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  • movie year countdown #38 - 1969 - Hsia nu (A Touch of Zen)

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    A Touch of Zen  (1969)

    This blog entry is part of my “movie year countdown”.  To read more about that check out my first Spout filmblog entry.

    Hsia nu (A Touch of Zen)

    So this is amongst the origins of the modern wave of big luscious Chinese action movies that have swept over the west over the last decade.  Wikipedia says that A Touch of Zen was the first Chinese action film ever to win a prize at the Cannes Film Festival.

    This is a gorgeous movie and very long.  It took me a while to really get into the movie.  By the end you feel like you have experienced something quite spiritual.  That intention was obvious, but there is something satisfying about it.

    I would say that if your favorite movies is Crouching Tiger, Hidden Dragon (and I know many people I have spoken with online hold that movie in such high regard) then you should check this out if you haven't heard of it.  You may have a new favorite.

    Time to realize how supremely badass Buddhist monks really are!

    Now only if King Hu's other films were more readily available....

    Rating: 9/10


  • movie year countdown #37 - 1970 - Il Conformista (The Conformist)

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    Under discussion:

    The Conformist  (1970)

    This blog entry is part of my “movie year countdown”.  To read more about that check out my first Spout filmblog entry.

    Il Conformista (The Conformist)

    There is some amazing cinematography and composition in this movie.  I am still completely baffled by the scene where they are making love on the train with the sunset in the background.  I have never seen anything like that in a movie before.  Even with CGI now, it's just a composition of colors that just seems unattainable.  I don't know how they did it.

    Apart from a number of absolutely stunning images like this, the rest of the movie was largely dull and alienating to me.  I cared nothing from pretty much all of the characters.  They all seemed distant to me.

    The movie seems so entrenched in a certain time and place and maybe even stuck in the mind of the filmmakers that perhaps I would have appreciated it more if my history was closer to that context.  I do also understand that the Marcello is supposed to be sort of without peresonality.  He's the CONFORMIST.  But I still feel like I was missing something.  I'm not going to speculate on it for too long though.

    Rating: 4/10


 


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