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Risselada Blog

  • Love Hina Spring Special

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    Love Hina Spring Special

    Good stuff if you love the Love Hina series.  Maybe not quite as endearing as the Christmas special, but there's a bit more fanservice from what I recall.  And it still retains all of the sentimentality and the wonderful frustration of no final resolution about the character's relationships for the future.

    It's really difficult not to absolutely love this if you have seen the entire series and come to know all of the characters.

    Rating: 10/10


  • Fay Grim

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    Under discussion:

    Henry Fool  (1997)

    Fay Grim  (2007)

    Fay Grim

    The sequel to my favorite Hal Hartley, Henry Fool.  In a way it has almost nothing to do with that original movie.  Or at least it seems to take everything that first movie was about or what you thought it was about and totally changes it, almost denying it.  That's not a bad thing at all though.  It's just counter to what you would expect of a sequel.

    Actually that does happen with some sequels (although I'm too lazy to think of an example right now).  Where after you watch the second movie and you go back and watch the first one, you see everything in a new context and realize that certain actions taken and things said were not what they originally appeared to be since you now have new information about more of the back story.  In a way the information presented in Fay Grim changes the what was really going on in Henry Fool more than any other sequel I can think of.  But this case to go back and watch Henry Fool thinking about it with the context of the information given in Fay Grim would be wrong.  There's no way I can know for sure, but I suspect that Hal Hartley wasn't thinking of a sequel or of any international espionage and intrigue back story when he was writing Henry Fool.  At least I cannot imagine to this extent.  Although Hartley has always been interested in some of these themes of international espionage and terrorist warfare.

    But there is a lot of mystery in Henry Fool that lends itself to the epic proportions of this sequel.  Epic in the way that Hartley is epic.  Epic not in a visual scope, but in the scope of words and ideas.  This is the spy movie as made by Hartley.

    Hartley has his stock company of actors, but it's always interesting to see what new established actors he fits into his new films.  What kind of actors would fit well into Hartley's world I sometimes wonder?  Jeff Goldblum I think was actually an apt choice, and I was excited to see him here.  I also found it rather nice that Liam Aiken whose first movie was Henry Fool when he was 7 years old has developed and is still working as a film actor.  It was nice to see how well he still fit into Hartley's style as well.  I'll have to watch some of his other films.  Maybe Hartley put some kind of stylistic acting seed into him.

    Why don't I give this movie a 10 instead of a 9?  It was a tough decision.  Things get extremely convoluted and many plot points are quickly lost or ignored.  Now I actually think that this is intentional and FANTASTIC because it makes things seem even more convoluted and epic.  So I think this movie is pretty much perfect for what it is, but I think Hartley's style which is still so ever present here is ultimately very best suited to his more focused simple work with the epic qualities in the background.

    But I love the Dutch angles!

    Rating: 9/10


  • movie year countdown #21 - 1986 - Ying hung boon sik (A Better Tomorrow)

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    Under discussion:

    The Killer  (1989)

    Paycheck  (2003)

    This blog entry is part of my “movie year countdown”.  To read more about that check out my first Spout filmblog entry.

    Ying hung boon sik (A Better Tomorrow)

    I'm kind of fascinated by John Woo.  I haven't even seen many of his movies, but I feel like I have a strong impressions.  It seems like he was a master of action when he was working in the Hong Kong film industry.  But then he started working in Hollywood, bringing all of his same techniques over in ways that just seem all the more silly and don't fit.

    Movies like Paycheck seem like he saw the story as just surroundings for his action sequences.  When the action sequences had absolutely no relevance to the actual story which could have been interested if the director would have seemed to know what was going on or was invested.

    And then there is the fact that at the climax of nearly every single one of his movies there are shots of doves flying off.  It's an interesting calling card, and the fact that he seems compelled to use it no matter what is fascinating to me.  Even when it doesn't even fit and has gone beyond being melodramatic and ridiculous.

    What does this have to do with A Better Tomorrow?  Well not that much since this seems to be the first movie that really catapulted his career into a new level of notoriety.  I may not be entirely correct about this, but that was my impression.  Anyways this movie doesn't even have any doves in it.  But it does have a lot of action, and guns, and melodrama.  I've also seen The Killer which also has a lot of action, and guns, and melodrama, and doves too.

    I find these Hong Kong movies amusing.  But I have to ask myself.  Is what Woo is doing in Hollywood any different than what he was doing in Hong Kong?  Did the action and melodrama fit any more in the Hong Kong movies than the American movies?  It's hard to say because I don't know Chinese culture that well and it's almost more fun to assume that things that seem absurd to me when watching a foreign film may just be part of the way of life for other people.

    Either way, I will admit his gun battles are pretty damn enthralling.

    Rating: 8/10