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paul on spout.com

  • Maldonne (1928)

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    Maldonne  (1928)

    I am so glad guest director J.P. Gorin and the co-directors of Telluride 2006 have introduced me to the work of Jean Grémillon. It boggles my mind such a film like Maldonne can be almost 80 years old and still overlooked. The sequence in the dance hall alone makes this film worth finding at all costs and should be cited in text books next to the Odessa Steps sequence of Battleship Potemkin and the Chorus Girls sequence in Citizen Kane.

    It's rare to see a film, like Maldonne, overflowing with experimentation but, at the same time, holding firm to sensitive storytelling. Whenever I see a film like this I want to mainline it into the veins of film students. Such creativity brings courage to artists of any age. I love this quote filmmaker J.P. Gorin wrote in a note to himself "as a self medication,"

    When stuck: Take two Grémillon and call me tomorrow...

  • Dodsworth

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    Dodsworth  (1936)

    Any combination  of William Wyler, Samuel Goldwyn, and Walter Huston amount to a classic. Period. Dodsworth endures because it's a sophisticated piece with a lot going on beneath the surface. A retired automaker goes on a European voyage with his wife of twenty years who's going through her own midlife crisis. It's 100 minutes of snappy, intelligent dialogue injecting humor into mature themes of infidelity and marriage.

    Dodsworth is a man ready to leap into the chapter of old age and enjoying the fruit of his labor. His wife is terrified of old age and runs into the arms of any man who takes an interest in her. After this film was screened at Telluride 2006, Sam Goldwyn Jr. did the Q&A. When asked why remakes of Dodsworth have been picked up and dropped so many times, he replied there's little sympathy for this film. We can't help but view movies from the time we live in. Dodsworth's wife is unsympathetic for cheating on him. Dodsworth is unsympathetic because, today, nobody understands why he doesn't just drop her and move on.

    There in lies the beauty of Dodsworth. Much like The Secret Lives of Dentists, underpinning this darkly comic story is a man trying to endure a chapter in his marriage and hang on to the history he and his wife built together. It's not a decision most couples make today. But it's a mature and calculated decision reflecting incredible endurance in the man who makes it.

  • Day Night Day Night

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    I just watched Julia Loktev's first feature film, Day Night Day Night starring a first-time actor, Luisa Williams. The film starts with the camera on the no-named girl (Luisa Williams) and, with one brief exception, she's in every shot of the entire film. We see what she sees and hear what she hears (the amplified chewing while she eats is an especially nice touch). There's no explanation for who she is, where she comes from and no dramatic music cues to tell us what she's feeling. Nonetheless, what could have been a formal exercise in filmmaking takes us on a journey that's nothing short of riveting.

    The journey of this girl goes into some sensitive subject matter in a completely fresh and compassionate way. Luisa Williams' performance is sure to be noticed and I think she'll be showing up on the screen again soon. Ultimately, the journey is a spiritual one and left thoughts and images lingering in my mind long after the film ended.

 


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