Four Eyed Monsters
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An inordinate number of peppers

  • Great characters

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    Under discussion:

    Ivanovo Detstvo  (1962)

    The Pawnbroker  (1964)

    Fear of Fear  (1976)

    Click the photo to find the film






  • Ruined

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    Under discussion:

    Floating Weeds  (1959)

    Everywhere you go, children sneak along
    to learn the strange truth. Their reach is unbound
    but their core is too small to anchor much.
    A flurry of fins and a hint of blue among the gray
    but no fish. The actors practice grace,
    but dream of fresh spirits to inhabit, they
    are the opposite of ghosts. They haunt
    the periphery of their own lives. Dancing
    in the whiplash of life, sometimes they play the goat,
    sometimes they are separated by rain.
    Their curses wash off as easily as their loves.
    What is real, insoluble as bone, will not budge.
    Over your shoulder on the dry-docked red boat,
    a blue bottle devours the light. We all get stranded
    eventually. Abandoned by fortune, stripped down
    to the real till we can run again. Some petals
    or flakes or bits of snow, dust, a slow sifting of decay,
    the years falling off like slaps across the cheek.
    The breeze kicks some newsprint down the alley
    and we are ruined.
                                  

  • Film Noir tribute

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    Under discussion:

    Cape Fear  (1991)

    My wife and I watched Cape Fear on TV this week. The last time I'd seen it was in the theatre where I felt it was overblown and not very realistic. Now I understand that it was a noir tribute.

    What became even more powerfully pronounced was just how powerful and terrifying a character Robert De Niro can create. And how fine an actress Juliette Lewis can be. Nick Nolte was way outclassed, but who else at that time could have pulled off the role? Harrison Ford could probably have done it, but might have been reluctant to tarnish his image like that.

    One question I asked myself was who the hero was.De Niro of course. Presumably the only whole person in the movie. He manages to embody the evil that is merely latent in Nolte's character. Nolte is Frankenstein, De Niro is the monster. My wife pointed out the parallel. Think of the final scene of Frankenstein, as De Niro floats off. The only difference is that here, De Niro sinks, perhaps back into Nolte's subconscience now that he has been fully expressed.

    This movie is definitely worth seeing again if it's been a while. Think Hitchcock. Catch the cameos.


 


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