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LeonBlank Blog

  • Expository-Ernie and the First World War in studio

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    Merry Christmas  (2005)

    Ever since I heard about the story of this film - which actually happened quite much before I heard that they were making a film about it as well - I've been thrilled. As an aggressive anti-war person - at least in my mind - I'm easilly pleased by pacifistic war films.

    Joyeux Noel was badly written, dotted with unnecessary expositions and weak dialog, and shot in studio environment that resembled nothing more than a studio built to look like the 1914's war field in christmas. These problems never bothered so much that I would've actually be annoyed, but lurked in the background for the first half so strongly it was hard to get immersed by the story and characters.

    However, once that happens - propably it depends on the person and time varie - you can't not love the story. Once you accept that this is a film with it's own problems, and just look at the spirit and the good heart the film has been crafted with, it becomes a really beautiful christmas story that reminds you on the very fact that there's nothing as useless, stupid and pointless activity in the world than war, and in most cases, it's not that people hate each others, they are just forced to hate.

    This films leaves a nice warm feeling and a grin on your face. 


  • Sentimental War Epic

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    Clint Eastwood is much a better director than one would like to accept, but he tends to direct pretty dull films. It might be me, but none of the Eastwood-films are too enlighting experiences, although beautiful and usually well-done in and out. Flags of our Fathers is no expection.

     

    Clint uses always a great cast and crew to produce his vision a super-high quality. He's not a master of big surprises, but he knows well how to tell a astory. Flags of our Fathers tells a story about the guys who raised the legendary flag in Iwo Jima, after a glorious fight - or at least most of them did. It's a story of heroes, and the dilemma of heroes - are there heroes, and if so, what makes a person a hero.

     

    Flags has some wonderful scenes, but it suffers this time from pretty lousy acting on few fronts, as well as pretty dull story. All the mise-en-scene, props and sets are wonderful and beautifully shot, but the only interesting person in the film - an Indian alcoholic soldier, played by Adam Beach, is sloppishly acted and although he would be the key to the moral of the story, viewer doesn't care enough to get inside his head.

     

    Other than that, the film has little to complain, just wish it would've been more interesting and a bit more outrageous.  


  • Wonderfully crafted film that suffers from over-economization

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    Perfume is a wonderful example of a film, where every part is almost perfect. The director Tom Tykwer has a very good grip on the story and the characters, and all the actors are doing their job as good as one could ever ask for. Camera, lights... everything is in it's place. Even the script works, but the problem comes also from the fact that the script has been economized a little too much. By economy I mean the thing you have to do to fit a 300-page novel to a 2-hour script. Tykwer did the right thing when he decided to take the time to build the story up, and slide every element slowly and beautifully to it's place. This meant that the latter part of the film had elements that suffered because of the suddenly much faster pace that had to be taken to get everything together. But that wasn't a big flaw, you really could enjoy the whole package pretty well. Visually, the film was outstanding, although some of the CGI scenes didn't quite fit to the overall look and feel. What I admired about the direction and the actors and the camera as well was the constant beautiful physical motion everything was all the time - characters leaning on a sofa, walking on the street, agile camera moving poetically through the scenes. Wonderful.

    To sum it up, The Perfume was a good film. 


  • The clash of cultures

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    Merry Christmas Mr. Lawrence is in many ways - also as a concept - very strong commentary about the clash of cultures. Directed by a Japanese director, but shown from a British perspective, and starring by two of both world's biggest music stars, the setup itself is intriguing. This film is shot in a nice and slow pace, beautiful scenes and well acted, and gives a very good and important view on the war: nobody is ever right.

  • Anothe great movie from Miyazaki, the master of alternative aviation!

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    I really love Hayao Miyazaki's works. His slow pace, beautiful colours and small details accompanied by a beautiful fantastic realism -stories bring the same experience of wonder to both kids and adults. In a time where rarely no films can bring on the true wonder of storytelling, Miyazaki always succeeds!

    Kiki's Delivery Service is no expection. it tells a story about a girl in her pre-teens, a witch apprentice, who moves away from his parents to a big city. Besides being a story about a girl, it also talks about deeper themes of change and becoming an adult.

    Like Totoro and other wonderful works by Miyazaki, Kiki's Delivery Service gives a feeling of excitement, warmth and love, as well as a hint of the scary world outside his stories. Although Kiki is a pretty long film, at least for an animation, and the story gets a bit slow in the last quarter for some time, the film is a complete work of a filmmaker this world will miss once he's gone. 


  • Angel Heart had potential...

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    Angel Heart  (1987)

    ...but time had been a victoreous enemy. A bit of naivistic detective-story in a voodoo/satanism -ridden world, where stupidly-named Harry Angel (Mickey Rourke) meets a a set of just-as-stupidly named villians and friends, finds himself tangled in a web of mysteries and tries to find out what has happened to Johnny Favourite, a wartime singer now gone missing for 12 years.

    Angel Heart is a film made in the 80's, with all it's goodies and bad things. Director, Alan Parker, has propably been watching a lot of Blue Velvet and films of that type to create a haunting atmosphere, which propably was scaryish back in the days, but today all the tricks have been seen million + 1 times, it's not really doing anything but putting the viewer on a nostalgy trainride.

    There's nothing badly wrong about Angel Heart, only the fact that it's a victim of it's own time. But then again, actors are great, director knows what he is doing and the story works, so no reason one shouldn't love this film as well.


 

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