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The Movie Blog

  • Gives me chills to this day

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    "Hush" is the kind of Buffy episode that you never forget, it was just that great... it gives me chills to this day, it was just that creepy.

    The cameo by KTLA's Sam Rubin was an added bonus.


  • Lions for Lambs brings out political heavywheights

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    Syriana  (2005)

    United 93  (2006)

    Vantage Point  (2008)

    Rendition  (2007)

    Lions for Lambs  (2007)

    No End in Sight  (2007)

    Amy Argetsinger and Roxanne Roberts over at the Washington Post are reporting that the Washington premiere of Lions for Lambs was a veritable who's who of Hollywood and DC insiders.

    In addition to stars Robert Redford, Tom Cruise, and his wife Katie Holmes, DC insiders in attendance included "Dan Snyder, Madeleine Albright, Ted Leonsis, Lynda carter, George Stephanopoulos, David Gregory and a bunch of congressfolk..."

    events I'm very much looking forward to "Lions for Lambs" and am intrigued by the way Hollywood is interfacing with (and portraying) a post-9/11 world.  For many years following the attacks, references to 9/11 or to terrorism were simply not allowed and did not appear in mainstream US cinema.  The past couple of years (particularly since the release of World Trade Center and United 93) have seen a growing interest in film that is critical of US foreign policy in the Middle East, and the war on terrorism.  My theory on this, and please tell me what you think, is that, WTC and United 93 provided the cinematic closure (the type of catharsis that is inherent in the moviegoing experience) that the American people needed before we could move beyond (but never forget) those events.  In a way, reliving the tragedy restored the ability to question the decisions made in response to it.

    Recent films that touch on the post-9/11world relative to US foreign policy include Syriana, The Kingdom, No End In Sight, and Vantage Point.


  • All politics is local

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    Anytown, USA  (2005)

    Anytown, USA tells the story of a particularly heated mayoral race in the small town of Bogota, New Jersey.  Director Kristian Fraga captures the essence of small town life in Bogota extremely well, using the camera angles and film score to make viewers invested in the election.  The use of footage from local news broadcasts and newspaper headlines moves the film through developments in the race, and also work to make the viewer feel at home in Bogota.

    As a student of political science -- and particularly as one who is fascinated by campaigns and elections -- "Anytown USA" offered a great example of just how important (and how contentious) local politics can be.  In many ways, the issues facing Bogota are issues universally facing towns big and small across America (hence the film's title).  Whether to make athletic funding a priority and fire teachers, or regionalize and lose municipal control are issues that many localities have to deal with.  The perceived corruption of the "establishment" candidate and the hope offered by the young, fresh-faced write-in candidate is similarly a universal phenomenon in politics.  In this way, when I think of Bogota and the apparency of elevated levels of political involvement by local citizens, I think of Iowa, the site of the first presidential nominating contests (and the destination of many of my weekend roadtrips for school).

    I'm not going to turn this review into a dissertation on US electoral politics, but I will say that "Anytown, USA" reminds me why I love politics.  It teaches the power of people, of organizing, of ideas, and of change.  But "Anytown, USA" also reminds us that change is hard, and failure is a part of life.  The film just happens to do it in such a way that made me laugh, made me mad, made me cry.


  • Connected

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    LOL  (2006)

    LOL made me take a critical look at myself and the way I use technology in my everday life.  My friend Paula refuses to get a Blackberry/Treo even though she would definitely benefit from one.  It wasn't until I watched LOL that I understood why.  I saw myself in Tim, Chris, and Alex and recognized the silent frustration expressed by my friends when I'm constantly checking my email or texting someone.  Paula said she didn't like the idea of constantly being available to the outside world via email or SMS.  She had the freedom to turn her cell off, screen calls, or simply say she hadn't checked her email - with a Blackberry this would be almost impossible.  Are we more connected because of this technology?  Not quite.  I may be able to respond to an email from a coworker, but its at the expense of a conversation I'm having with a friend.

    The film is complemented by a series videoheads performance peices Although I constantly responded email during the movie (and at several points paused it to take a phone call) I can't help but think that LOL is going to have a profound impact on the way I construct my social interactions with others. 

    Personal - read: intimate - relationships are counfounded by technology and LOL addresses this issue in a roundabout way.  I think that technology can bring people together and build community on multiple levels, but it also gives people the ability to make complete assholes of themselves and the male leads in the film seem to do a very good job of the latter.  If the film does one thing extremely well it was capturing those unnoticed moments in our every day lives where we allow technology to negatively affect our personal relationships (such as talking on a cell phone and ignoring a passenger in the car or interrupting an IRL conversation to send a text).


 

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