perhaps the reason was that the filmmakers were merely trying to use these events as a backdrop for a more universal story of love and relationships.  Well if that is true, then it's unfortunate because the main story and characters are frustrating and not very engaging.  The characters themselves don't even seem to know what's going with themselves (the main story) or the events going on in the bigger world around them (the more interesting background).  Which leads me to the other possibility.  Maybe the characters aren't the only ones who don't really know what was happening around them.  Maybe the filmmakers had no idea what all of these events going on at that time meant either.  Information from some of the other maven viewers regarding this film seem to support the fact that most of the entire nation of China has less idea about what happened in some of their history than people do in the United States.

    Maybe I should be viewing the movie in that context then.  A bunch of confused kids are forced to live together (college) with no apparent role models.  At least there is hardly ever an adult on screen, and when there is the film gives them very little importance.  It's hard to see what the goals and motivations of any of the characters are other than to experiment in sex and lounge about.  In the context shown, I guess I could believe that maybe they wouldn't have any other goals, but the problem is that we know what is being shown isn't the whole context.  We know that the kids are going to class, that they have parents, that there must be other kids around them who do have real goal and motivates because there is a revolution going on around them!  So why are the main characters so apathetic, selfish, and aimless?  The film gives no reason, and there must be some reason if you expect for me to empathize with Yu Hong's plight.  All we get is narration of diary entries that spout unconnected emotions and metaphors without offering any tangible source for these feelings.  How can I react, be affected, or learn anything then from this story?

    There are some good things about this movie.  There are a few wonderful images, an example being a shot of a boat on the water that doesn't seem sped up but somehow the sunset seems incredibly expedited.  I'm not sure how they did this shot but it's beautiful.  It's also apparent that the actors are all quite talented.  So it's a waste sometimes that the cameraman is so often asked to film nothing, while the actors are asked to do nothing.  Nothing of interest at any rate.

    Rating: 5/10


  • movie year countdown #76 - 1931 - City Lights

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    City Lights  (1931)

    Modern Times  (1936)

    This blog entry is part of my “movie year countdown”.  To read more about that check out my first Spout filmblog entry.

    City Lights

    This is the forth Chaplin movies I've seen now, and I've given them all different ratings.  This one has been my second favorite so far, with Modern Times still being my absolute favorite.

    City Lights doesn't have QUITE the same zaniness or scale as I can quite remember that movie having.  Although it may have a bit more heart.

    The highlight of the film is certainly the boxing scene.  If ever moment of this film had been as perfect as that I might not have been able to contain myself.  Although the iconic final scene of the movie just about pushed me into giving this movie a perfect ten.  Sad to hear that Virginia Cherrill and Chaplin got along so horribly during the filming of this movie.  Fortunately it doesn't seem to show on camera.

    Rating: 9/10


  • movie year countdown - round #2 - #11 - 1986-7 - Angel Heart

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    Angel Heart  (1987)

    This blog entry is part of my “movie year countdown round #2”.  Read more about that here.

    Angel Heart

    I like looking at people's lists of favorite movies that they post on the internet.  I'm always looking for people who have movies in their lists that I love just as much, especially when they are somewhat more obscure movies that you don't see on these lists as much.  I found several lists like this that also contained the movie Angel Heart, so I was really excited to see it.

    Unfortunately it didn't live up to my wild expectations.  Fortunately it was still quite a good movie.  It was mostly interesting for the different characters and locations, some of which you don't get to see much of in movies like the Louisiana culture and all the Voodoo stuff.  As far as the plot goes, I wasn't quite sure by the end what really happened.  There's something of a twist ending which just kind of frustrated me because looking back on the movie I'm not sure what really happened, and in what order, and to who, and what was real, and what wasn't.  And it wasn't the kind of movie where these kinds of questions were good to be asking since it was largely a detective story.  Still I don't want to criticize it too much due to the quality of the afore mentioned items.

    The special features on the DVD of the interview with Mickey Roarke is pretty interesting since the interviewer is gushing about the film but Roake clearly thinks the film was nothing special.  So even though you realize Roake was never too interested in the film and keeps saying he just did it for money, the interviewer keeps asking questions that seem to imply that Roake should think it was great.  So it's this weird kind of battle against Roake's apathy to try to make the DVD features more interesting.  But the only interesting thing is how much Roake just won't play the game.

    Rating: 8/10


  • Das Fidele Gefängnis (The Merry Jail)

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    Down by Law  (1986)

    The Merry Jail  (1917)

    Das Fidele Gefängnis (The Merry Jail)

    This was on the Criterion Collection release of Trouble in Paradise that I rented.  It's an earlier silent film that Lubitsch made in Germany, and I actually preferred it to the primary movie on disc!

    Here we also see Lubitsch the actor as well as a wonderful comedic part from the legendary Emil Jannings as a drunk jailer.  I found it to just be a lot more fun and goofy than the other film which seems to be trying for some kind of sophisticated comedy that was a bit more difficult for me to enjoy.

    You also get a glimpse of some jail cell wall graffiti that rivals some of what you see in Down By Law.  I'm mesmerized by jail cell wall graffiti.  Anyone know of any other places to see some?

    Rating: 8/10


  • movie year countdown - round #2 - #10 - 1988-9 - Tetsuo

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    Eraserhead  (1977)

    This blog entry is part of my “movie year countdown round #2”.  Read more about that here.

    Tetsuo

    You won't read many reviews of this film without mention of Lynch and Cronenberg.  Lynch because the industrial black and white feel is reminiscent of Eraserhead.  And Cronenberg because of the machine body transformation and sexual stuff.

    If those two things along with a penchant for some of the more extreme aspects of Japanese culture appeal to you, then check out Tetsuo.  If not, then don't even bother.

    I found it curious but not especially inspiring, but at just a little over an hour long it wasn't too much of a waste to find out what all the fuss was about.

    Rating: 6/10


 


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