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leeroy711 Blog

  • Wes Anderson is to Movies as Guinness is to beer

    2 out of 2 people found this review helpful. [What do you think?]
    Under discussion:

    Rushmore  (1998)

    I'm sure this could be said of quite a few good film makers. But I really feel strongly that his films are an aquired taste. I really didn't care for Rushmore until the third time I watched it. The Royal Tenenbaums and Life Aquatic were both much better to me the second time around. Finally, with his latest, The Darjeering Limited, I loved it the first time around. I would have to say this is his best film to date. The colorful images, the camera movement and slow-mo scenes were stunning and the on-screen chemestry between the major players was a joy to watch.


  • First Criterion Purchase

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    Under discussion:

    Withnail & I  (1987)

    Army of Shadows  (1969)

    So, finally after discovering these films for the past couple years via Netflix, I've stopped procrastinating and decided to start my very own Criterion collection.

    I wasn't sure which ones to start with. I thought that maybe I would just pick a director like Kurosawa or Fellini and just start getting all of their films. But I try to avoid watching the same director or genre in groups like that because I tend to get burned out on them and I probably wouldn't get as much out of them. My next thought was to just buy them by the spine number, starting with #1 (Grand Illusion) and so on. Or to try to collect a group of spines first (1-50 then 51-100) but that didn't seem like much fun.

    One thing I was sure of was that I want to collect movies I haven't yet seen, at least at first. If I am spending my hard earned cash on this film, I should try to get the most out of it. Seeing a film for the first time seemed like the best way to do that.

    Ultimately I made my selections based on a combination of good looking cover art and an intrigueing synopsis. And here's what I ended up with:

    Army of Shadows and Withnail & I

     

    I'll probably try to add a new title every week or so. I'm open to suggestions from anyone.


  • You're Gonna Miss Me review

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    Under discussion:

    Manda Bala  (2007)

     

    You're Gonna Miss Me (2005)

    *** 1/2 stars out of 5

     

    Directed by: Keven McAlester

    Starring: Roky Erickson

    Running Time: 94 minutes

    Rated: NR

    Released: 2005

    Language: English

     

    Synopsis:

     

    You’re Gonna Miss Me is a documentary that profiles the career and subsequent mental condition of Roky Erickson, lead singer for the influential sixties band, 13th Floor Elevators.  Roky started his career at the top, gaining almost instantaneous fame with his band. He had a great rock and roll voice that is said to have inspired the stage presence of Janis Joplin.

     

    With interviews from ZZ Top’s Billy Gibbons, Sonic Youth’s Thurston Moore, and Angry Samoans’ Metal Mike Saunders telling the professional side of the story and Roky’s five brothers, mother and two ex-wives telling the about his home life. You’re Gonna Miss Me is much more of a story of schizophrenia it’s debilitating effects on those who suffer from it than that of the lead singer from a psychedelic rock band.

     

    Review:

               

    I held on to this one for a while before I actually stuck it in and watched it. For some reason, the topic at hand and what I had read about it from the back of the case and other reviewers just didn’t seem to grab me. I was really expecting much more of a “Where are they now?” rock-doc, (VH1 style) than what it actually turned out to be. I was never really interested in the psychedelic rock scene and much less in the music that it produced. I would typically rather hear a hip-hop remix of Jefferson Starship than actually listen to the original track. But, I digress, it is kind of interesting to take a healthy dose of culture that my parents were into when they were my age.

     

    Roky’s life was actually quite tragic. He was the eldest of five boys born to an eccentric mother and emotionally absent father. He went from the severely broken home to the sixties music scene which was filled with booze, acid trips and heroin syringes. Roky dove in head first, slowly and steadily acquiring paranoid delusions and very unmanageable schizophrenia.

     

    It’s really hard to tell from this movie which aspect of his life contributed more to his illness. His home life was obviously a recipe for disaster, his drug abuse definitely permanently fried his brain, and his retirement was spent with the same neurotic and paranoid mother that had probably screwed him up in the first place.

     

    All of this is staged in the background of a bitter family feud being fought in court. His mother doesn’t seem to believe he should be on any medication and his brother, Sumner is petitioning for the control over his trust so he can get him back on his medicine and attempt to stabilize his ever fragile mind. It is pretty obvious in this film that his mother’s methods of helping her son with yoga and “good, healthy living” are not doing the trick.

     

    The largest obstacle this film had to overcome was in attempting to tell Roky’s story through Roky’s point of view. Although I don’t think it completely succeeded, I am not sure how it could have been done, considering his state of mind. I will say that the film may have been better if we could have heard from Roky directly a bit more. The time he spent in front of the camera was very limited.

     

    Ultimately, a documentary’s success is based mostly on how interesting the topic is. Much like in the case of Manda Bala, this one succeeds for one major reason: It took a topic that I knew little about and made me interested in it. I think that’s all I really care to ask of a doc. Give me something to think about.


  • Calvaire review

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    Under discussion:

    Deliverance  (1972)

    Wrong Turn  (2003)

    Calvaire  (2005)

     

    Calvaire (2004)

    **  stars out of 5

     

    Directed by: Fabrice du Welz

    Starring: Laurent Lucas, Jackie Berroyer and Philippe Nahon

    Running Time: 94 minutes

    Rated: R

    Released: 2004

    Language: French with English subtitles

     

    Synopsis:

                Marc Stevens (Lucas) is a traveling entertainer on his way to his next gig in southern France. It’s just a few days before Christmas and he finds himself stranded with a broke-down van in the remote, dark wooded Hautes Fagnes region of Liège. Begrudgingly, he has to stay in the only lodging available for miles and miles. There he meets the old innkeeper, Bartel (Berroyer), an old lonely man who confides in Marc about the wife that left him and the sad life of solitude he now leads.

     

    Very soon, Marc realizes that he has stumbled into a nightmare from which he may never wake. Bartel’s hospitality becomes less endearing and more and more psychotic by the hour.

     

    Review:

                I don’t think I can fully express how utterly disappointed I was with this movie. There were certain aspects of it that gave it such a great potential that I think it actually made an even worse impression on me than if it had been awful throughout.  

     

    The concept of this film is quite scary. There are no fictitious monsters or demons roaming about the woods, just a bunch of scary, lonely, cult like, livestock-sodomizing, backwoods French rednecks. This film flows in the same vein as Deliverance and Wrong Turn in that: someone gets lost and the wrong people found them. I can’t think of a much more frightening venture than that.

     

    There were also a lot of really cool looking, stylish shots that gave this film a feel that was probably the only real reason I actually kept watching it. One of the more intense scenes was shot from a long overhead view that was pretty neat. It gave the viewer a more complete picture of the multiple things happening all at once.

     

    Unfortunately, this movie fell short in such an important area that it left me completely disgusted. The main character, Marc was for all intents and purposes, completely unlikable and unidentifiable.  At certain points in this movie, I found that I disliked him so much that I think I started cheering for the other side. You find yourself waiting throughout the entire 94 minutes for to grow a set and get Burt Reynolds on these freaks. Instead, he spends almost the entire second half of this movie crying and waiting for someone to save him

     

    This film did a good job of filling itself with moments that make you feel uncomfortable watching it. I don’t necessarily have a problem with that, as long as you give me something in return. I know that I can sometimes sound like a bit of a broken record when it comes to this. But, if you can’t empathize with the character that you are spending the majority of this film with, the film is a failure.


  • Reorganizing my collection

    1 out of 1 people found this review helpful. [What do you think?]

    I had some help from my nephew, Jonathan


  • Leeroy's 5 queue picks for June '08

    1 out of 1 people found this review helpful. [What do you think?]
    Under discussion:

    Falling Down  (1993)

    Jaws  (1988)

    Stolen Summer  (2002)

     

    These may not be the greatest titles of all time, but they're the right movies for right now

    The summer is starting, vacations are being planned, station wagons are being packed but all you can think of is sitting down in your favorite chair and zoning out in front of the tube. These are for you.

    1. Falling Down (1993) – Some people remember Joel Schumacher as the director that tried to ruin the Batman movies, some remember him much loved generation X classic, The Lost Boys. I choose to think of him as the director of this gem of an action/drama/dark comedy. This movie is perfect for the beginning of summer because one of the most memorable images is that of Michael Douglas’ sweat beaten body stuck in traffic with no air conditioning.  

     

    1. Intolerable Cruelty (2003) – I think of Fargo and No Country for Old Men as the Oktoberfest special batch from the Coen brothers’ brewery. This movie would be slightly diluted microbrew. It may not  have as much flavor, but you know it’s from the same brewery. And in the middle of a hot summer, you may actually prefer a “less filling” blend of Ethan and Joel.

     

    1. Jaws (1975) – This is definitely not my favorite Spielberg film. Most days I would rather sit through Empire of the Sun, Schindler’s list or Munich. But for obvious reasons, everyone should watch this one right before their trip to the beach.

     

    1. Stolen Summer (2002) – This film is the first product of the Project Greenlight venture and it received mixed reviews. It is a bit more heavy on the emotional spectrum than the rest of my June picks but it begins in the summer and I liked it. It’s my list and I can do what I want with it.

     

    1.  Gidget Goes To Hawaii (1961) – Why not?

     


 

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