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Dollar Video Curator

  • The Future's So Bright...I Gotta Kill Humans

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    Under discussion:

    The Matrix  (1999)

    The Films: Terminator 2 vs. The Matrix

    At their roots, T2 and The Matrix are essentially the same movie. The future is grim, machines have taken over, and a small band of rebel humans are attempting to take the world back, by force. With such similarities, a comparison is thus solicited: in a face off, would the Terminators beat the Machines of the Matrix? What if the good and bad guys in each film were switched? Could the Terminators beat Neo and Co.? How would John Conners and Mom fare against the Agents? What about John Conners versus Neo? Who is the more hearty insurgent? And what effect does the wearing of sunglasses have on one’s level of badassness? Let's compare, shall we?

    The Machines of Terminator 2 – T2 is by far the superior of the 3 Terminator films, but also an appropriate flick to use for the purpose of comparing actual machinery. There are two options here, the old stand by and the new and improved version. How do they rate? Arnold is pretty sturdy, sort of the "old reliable" of the Terminator machines. He can take a licking, but he also has some pretty serious defects. His head, simply put, is squashable. His CPU is apparently located there, and with enough force, one can easily take him out. Yes, he may have a back-up power source, but any foe worth fighting would research these weaknesses and be ready to exploit them. The new improved Melty-Metal Terminator however, played by the ultra cool Robert Patrick, is a far more worthy adversary. His head can be squashed and reformed, no problemo. Melty-Metal Robert's only weakness seems to be a well placed foundry, which in time, the Curator is sure, he will be able to avoid in most chase scenarios.
    Sunglasses all around, check.

    The Machines of The Matrix - Here we essentially have a couple different types of machines; the buggish, worker machines, and the human-looking agents. For the purposes of this comparison, we will focus on solely on the human-type machines. These dudes are pretty bad ass, much like Metal Robert above. They can move way faster than humans, recover easily from injury and are basically all knowing. They designed the Matrix, and thus know its various ins and outs. How can they be beat then? Mind over matter, boys. Mind over matter. As Morpheus states, the machines are a part of the Matrix, and are thus grounded by its rules. Anyone with a bit of mind control should be able to waste these fools.
    Sunglasses, check.

    The Humans of Terminator 2 - The humans here are at a pretty solid disadvantage compared to the humans of the Matrix. They have no super powers, few geeky computer skills and are mostly muscle rather than brain. Sure, they have access to a lot of weaponry, some solid black market buying power, the will to be trained in a military type atmosphere, and the desire to save humanity from all out destruction, but really, they come up a bit short. All they really have working in their favor is a constant supply of speedy vehicles and a bit of luck.
    Sunglasses? Nope.

    The Humans of The Matrix – The few that are not sucked into the dream-world matrix are pretty solid. One or two defectors aside, as long as they can wrap their intellect around metaphors such as "the body cannot live without the mind" and "the mind makes it real," they are mostly indestructible. Enter Neo. He tops them all by learning to destroy agents by "absorption,” while his mind is completely free of all normal human restraints. First he disarms his enemy with his blank, dull-eyed stare, therefore confounding his foe into believing he is as stupid as he looks. Then he kicks a lot. Draw backs: when not plugged in, he is just a big fucking geek who knows too much about computers.
    Sunglasses, check.

    The Verdicts:

    On the Machines: Metal Robert of T2 has the clear advantage over Arnold, as well as The Matrix agents. How so? Physically, the only way to destroy him is by melting him at extreme temperatures. He can not be absorbed, tricked, plugged into or even frozen.

    On the Humans:
    The Humans in T2 are lame. There is no comparison between them and Neo, even if Neo is only kicking virtual ass. All John and family have at their disposal is a huge arsenal and some stolen cars. Neo can stop bullets and fly. Case closed.

    Conclusions:

    1. Sunglasses directly contribute to one’s level of hardcoreness and fighting ability.

    2. Melty-Metal Robert must meet Neo in a Face 2 Face grudge match. Winner takes all. The fate of the free world lay in the balance. Unfortunately for us humans, the Curator's money is on Melty-Metal Robert.


  • The Unsung Glory of Joe Don Baker

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    Under discussion:

    Cape Fear  (1991)

    Fletch  (1985)

    Mitchell  (1975)

    Joe Don Baker is a hero of a movie star. Why? Well, Joe Don is not afraid to play what he is. With rutty face in various stages of bloat and constant can of beer in hand, he is true to his essence, heroically taking on the lesser role again and again. The handsome starring role, the funny-man lead, or any sympathetic character? You will find none of these in Joe Don’s repertoire. He’ll break every rule without regret, unapologetically leave porn on the couch, and fill those size 40 pants every time, all for the good of the movie. So wave that American flag and settle your fat ass down onto your beer-stained-couch with potato chips between the cushions. Joe Don, we salute you with a triple feature!!!

    The Films: Fletch, Cape Fear (1991), Mitchell

    Viewing order importance: Mitchell is the finale, always

    Fletch
    Joe Don stars opposite funny man Chevy Chase as corrupt police Chief Captain Karlin. Who else could play the enemy in a Chevy Chase vehicle? Everyone knows that Chevy is gonna come out on top, but somebody’s got to be the bad guy. There is of course Tim Matheson, but he plays a bigot with two wives, so at least he’s getting something out of the deal. Not a whole lot of screen time here, but in the sparse moments he has, he proves his bad-guy self quickly, by taking away Chevy’s first amendment rights, threatening to kill him if he writes a certain news article, turning on his drug smuggling partner, and posing for a photograph with Tommy Lasorda. Off-screen he puts together the grandest drug smuggling scheme the City of Angels has ever seen. The corrupt police chief goes down every time in such comedic feel-good type films, but no one else could go down with the class of Joe Don. He sayeth, “Dipshit! You go back on that goddamn beach and you won't live to regret it! All right?” All right, Joe Don. All right indeed.

    Cape Fear
    First off, the man drinks Jim Beam and Pepto Bismol. Mixed together. There is nothing more fucking tough than that. Not to mention how soothing it is.

    Second, check these quotes out:
    "Think of a gun as an extension of your fist. You’re just reaching out and knockin’ a man down. Boom! Later on, we’ll go out to the woods, and shoot some trees."
    AND
    “Well, gee golly gosh. I sure am sorry I offended you, you white trash piece of shit.”
    Here Joe Don plays a private dick, helping out the Bowden family with intimidation tactics to scary off Mr. Max Cady, and by playing a vital role in household protection services. Well, he doesn’t do a very good job, but does have some pretty great trapping and wounding ideas, like “doing a little hospital job” on someone with “two pieces of pipe and a bicycle chain.” But nothing quite beats wiring every window, door and opening in the house to a teddy bear and sitting and staring at it all night. "If the bear moves a quarter of an inch, I know if the Holy Ghost is sneaking in." Unfortunately the Jim Beam and Pepto slowed his judgment and he gets strangled with a piano wire. May he rest in peace.

    Mitchell
    Joe Don actually has the starring, name-sake role in Mitchell, an impressive feat for the co-stars of the Dollar Video Curator, which is why the best must be saved for last. Mitchell is a soft-bellied cop with a penchant for not letting the "rules" get in the way of solving a case, and this time he is on the busting end of a drug smuggle gone awry. The first time we see Mitchell he is passed out drunk in the back of a black and white. Under arrest? Ah hell no. Just catching a ride to the crime scene.

    Some of the finer points of Mitchell: the slow speed car chase up the Hollywood Hill complete with sweet chase bass, the arguing and yelling at of some kid while on a stakeout, the kicking of an old lady out of her car, followed by that car’s explosion, a chopper dropping a gun down to Mitchell who is involved in a foot chase, followed by a yacht/chopper chase, climaxed by a leap from chopper onto yacht with fist fights, choking, and shootings.

    The pièce de résistance however, is the Joe Don/Linda Evans sex scene. Linda is a prostitute, whom Joe Don first seduces by elegantly spilling beer foam on her knee. The scene consists of three repeating shots: one of them kissing, one of the two of them completely covered by, and struggling under, a sheet, and one of their feet rubbing together. These scenes are then edited by using each clip over and over in varying combinations, interrupted only by Mitchell grabbing a sixer of Schlitz with his big toe. Mid-climax we can only imagine. Then he arrests her for soliciting sex. From him.

    A memorable exchange:
    Linda as Greta: He lays me, then busts me.
    Mitchell: Well, she asked me to.
    Police Clerk: What, lay her or bust her?
    Mitchell: Both!

    An American hero, through and through, we celebrate Joe Don for his commitment to playing the man we all want to see. The man we all want to be. The man buying Jim Beam, Pepto and Schlitz from the corner liquor store as he hitches up his pants, winks at that little girly pumping gas across the street, and then peels out on a wet city street, hurrying home to the prostitute who lay upon his hide-a-bed couch in a den littered with empty beer cans, over flowing ashtrays and abandoned TV dinner boxes.

    He kicks the apartment door in and things really start to heat up. She bolts upright, startled by the sound, and by the mighty smell of sweat-soaked testosterone, a crusty sheet wrapped around her midsection. He sexily smirks as he removes his strangling neck tie and the 15 pounds of weaponry from the small of his back, the holsters beneath his jacket, and at his ankle. A belt buckle is undone, an ottoman tripped over. A dog barks in the distance as he falls upon her alcohol saturated skin……

    Rated XXX, obviously.


    Originally posted on:Dollar Video Curator

  • The Lord of the Dance

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    Under discussion:

    Dirty Dancing  (1987)

    "First dance. First love. The time of your life."

    Dirty Dancing - that quintessentially classic film and required viewing for all pre-teen girls. The film that spawned an unfortunate resurgence of interest in early 60's pop music, and a breadth of bad fashion throw-backs. A coming-of-age film, a thinly veiled sex-instructional. A film about rebellion, and innocence lost...the Curator is drooling.

    On the eve of its 20th anniversary, a rare, private screening has been arranged. So get your Keds on, roll up those cut-offs, and get ready to vastly change over the course of a three week summer vacation. Here comes everything you you’ve ever wanted to know about Dirty Dancing….a 3-Part analysis on the life and growth of Baby.

    Part 1 - Nobody Puts Baby in the Catskills

    We open on a happy scene, a family driving off to a long overdue summer vacation in the Catskills. Innocence is established with cutesy teen “Baby,” hugging dad on the neck from the back seat while “Big Girls Don’t Cry” plays softly in the background. It is apparent our Baby is growing up. She may be still naïve, but she is ripe for discovery.

    The happy family arrives at happy vacation spot, and it turns out dear old dad is best pals with resort owner. The fam’ will be receiving extra special treatment. Oh yeah they will, in BOY form. First thing Baby does is snoop around and eavesdrop. She overhears old man Kellerman encouraging the waiters to show the daughters a good time, “even the dogs.”

    But then….enter Johnny Castle, who tells Robbie the waiter to, “Just put your pickle on everybody's plate college boy and leave the hard stuff to me.” Oh my. Now the Curator can only imagine what he means by this phrase. Perhaps a bit of constructive criticism on his waitering technique? Whatever the case, when Baby sees Johnny and Penny dance the Mambo together later that night, she gets a bit of a funny feeling inside.

    Part 2 - Baby Crawls out of the Playpen

    Kellerman’s is BORING! What’s a girl to do while the folks Foxtrot? I guess I’ll go on a walk…..Huh, Staff Quarters, No Guests….Wonder what could be going on up there….Wowza! What are these kids doing? Sheesh, they’re almost screwing on the floor! Dirty dancing has arrived!

    “Wanna try it?” asks friendly boy-type Billy who also just so happens to be Johnny Castle’s cousin. “Uh-uh,” Baby shakes her head, looking down at the floor. Boys have cooties!

    But Baby soon proves unable to resist that beckoning finger call from Mr. Castle, she is drawn to the dance floor, thus receiving her first instructional from Johnny, a bit of masturbation if you will. Roll this way, Baby, thrust that way, Baby. It all happened so fast, and just when she is beginning to “get it,” it’s over. But there’s no turning back for Baby after that taste.

    Fortunately, Ex-Rockette/Dance Instructor Penny gets herself “into trouble.” Then, Baby learns a cruel lesson, not all boys are honorable! You mean that she’s preggers and the boy KNOWS and won’t HELP! Unheard of! But seeing how this is her chance to Mambo her way into the hot man’s arms, Baby gets Penny some money to “take care of it,” and some free dance lessons. Now she must learn the very dance she saw only days before, courtesy of Johnny “All the Right Moves” Castle.

    While learning all the steps and twirls, Baby is exposed to some light, friendly lesbian play and a quickie threesome, but the true lesson comes only with the lifts. The Lifts!!

    She must run and leap through the air graceful as can be, a soaring eagle, a sexually liberated woman. And it’s all about trust. Johnny tells her, “Now, you'll hurt me if you don't trust me, all right?” Awe, a metaphor for a real, live relationship. Our Baby is growing up. Sniff. But, she fucks up it during the big show. Ooops. Guess Baby still has a few things to learn.

    Part 3 – Baby Learns to Fly

    After the big show Baby gets another harsh lesson from dear old Dad. Turns out she lied to him about what the money she gave Penny was for and now he doesn’t trust her anymore. So she runs to The Swayze for a bit of comfort, and a good old fashioned, wholesome, free-range sausage party. “Do you love me now that I can dance?” Indeed. Post-doin’ it, Johnny suddenly realized he is not on a first name basis with the girl he just boned, and has the class to ask her about it. To which he replies, “Frances. That's a real grown up name.” Good come back, Johnny! But, he is correct. Baby has simultaneously shed her virginity and her ridiculous childhood in one fell stroke, arriving with a short, heel-burning skid into womanhood. Now if only there was a chance to somehow have another dance scene so she could perfect that darn lift….

    But meanwhile, sex can’t solve all her problems. Baby is discovering that the world is not the place she thought it was, that somehow her sheltered existence bedecked in rose-colored glasses didn’t prepare her for the harsh realities of the real world. Huh. When Johnny is accused of stealing wallets, Baby has to own up as his alibi. Strong girl that she is, she announces to the entire resort, “Johnny couldn’t have taken the wallet. I know it. I just know it. Because he was in his room all night. And the reason I know he was in his room all night is that because he was fucking the shit of me.” For some reason Dad reacts badly to this, as does resort owner, and Johnny gets fired.

    Baby/Francis is a broken girl/woman. The world has crumbled around her. Cruel World! The Swayze has driven off into the…driving rain, alone with his thoughts that take on a poignant, musical form(a song deserving of permanent adhesion in the Movie Music Hall of Fame), and Dad is so angry he infamously puts Baby….uh, somewhere out of the way.

    But there may yet be one last chance for Baby to blossom. The Swayze returns, record in hand, and asks Miss Francis Houseman to “Have the Time of Her Life” while strutting her stuff in Mambo form. The audiences’ breath is held….the lift….will she be able to trust Johnny, trust herself, put aside all she knows while embracing the future in all its scariness, and take flight into Womanhood????

    Ladies and Gentleman, Francis has left the building.


    Originally posted on:Dollar Video Curator

  • The Lasting Legacy of GW Bailey: Blood, Sweat, Cursing & Film Security

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    Under discussion:

    Mannequin  (1987)

    Police Academy  (1984)

    Short Circuit  (1986)

    Lieutenant Harris. Captain Felix Maxwell. Skroeder. Anyway you slice him, GW Bailey is the cop/security guard you love to hate. While each of these films deserves a more thorough examination for their many, many merits, the Curator once again takes time to devote a post to an overlooked co-star: GW Bailey, the embodiment of type-casting at its finest. The classic line, "Do you understand me numb-nuts??!!" in the original Police Academy pretty much nailed his career coffin shut, with Bailey preserved inside, permanently costumed in blue. And who benefits from such predictability in the comedy genre? Why we the viewer, of course! Let us celebrate the co-starring career of the first GW.

    The Films: Police Academy, Short Circuit, Mannequin

    Viewing order importance: As above. Watch the depth of GW Bailey’s character study deepen, as his rank progressively dives

    Police Academy (1984) – GW co-stars as Lt. Harris, and is given the unhappy task of weeding out the undesirables of this year's Police Academy recruits. Preferably, those without johnsons, but every other slacker as well (cue evil laughter). Lines such as, "You people are going to hate my guts for the rest of your lives!” immediately set GW up to be the sorry recipient of most cadets’ jokes. Bailey the actor is many things, but proud he ain't. Here he establishes himself as the drinkin' and unthinkin' man's R. Lee Ermey. What sort of match could he be against suave Mahoney, played by ever dashing Steve Guttenberg? Guttenberg, who can come up with such brilliant schemes as "brown shoe polish on the megaphone mouth piece" and “send the ass-kissers to the fake party at the Gay Biker Bar,” and the old “hide a prostitute in a podium to give someone a blow job” gag? But phase Harris, he does not. He's a tough nut to crack, continuously proving he is willing to be at the literal ass end of any joke for our entertainment, by riding a dirt bike head first into a horse's butthole.

    Short Circuit (1986) – As once was not enough punishment, Bailey takes another turn starring opposite Steve Guttenberg. GW first appears right after the Robot Explosion technique extravaganza, unfazed, sour puss and all. The viewer immediately recognizes Skroeder as a potential problem. Big ass security for big ass Nova Labs, he is obviously ALL business and no pleasure, the opposite of Robot Number 5. Indeed, Number 5 is the nemesis of our GW Bailey, though the humiliation here is, deservedly, mostly Guttenberg's.

    GW is simply more of a meany here, and less of a joke receptacle. But hate him we do, for how can anyone other than Satan himself want to deny Number 5 his Scientist given rights of Life, Liberty and Pursuit of Input? Why Skroeder of course, who only desires to blow up the clever Number 5 and get on with his life. "This little fart of a robot is beginning to give me the red ass!!” he threatens. He is after all only trying to do his job. And DOES his job, he do, blowing up what he believes to be Number 5. And what’s the thanks he gets? He gets fired! What a pile of horseshit. But that would explain his next role, having been seemingly demoted to Department Store Securing Guard in…..

    Mannequin (1987) - Andrew McCarthy and Kim Cattrall notwithstanding, GW is again pretty much on his own against the cool kids, though here he is far more of a kiss ass, certainly less of a bad ass, and mostly just much more of a dumb ass. Bailey as Felix is set on the case to destroy both the flourishing love and career of Andrew “Failed Artist” McCarthy, by the awesomely uber-geeky James Spader, at failing department store Prince & Company. Flourishing love story, that is, as demonstrated by a dancing, costume changing montage interrupted by wildly cliché gay man, further interrupted by Felix.

    Mannequin is quite painful to swallow, even for the Curator, who has a film-going stomach coated in Teflon. The most remarkable element of Mannequin is that every single actor in this film seems to be joining GW in creating characters that are the worst parody of the worst role any of them have ever played. And none of them seem to care. Well, far be it from the Curator to judge. At least GW is not alone.

    Conclusion: This 1 star trilogy neatly sums up GW’s career in security, in both private and pubic sectors, in a mostly digestible 4 and ½ hours. But do not let the uniform fool you. Look beyond the tough exterior, and see the man who lay beneath. Know your enemy, as it were. Does he not desire love, affection, and peace on earth as we all do? Let us learn from his lasting legacy, and get your worthless ass to the video store and rent this trilogy! Move it Move it Move it Move it!


    Originally posted on:Dollar Video Curator

  • Humiliating Movie Deaths

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    Under discussion:

    Jurassic Park  (1993)

    Star Wars  (1977)

    Speed  (1994)

    Fargo  (1996)

    The Rock  (1996)

    Armageddon  (1998)

    The Matrix  (1999)

    The power of film. You recognize it when you see it. Or feel it. Quotes that stick with you, or a glistening tear rolling down a beautiful cheek. A soaring score that tugs at your heart strings, or a heroic death, a sacrifice that was made for the good of all humankind.

    Eh.

    What of the overlooked? The filler parts of the film, meant to amuse, move the story’s plot or suspense along, or to act as comic relief? For every poignant film death forever memorialized on the big screen, an extra, a bad guy or some other lesser character has to take one for the team. The yang to the hero’s yin. The black to the white of your starlet’s blank, emotionless eye. Let us look at some of the unfortunate sacrifices that have been made for the good of the plot, and share a moment of silence for these unfortunates.

    Raiders of the Lost Ark - The Egyptian guy with the sword.

    He comes out swinging with the biggest, shiniest, sharpest sword any of you fools have ever seen. Poor guy. For all his bravado and talent all he gets is shot in the gut by an indifferent Indy, and hoards of third world idiots swarm and cheer. While we laugh.

    Jurassic Park - The “professional” hunter Robert Muldoon

    This guy spent the entire film talking about what great hunters the Velociraptors are, and how deadly they are, and how they should never be underestimated, and how they always hunt in packs, and he still gets cocky and eaten. Real “clever” dumb ass.

    Armageddon - The pilots of the “back-up” space shuttle

    These two should have known they were doomed from the second they were cast as the pilots of the back-up space shuttle "Independence." They fly all the way to the deadliest of all meteors on a mission to save the entire world from destruction only to get creamed by some flying debris right as they arrive. Morons.

    The Matrix - The cops in the government building

    Granted, these guys probably didn’t have any idea what was coming, but they just get slaughtered. They figured their metal detector would be enough to protect the building from any extremist wackos, and boy did they get schooled. Nothing sadder than a faceless, surprised extra in a police uniform, fumbling for his weapon, only to get smoked.

    Speed – Hysterical Helen

    This shrieking mess of a woman tearfully tries to escape the ill-fated bus after she was warned not to, tempting Dennis Hopper to show the true meaning of his uncompromising nature, by blowing her up. Everyone else survived the bus, Helen. This was your own fault.

    The Usual Suspects – Fenster

    Benicio del Toro seemingly has received equal billing here, supposedly as important as the four other “suspects,” but when push comes to shove, he’s the first to go. And he doesn’t even merit a death with screen time. Instead, he is conveniently swept under the “Oh that guy? He tried to skip out and was killed” rug.

    The Rock – Rouge Marine trying to steal the deadly nerve gas

    This guy bites it in the first 5 minutes of the film. He’s got to go, and only to show us, the naïve viewer, what happens to someone when this gas is released. He gets locked in a room with no escape and only one window, to be stared at by David Morse as he dies slowly, painfully, and sizzlingly. Sorry dude. Those are the breaks.

    Fargo – The parking lot attendant

    This guy exists solely to get shot by Steve Buscemi leaving the Dayton Hudson parking lot after he was shot in the face. Ouch.

    Star Wars IV: A New Hope - Every single person on the Death Star

    Absolutely classic. The bigger and stronger you get, the more egomaniacal you become. That it would not EVER cross your mind that you are not too powerful to be taken down by a lone rebel is the very height of movie stupidity. A failure of leadership at the highest levels. We’re looking at you, Tarkin. Way to sign the death warrants of all your employees. Wonder how much insurance the Galactic Empire had to pay out on that one.

    For all the sacrificed: a moment of silence. May future non-essential characters, actors and extras learn from their important lessons.


    Originally posted on:Dollar Video Curator

  • Life Sucks

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    Under discussion:

    Waterworld  (1995)

    Ever have one of those days? Wake up grumpy, the whole world seems against you, that time clock ticks slowly by, the world seeming bleaker with every second? Well take heart that your life ain’t so bad. The cliché holds that it could be worse. Why, take for example how shitty your life would be if the planet you lived on was completely covered with water, or if life was so bad on the surface of the planet you had to live underground, near the core of the earth? What if you had a tyrannical authority figure with delusions of grandeur to contend with, constantly talking about how great life will be, if ever on dry land, or actually on the earth's surface, or living in a world free from Saddam Hussein? One that constantly promises a better life, a happy future, only to have your hopes dashed with the grinding reality of day to day existence?

    Next time you have one of those unexplainably shitty days, dust off the old VCR player and your box scratched VHS versions of Waterworld and The Matrix 2.

    Viewing order importance: What do you care? Life sucks either way.

    Waterworld

    The harsh, harsh Waterworld of Kevin Costner consists of roughin' it on a boat in the middle of the never-ending ocean. He's wrinkled, sun burned and drinkin' his own pee. And also growing fruit with his own pee. And then some other dude steals his pee grown fruit.

    Dry land is a myth, and dirt is worth more than gold. It's very dangerous to live in the Waterworld. People are constantly trying to kill each other for reasons unknown. There is also an unexplainable amount of fire on the Waterworld, which doesn't make a lot of sense. Wouldn't it seem the last thing you should have to worry about on the Waterworld is fire? Drowning, sharks, mold, incessantly pruned fingers, yes. Fire? Not so much. And they are all so flippin’ dirty. How can they be so dirty with so much water around? Yes, it's salt water, but one could still wash with it. And everyone has really dry, chapped lips and skanky hair.

    Yes, life does indeed suck on the Waterworld. They scavenge trash and drift around on the water, dying of thirst, boredom and starvation, looking to trade their scavenged trash for other trash. Survival is all there really is to this life, but honestly what is the point? Granted, there are still a couple good looking broads here and there, Jeanne Tripplehorn for one, fair barmaid and schlepper of water.

    Unfortunately for Kev, Jeanne comes saddled with a child, none other than Tina Majorino (Deb, Napoleon Dynamite). Young Deb apparently has a map to the mythical dry land tattooed on her back, so all sort of baddies are out to get her. Now Kev has to protect the kid as well as himself, if he wants to keep one of the only hot women on all the Waterworld.

    And that's pretty much it. Life undoubtedly sucks on the Waterworld.

    The Matrix Reloaded

    A one word explanation of why life sucks: Zion. The people living outside of the Matrix seem to think that Zion is paradise, but they are obviously suffering from a highly delusional state, induced by extreme lack of anything to do, outside of talk about "how great" everything will be "someday" if the "chosen one" ever bothers to "show the *** up already and put an end to those goddamn machines."

    A typical Zionist day:

    6:30 am – Wake up stewing in own sweat, give thanks to Oracle for blessed day.

    6:45 am – Get dressed in handmade, modern, stylish, white Zion fashions.

    7:00 am - Eat highly questionable food stuffs, origination unknown, give thanks to Oracle.

    8:00 am - Join prayer group, give thanks to Oracle for the very existence of Morpheous, without whom, all would be lost.

    9:00 am – Arrive at Zion mainframe control job, clock in, check out, stare at invisible wall for 3 hours, hoping a ship or two requests access.

    12:00 pm – Gather around the “Chosen One’s” place of residence with homemade baked goods. Wait for his arrival. No show.

    1:00 pm – Return to Zion mainframe control job, clock in, check out, stare at invisible wall for 4 more hours, secretly wishing for Machine attack to alleviate boredom.

    5:00 pm – T.O.I.F! Clock out. Catch word of yet another “awesome” cave party, with VIP guest speaker.

    5:30 pm – Arrive home, eat highly questionable food stuffs, origination unknown, give thanks to Oracle.

    6:30 pm - Get dressed in cooler, dirty, earth-tone, torn clothes, presumably remade from centuries old other clothes, left-over from those who were there “from the beginning.”

    6:45 pm – Carefully arrange dreadlocks

    7:00 pm - Join prayer group, give thanks to Oracle for sending the Chosen One, even though the little shit hasn’t really done anything “chosen” yet.

    8:00 pm – Arrive at cave party, stewing in own sweat.

    9:00 pm – Listen to uninspired speech from Morpheous. Wonder who’s buying this bullshit.

    10:00 pm – Sweaty dance party commences, get felt up a lot.

    11:00 pm – Offer good looking person of opposite sex your personal “access code” to your own private “mainframe.” Get turned down.

    12:00 am – Curfew in Zion. Lucky ones return home for hot cave sex to pounding industrial house music mix. Unlucky ones praise Oracle for another day, and bitterly, restlessly, fall asleep, stewing in own sweat.

    Repeat.

    There you have it – 2 situations were your life could be much, much worse than it already is. The only thing certain on the Waterworld or in Zion is death. At least you’ve got taxes too. Don’t you feel better now?


    Originally posted on:Dollar Video Curator

 

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