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mconrad3 Blog

  • Towelhead

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    Towelhead  (2008)

    I accidentally my entire review for this film so I'll keep it brief. Some parts are interesting. All of the characters save the lead are cardboard cutouts. It's more uncomfortable to watch than a film I saw some years ago called Ken Park. There seems to be some semblence of a narrative towards the second half. The issue with this is the first hour is spent sending Jasira (Bishil) jump in an out of every possible life crisis a teenager could ever possible have to deal with save teen pregnancy. I haven't led a sheltered life, and I've experience some of these crisis through friends, family, and personally. My issue is that it's hard to believe one person can go through it all in a matter of months.


  • Memento

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    Memento  (2001)

    I got to see Memento for the first time not too long ago. This was after I saw Batman Begins and The Prestige, so Nolan's style was well known to me, but I wasn't expecting what I got with Memento. It was disorienting, bizarre, funny, and most importantly thought provoking. My second time around I was aware of the full story. Where your first viewing experience of Memento is living main character Leonard's (Pearce) life, the second time around it is watching him live his life as his family and friends do.

    For those already lost, Leonard has anterograde amnesia. He can't form new memories and can only remember the events of his life leading up to the accident that caused his illness. To illustrate this disability, Memento's scenes play out in backwards order. The last chronological plot event is seen first, and we work our way back from there. This makes sure the audience, like Leonard, doesn't know what happened before what they're viewing and have to piece together information and rely on what Leonard's notes tell him.

    Aside from the editing choice, one of the best parts of this movie is the relationship between Leonard and his "friend" Teddy (Pantoliano). Leonard has no recollection of any relationship with Teddy, but the two still have this Odd Couple-esque chemistry. Leonard's disability makes it difficult, but despite all their issues they actually seem to make good friends. On the opposite end of the spectrum is Natalie (Moss) who has an ambiguous history with Leonard that is discovered and explored by the end of the film. When mixed together, these three characters make up the core of the story.

    I thoroughly enjoyed Memento. It injects some new blood into the film noir genre and can still reach a broad audience. It is definitely a film that requires repeated viewing to understand all of it's facets, but I don't count that in the negative. Replay value should never be considered a bad thing. I also am finding that I enjoy the occassional film that makes you think, and Memento definitely does. It only goes to show that Chris Nolan's talent does not fade with time, as evidenced by his more recent ventures.


  • Happy-Go-Lucky

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    Happy-Go-Lucky  (2008)

    I'll admit I'm not the happiest person around. In fact, it's not even on the top ten words you'd use to describe me. So you can imagine my sentiments when one of my friends suggested I see a film called Happy-Go-Lucky. It took some pushing, but I finally got around to checking it out for myself. I'm surprised to say I ended up liking it, if not wondering why the last couple of movies I've seen have one hour expositions.

    Poppy, a young grammar school teacher living in London, seems to be eternally happy. I'll admit for the first thirty minutes or so I thought she may have been mentally damaged. This may have been due to my disbelief at her lighthearted attitude toward everything, but somehow discovering she was an elementary school teacher cleared a lot of that up. As the film continues on we learn more about her life bit by bit and her philosophies as she takes driving lessons from her disgruntled teacher, Scott, and visits her family and friends.

    The story never really lost me, but I couldn't help but feel it required some cutting. It seems as if the first hour of the film wanders randomly without too much of a singular driving force and only really serves as exposition. The last forty minutes is where the heart of the story is, but it takes a little too long to get there. Sure there needs to be an exposition, I just don't think it should continue without any real conflict for too long. The over all pacing suffers as a result and it seems as if there are really only two acts in the entire pictures.

    That being said, I tought the whole thing was still an entertaining and compelling movie. The characters hold your interest the whole way through and the performances are generally pretty good. I just wish some of them show up more than two times. The flamenco teacher, for example, appears briefly only in two scenes where I thought she could have been balanced out throughout the course of the film. Driving instructor Scott acts as a good foil for Poppy, but his conflicts aren't quite resolved by the end and it leaves you wondering what is going to become of him.

    I was apprehensive when I approached this film. I didn't want it to be ahamfisted portrayal of how people "just need to be happy more". Thankfully, Poppy's attitude merely turned out to be her way of nonconforming and not being as wound up as her pregnant and married younger sister. The overall message was to be more laid back about things and roll with the punches when they come. You don't have to greet everyone with a smile, but if that's what keeps you going, then go for it.


 

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