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MikeEverleth Blog

Reviews

 
  • Nasty little piece of work.

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    Straw Dogs  (1971)

    No Through Road  (2008)

    No Through Road is an extremely tense little thriller-slash-horror movie that's at turns scary, suspenseful and pretty gory and disturbing. It's kind of like a low-budget Australian update of Straw Dogs.

    However, this time the nerdy guy who needs to find his inner barbarian is a mousy, reclusive amateur photographer who needs to protect a strange girl hiding in his bedroom closet. She claims she's just been raped, but the three thugs outside who want to have a "chat" with her claim she's involved in a drug plot. Of course, the outside creeps eventually find their way inside for a cat-and-mouse game that involves several sharp objects.

    The film has a nice script that slowly builds the tension and deftly explains away all of the nagging implausibilities, such as giving the hero a good, solid reason to not automatically call the cops when he finds the girl. But the film really shines with giving us terrific characters to care about, especially in developing the villains who are grounded and realistic and not just cartoonish ruffians.

    Read my full review at Bad Lit: The Journal of Underground Film.


  • Modern Neorealism in Kashmir

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    Zero Bridge  (2008)

    This is a bold and accomplished first feature film by Tariq Tapa, an American of Kashmiri descent.

    The film is set entirely in Srinagar, Kashmir and follows the story of a teenage pickpocket, Dilawar, who dreams of someday escaping the slum he's grown up in. His dreams of escape become more real when he befriends a pretty shipping clerk, Bani, who also has plans to leave her abusive, overbearing family.

    Shot in a neorealist style, Tapa doesn't romanticize life in the slums of war-torn Kashmir. The film is shot in an intimate, documentary style and the drama unfolds at a nice realistic, uncontrived page. Featuring a cast of non-professional actors and almost all crew work performed by Tapa himself, Zero Bridge is a remarkable debut.

    Read my full review at Bad Lit: The Journal of Underground Film.


  • Low-key and charming

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    Wonderland  (1997)

    I guess this is a hard-to-see film since it was never released on DVD, which is a real shame because it's a fun, quirky little documentary.

    Director John O'Hagan does a nice job spotlighting the eccentric characters living in America's first suburb, Levittown, NY, without poking fun at them. The residents proudly discuss their quirky hobbies and obsessions while O'Hagan mixes in nice archival footage of the suburb's ambitious beginnings. We also get to meet a few of Levittown's more famous former residents, like musician Eddie Money and Bill Griffith, the creator of Zippy the Pinhead.

    It's a real shame more people can't get to see this as this is a very charming documentary.


  • Low-key but hilarious

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    Melodie Sisk stars as a nurse who is bored by life so she becomes ... a bored dominatrix. However, the film is anything but boring. While the action gets off to a slow start, Zach Clark sets the outrageous sexual situations on a slow simmer that gradually flares up into a hot boil.

    While Sisk is wonderfully impassive as the passionless dominatrix -- you can really feel her wounded soul -- the film kicks into high gear when Maggie Ross enters the picture as Sisk's loopy roommate. Sisk's ennui is counterbalanced by Ross' unhinged optimism in face of one of the most degrading jobs on the planet.

    Read my full review at Bad Lit: The Journal of Underground Film.


  • Road Trip

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    Circulation  (2008)

    Ryan Harper's debut feature is a nice twist on the desert thriller genre. A young Mexican woman is helped by a crusty, but kind, stranger as she escapes from her abusive ex-husband. While it may look like she's still in the same desert community where she grew up, she eventually realizes she's trapped in a nighmarish mirror world.

    Her journey is kind of like Dorothy's in The Wizard of Oz, except the Munchkins here are normal-sized and like to vomit bile on and eat people; and instead of a dancing scarecrow, she's accompanied by a cranky bald guy in a rundown truck.

    Read my full review on Bad Lit.


  • How not to be a rock star

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    The Atlas Moth  (2002)

    The Atlas Moth chronicles struggling heavy metal band Dark Horse and their desperate attempt to become rock stars. But these aren't some wide-eyed kids, they're middle-aged guys with families and plenty of other hobbies that keep from making music.

    The members of Dark Horse -- including Dan Cleveland, Sean Cassidy and Jon Mortenson -- are all extremely interesting guys and they're completely candid and uninhibited in front of director Rolf Belgum's camera. So, in that regard, this makes for fascinating viewing, but it's up to the viewer to figure out what Belgum's trying to say by telling their story.

    Read my full review at Bad Lit.


 

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