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Reel Thoughts

  • I Finally Saw This

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    Under discussion:

    Amélie  (2001)

    It's 5 years old, yet somehow I managed to miss out on Amelie for a very long time.  I don't know why.  It always happens that I miss out on films I really want to see unless I can get people to see them with me.  And I only have one friend who enjoys watching artsy and/or foreign language films with me.

    So, it just so happens that I was in Chicago this weekend visiting that same friend, and she owns a copy of this movie.  What a treat!  It lived up to my expectations.  So quirky, so cute.  French films are, most of the time, masterpieces because French filmmakers are not hampered by the pseudo-industrial complex that plagues Hollywood.  I don't like all French films, mind you, but they are mostly well put together.  After all, La Femme Nikita spawned an American remake and a TV series.

    This movie was feel-good.  A pre-Da Vinci Code Sophie Neveu shines as the title character, who, due to her eccentric upbringing, is extremely introverted.  Yet, with her big imagination, she has a big heart, and aims to visit kindnesses on people she meets; except when it comes to a man she wants to meet.  She must struggle with taking the risk and talking to him and creates elaborate ways to help her conquer her fear.

    It's got such a sense of humor about it, this movie.  It's completely infectious.  I rate this movie 10 out of 10 (a masterpiece!).

    The test: will she be buying it?  The answer: I think I may.  I could watch it again because it made me smile.  Maybe I'll try watching it without subtitles the next time...finally all that French in high school and college may be good for something.


  • Less Than Perfect Finale

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    See the fantasy group for the gory details...and request an invite if you like.

    My rating: 7 out of 10 (the overall work of the film was shaky but left me at least feeling entertained).

    The test: will she be buying it?  The answer: probably.  I own the first two, and this wasn't a bad movie.  It was just an anticlimactic finale to what has otherwise been a superior series of comic book films.  The X-Men, further, are my second favorite of the superhero genre, and there were some really good points about it.  So, yeah.  I'm thinking I'll have to complete the set.


  • The Book Is Better

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    My thoughts on the movie are written in detail in the The Imagination of Fantasy group, so please look.  P.S. If you like fantasy and like what you see, request membership because I would like to expand the group but do not know who to invite, since fantasy tends to appeal only to some people.

    I don't want to spoil the plot.  In keeping with my other blogposts, though...

    Rating: 7 out of 10 (Good -the overall work of the film is shaky but left me with a feeling of being entertained).

    The test-will she be buying it?  The answer: I don't know.  I may have to watch it again to decide if I like it.  Despite being riddled with excitement to see it, I purposely kept my expectations pretty low, just because I know that books turning into movies is a crapshoot, and it's only a rare vehicle like Lord of the Rings that actually does its source material justice.  As it is, I own the book and enjoy that lots.  So, the jury's out...unless I say that I'm not buying it at least until I rewatch it.  Let's call that good.


  • Not Crowe's Best

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    Elizabethtown  (2005)

    A movie with dreamy Orlando Bloom, perky Kirsten Dunst, venerable Susan Sarandon, and king of romance spinning yarns set to great music director Camerown Crowe?  How can this go wrong?

    I borrowed it from my co-worker again.  She's got a library of everything.  I had medium to high hopes for this movie, but it ended up falling short for me on many levels.  First of all, dreamy Orlando (this is what I call him all the time) should work harder on his American accent.  And Kirsten Dunst should work harder on her Kentuckian accent. 

    Those are small gripes.  The bottom line is that this plot, when it actually manages to connect in places, has been done before, including by Crowe himself. 

    Did Cameron mean for this to flow like a zigzag stream of consciousness because that's what it felt like.  Orlando plays Drew, a colossal failure in shoe design, he just finds out, who loses his job.  He also loses his father, a man he barely knew thanks to his high hopes for success. 

    The movie first seems to be about living life despite setbacks, and it ends with that feeling too, but the whole of the middle is something else entirely.  You see him fail, get fired by Alec Baldwin (ouch), and contemplate suicide or at least a very sharp turn on an exercise bike.  Then, he's flying from home to Kentucky to claim his father's remains from his very typically Southern extended relatives, though he meets a unique flight attendant.  It then becomes sort of an atypical love story along the lines of Forces of Nature or something.  While he's in Kentucky, though, it's about reconciling his roots with his actual memories, though Kirsten's character keeps popping up.  It was just extremely disjointed, and that detracted from the purported emotional resonance.  I felt nothing for dreamy Orlando's character, and this was supposed to be that character's journey.  Sure, Drew takes a road trip in the end, and the soundtrack is simply amazing (Cameron Crowe never fails on the soundtracks to his movies), but everything else feels empty and forced, right down to dreamy Orlando's American accent.

    It feels like Jerry Maguire without the heart or Say Anything without the passion.  I haven't seen Almost Famous, but I'm sure that's in here somewhere.

    At best, I rate it a 6 out of 10, which in my ratings scale stands for "Cute."  That's what it was - cute.  Dreamy Orlando and Kirsten have some chemistry, and Dreamy is dreamy.

    The test: will she be buying it?  The answer: I can safely say no.  I might watch it on cable.  I might buy the soundtrack.  Most likely, I will go look for some older Elton John albums on CD.