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paul on spout.com

Reviews

Reviews of movies
 
  • Boyhood Manhood

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    Chuck & Buck  (2000)

    This movie is uncomfortable to watch. But it's worth watching. Buck is social misfit, a man society forgot and as a man he's stuck in boyhood. Chuck has transitioned into "normal" adulthood until Buck shows up and--by his very presence--threatens to expose Chuck's illusion of normalcy. It's a sensitive and blunt film. Mike White has a certain charm that comes through in all of his work as an actor and writer. If you look forward to some awkward squirming, this movie delivers on multiple levels. It is truly unforgettable.

  • Death and dying

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    In most films, people die so easily. Few films really explore somebody who should have died, but didn't. I'm not talking about Bruce Willis and a machine gun defying the odds, but stories people who by some strange luck tumble through the cruelest of suffering and come out alive. They recover, get a job, buy a home and maybe live on your block. That's Dieter Dengler.

    Little Dieter Needs to Fly  is about a man we could pass everyday. Dengler is so dynamic and yet strangely disconnected. He begins telling his story of brutal torture, starvation and escape from a POW camp like he's describing a Christmas that went south. Werner Herzog begins a dance with Dengler, taking him back into the physical settings of his story, having Dengler tell it within grass huts surrounded by Vietnamese men holding AK-47s. Dengler's stories become more real, his emotions start to emerge and memories which would be considered innappropriate in most conversations come out naturally. The memories flow into a beautiful documentary that puts you in a place of simple wonder about death and our relationship to it. Something that feels inappropriate to talk about in most of our conversations.


  • A question

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    Citizen Kane  (1941)

    When I walk through an art museum, I often hear volunteer tour guides gushing over a Van Gogh. Im not sure they really love the work. I think there exists a culture-wide guilt Van Gogh had to suffer so much in his lifetime. Therefore we overcompensate with post-mortem praise for his paintings. Is it the same with Orson Welles? Are we allowed to call ourselves movie lovers and NOT love Citizen Kane? I've watched it half a dozen times personally, but do I really love the film? Or am I--and the rest of the world of cinema--overcompensating for the pain of knowing Welles got the shaft of a lifetime after this movie?

  • Has anyone seen this?

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    Madame de...  (1953)

    I'm having a moment where I feel I've missed something huge, like a war, an assassination, or a hurricane.

    http://www.filmforum.org/films/earrings.html 


  • Laughing so hard

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    Smiley Face  (2007)

    I wouldn't ever claim to be a stoner, so perhaps I missed out on all the nuance in this flick, but I can't remember the last movie I laughed so hard, so often from start to finish. My stomach muscles got sore.

  • What's up?

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    I see so many people didn't like this movie. What more do you need? A big knife, a prison escape, a bow with explosive arrows, and a nail-biting helicopter lift off involving POWs. It's got everything. James Cameron wrote a butt kicking sequel to what was originally a drama about an emotionally dislocated war veteran in rural America. A veteran with a big knife.

 


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