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Puhnner Blog

  • Jade-Blossom Palace

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    Under discussion:

    This is a Japanese film. There seem to be many translations of the Chinese Poet, Tu Fu’s, ‘Jade-Blossom Palace’; this is one; ( I wonder which one, resting in his immortality, he might prefer? )

     

    Jade-Blossom Palace

     

    Below long pine winds, a stream twists.

    Gray rats scuttle across spent rooftiles.

    Bequeathed now beneath cliffs to ruin—who

    knows which prince’s palace this once was?

     

    Azure ghostflames flood shadow-filled rooms.

    Erosion guts manicured paths.  Earth’s

    ten thousand airs are the enduring music,

    autumn colors the height of indifference.

     

    All brown earth now—the exquisite women

    gracing his golden carriage have all become

    their rouge and mascara sham. Of those

    stately affairs, one stone horse remains.

     

    Sitting grief—stricken in the grasses,

    I sing wildly, wiping away tears for life

    scarcely passes into old age, and no one

    ever finds anything more of immortality.

     

     

    Though in black and white, I feel as though I see the 'azure ghostflames flood shadow--filled rooms'...and... 'the one stone horse remains'. What a film this is.


  • when invaders come knocking

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    Under discussion:

    Twilight Zone; ‘The Invaders’

    The Lead-in:  ‘This is one of the out-of-the-way places, the unvisited places, bleak, wasted, dying.  This is a farmhouse, handmade, crude, a house without electricity or gas, a house untouched by progress.  This is the woman who lives in the house, a woman who’s been alone for many years,  a strong, simple woman whose only problem up until this moment has been that of acquiring enough food to eat,  a woman about to face terror which is even now coming at her from…the Twilight Zone’

    The woman goes up to her roof to investigate a noise, and finds a flying saucer with two, tiny, robot-like creatures emerging from it.  The creatures torment the woman, until finally she grabs and batters one of the creatures into lifelessness.  With an axe she destroys the saucer.  Before the final creature is killed, he sends a message to his home planet not to send any more ships to this planet.  The lettering on the side of the saucer reads ‘U.S. Air Force’.

    I was reading portions of this

    Dimensions; A Casebook of Alien Contact

    Jacques Vallee

     

    the other day and was reminded of the above Twilight Zone episode, ‘ The Invaders’ and the true xeonophobic reaction I had when I first saw this episode as a kid: 'How dare they kill the US of A!!!  Our Karate is unstoppable!!!'  But this passage from the book has nothing to do with that…

     

    The Confusion Technique in the Contact Ritual

     

    Earlier I recounted the story of a witness who was asked the time by a UFO occupant. ‘ It is 2:30’, the witness replied.  ‘You lie; it is four o’clock,’ said the occupant.

     

    I am indebted to Gerald Askevoid for bringing to my attention the fascinating story by Dr. Milton Erickson, a pioneer in modern hypnosis, concerning  ‘The Gentle Art of Reframing’:

     

    One windy day…a man came rushing around the corner of a building and bumped hard against me as I stood bracing myself against the wind.  Before he could recover his poise to speak to me,  I glanced elaborately at my watch and courteously, as if he had inquired the time of day,  I stated,  ‘It’s exactly ten minutes to two,’ though it was actually closer to 4 P.M., and walked on.  About a half a block away,  I turned and saw him still looking at me, undoubtedly still puzzled and bewildered by my remark.

     

    After quoting this story, psychologist Paul Watzlawick comments in his book ‘Change’:

     

    This is how Erickson described the incident that led him to the development of an unusual method of hypnotic induction which he later called the ‘Confusion Technique’. What had taken place?

     

     The incident of bumping into each other had created a context in which the obvious conventional response would have been mutual apologies.  Dr. Erickson’s response suddenly and unexpectedly redefined that same context as a very different one,  namely, one that would have been socially appropriate if the other man had asked him the time of day,  but even that would have been bewildering because of the patent incorrectness of the information,  in contrast to the courteous, solicitous manner in which it was given,  The result was confusion,  unalleviated by any further information that would have reorganized the pieces of the puzzle into an understandable new frame of reference.  As Ericson points out, the need to get out of the confusion by finding this new frame, makes the subject particularly ready and eager to hold on firmly to the next piece of concrete information that he is given.  The confusion,  setting the stage for reframing, thus becomes an important step in the process of effecting second-order change and of ‘showing the fly the way out of the fly-bottle’

     

     Was the alleged UFO pilot trying to show the witness the way out of a similar maze?  Is this confusion technique deliberately used to effect change on a major scale?  Answering such questions could also help us to understand the strong resemblance that anyone who has examined the beliefs of esoteric groups could not fail to note between certain UFO encounters and the initiation rituals of secret societies.  This ‘opening of the mind’ to a new set of symbols that is reported by many witnesses is precisely what the various occult traditions also try to achieve. 

     

     

    Perhaps, it would have been better to just enjoy the cup of coffee and the winter sky…

     

    this Twilight Zone episode was written by Richard Matheson;

     

    his novel 'I am  Legend' brought us the following films:

    'the Last Man on Earth' with Vincent Price, wind blown gas masked burning bodies

    'The Omega Man' Chuck Heston, leather chair sitting brandy gulping,  losing a chess match to himself

    and soon to be completed and released

    'I am Legend' with Will Smith


  • Bride of Lee Van Cleef

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    Under discussion:

    Thriller  (1974)

    Before Ms. 45, before I Spit on Your Grave, before the others, Thriller: A Cruel Picture:

    This summation is a real joke:

    'A young woman (Christina Lindberg) struggles to overcome her tortured past, but runs into more trouble when she gets mixed up with a seemingly wonderful man … who ends up being the exact opposite. After she misses her bus to her job at a farm, the man picks her up and soon has her working as a prostitute and addicted to drugs. Her only chance to escape will be to learn martial arts and exact revenge on her pimp.'

     

    From the Trailer:

    'She used what was left to repay every blow with her own type of terrible revenge.'

    'Find where she's getting her stuff, then get rid of her!... They call her One Eye... '

    ( she reminded me of Britney Spears, but with a placid expression...what the hell???)

     

    This poor person, raped by a 'Gramps' in a park as a child, becomes mute, grows older in an idyllic bucolic area, loved by both her parents, then fatefully,  misses a bus for one of her treatments, accepts a ride, then dinner with drinks, and then finally knock out drugs and addiction. She is turned into a Heroin addict and prostituted to earn her daily fix ( mr. pimp, in a rare piece of generosity, gives her double the dose for use on her days off ; little does he know that on her days off, she learns how to drive and really fast at that, shoot various weapons with deadly accuracy, and the killing techniques of martial arts (Sensei boots her out for shooting up in the dojo, so she continues the training with some Swedish commandos ); he has no idea what is coming his way...REVENGE???,  oh no, nothing that simple, it is DEATH!!! by a horsey just wanting some grain).

    She has fewer expressions than that nine fingered, steely-eyed death dealer, Lee Van Cleef in one of his more expressive moments, as she dispassionately cuts down her Johns and Johnsettes. And it is all done in glorious slow motion, with the bullets flying first and the screams 10 seconds later. Traveling in a light flashing and sometimes siren blazing, Polici vehicle, with barely a wave of her hand or nod of her brunette head, she runs numerous cars off the Swedish highways and byways to their own death and the autos' destruction... 

    BEWARE!!! not only is there the blood bath and a new version the opthamological procedure in Un Chien Andalou ( thank god this film was shot before Lasik ), but actual SEX shots of front and 'exit only' penetration. Thank god, neither the rutting of Van Cleef nor of Jack Elam were involved.

    This one would be a great one to include in a triple feature of Rabid and In the Realm of the Senses, and maybe Bullit.

    The denouement??? This is a deeply disturbing, very sad, completely grim and ghastly glimpse of the destruction of a human being and of our humanity. Have mercy on her soul, those of her tormentors, and on ours. Whatever truths this tells us about our society are miserable to apprehend...

     


 

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