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  • 27 Dresses - Review

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    27 Dresses  (2008)

    Always a bridesmaid and never a bride, Katherine Heigl shines as the self-effacing best friend to everyone that reaches her boiling point when her younger sister steals the love of her life. Looking for an exploitative hot story, James Marsden finds it in Heigl and her collection of heinously ugly bridesmaids dresses, but alas, romance blossoms and the fun begins. Far from perfect but not a complete failure, 27 Dresses manages to combine the two key elements necessary for a modern romantic comedy: fresh slapstick and two lead actors that just seem to mesh.


  • Starting Out In The Evening - Review

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    Finding love with another is fairly common, finding love within yourself can be tremendously harder. In Starting Out In The Evening, an aging author finds excuse in indulging a young aspiring literary critic as she pens her graduate thesis on his oeuvre. While a stilted romance blooms between the two, his daughter gets caught up in her own misgivings about her two lovers and her trepidation for the future. Simultaneously endearing and platitudinous, an ambiguous lightness emerges through the duration of the film in this simple yet lovely story.


  • Music Within - Review

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    Music Within  (2007)

    The struggle for equal rights is quite a daunting one, especially if you're deaf or have cerebral palsy. A touching real-life story drives this relatively bland film about a Vietnam veteran attempting to change societies perceptions of people with disabilities. Driving past the typically shlocky disabled jokes and moving into gut-busting moments of absolute hilarity, Music Within works well enough for those in search of some good 'ol fashioned visceral emotion with a gentle sprinkling of laughter.


  • Anamorph - Review

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    Seven  (1995)

    Anamorph  (2007)

    Uncannily similar to David Fincher's Se7enAnamorph follows two detectives trying to piece together a string of elaborate murders that resemble the work of a supposedly dead serial killer from the past. Still traumatized by the events from the madman's first series of murders, Stan (Willem Dafoe) must piece together the puzzle before more innocent people die. Not the most original storyline, yet the use of anamorphosis as the killer's method of staging his murdered victims is rather captivating in that "wow-that-is-totally-f***ed-up-yet-kinda-cool" way. Unfortunately suffers from too many pointless flashbacks, unresolved character arcs and a general malaise from most of the characters that spreads to the viewer.


  • Aliens vs. Predator: Requiem - Review

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    Continuing where the last film ended, Aliens vs. Predator: Requiem follows a lone Predator hunter out to dispose of those pesky, quick-breeding Aliens as they run rampant in a small town in Colorado. Leading them in their gory killfest is an Alien/Predator hybrid that is all sorts of savage which leaves the townsfolk to run around like chickens with their heads cut off (literally). With its striking cinematography, cliched yet believable peripheral story-lines, engaging cast of predictable characters, and non-stop action sequences, AVPR is surprisingly effective from beginning to end. Ultimately AVPR is an acceptable addition to the Aliens and Predator series for those viewers willing to cut corners to see their favorite aliens back on the screen. Bring on the sequel!


  • Powder - Review

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    Powder  (1995)


    Unnerving, Weird, Stupid, Scary, Etc. I don't know what it is but Powder hasn't ever made its way into any sort of classification or description for me. I hated it, liked it, loved it; now it's something that is rather illusory. It's not particularly well made, cinematography isn't anything special, but the acting and comments on humanity that are alluded to by the script are something to be admired. For some reason it brings about an emotional state in me that only sporadic moments of deep introspective thought bring about. It needs to be seen if not to be a point of reference for future discussion.

 

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