Movie news on your iPhone today!
Advertisement
Sign in
Username   Password         Forgot password?
Wanna join? Sign up
Find movies you'll love

lbenschwartz Blog

  • 1982: The Greatest Summer of Them All

    Was this review helpful? [Be the first to tell us!]

    Summer movie seasons come and go, but there was something the summer of 1982 ranks amongst the greatest. What made 1982 so special?  Well, while your standing in line, waiting for the third recycling Spiderman, Shrek, Pirates or Oceans, think about what you could have been going to your, most likely newly opened, suburban Cineplex. These were the movies of 1982:

    May 14: Conan the Barbarian
    May 21: Road Warrior
    May 28: Rocky 3
    June 4: Poltergeist and/or Star Trek: The Wrath of Khan
    June 11: E.T.
    June 25: Blade Runner and/or The Thing
    July 9: Tron
    July 23: The World According to Garp
    July 30: Last American Virgin and/or Night Shift
    August 13: Fast Times at Ridgemont High and/or Officer and a Gentleman

    Not only did some of the most memorable movies of the 80s meet the public, but this four month period in 1982 set the tone for what Hollywood proceeded to make for the remainder of the decade and beyond.

    For one, consider the talent introduced here, and what they would go on to accomplish beyond 1982. This summer represents major milestones in the careers of the three big action movie stars of the 80s: Arnold Schwarzenegger, Sylvester Stallone and Mel Gibson.

    Conan introduced the world to Arnold the star, and so heralded the beginning of the muscle bound action hero era. Stallone was certainly a top star at this point, but his career had hit a valley after two disappointments, Victory and Nighthawks. Rocky 3 brought him back to his most beloved character; at least his most beloved until five months later when First Blood premiered in October, 1982. Gibson had been toiling in small Australian movies and television series since he premiered as Mad Max in 1979. But The Road Warrior announced him as a major Hollywood action movie star.

    But outside the action genre, the summer of 1982 also introduced us to Ron Howard the director (Night Shift), Sean Penn (Fast Times), a mature Robin Williams (Garp), Spielberg’s most successful creation (E.T.), and a largely ignored concert documentary, The Secret Policemen’s Other Ball, produced by two brothers of the name Weinstein.

    If the movies are really a reflection of us, then 1982 depicts the major cultural shifts that were occurring during the first two years of the 80s. The figure of a single, powerful male taking on the world with bullets and gun smoke was an image the newly elected President Regan tried to project – in part as an answer to the decidedly girly manish Jimmy Carter. The attempted assassinations of President Regan, as well as the Pope and Anwar Sadat, combined with a sluggish economy and the ever-present threat of the Russians, created an appetite for heros that Schwarzenegger and Stallone rode throughout the 80s. Mad Max gave the public a hero against the backdrop of the age’s great anxiety – the threat of nuclear war and the destruction of civilization to follow.

    Technology took great leaps in the early 80s with the introduction of IBM’s first personal computer, the first portable computer, the craze of video games, and on the space front, the launch of the first space shuttle. Tron was one of the first Hollywood pictures to capatilize on the public’s appetite for computers and video games. The androids in Blade Runner infiltrate a world threatened by a gluttony of technology, and the trusted family television becomes a child abductor in Poltergeist.

    In John Carpenter’s The Thing, the threat comes from space, but its an unseen threat that come inhabit anyone at any time.  The combination of technology and paranoia is a thread that runs deeply through the summer of 1982. Of course, less ambiguous are what faces Captain Kirk in a sci-fi arms race with one Kahn, in the Star Trek sequel that proved once and for all blockbusters could be made from on TV shows (the first one was a commercial and critical disappointment).

    The American family was facing divorce ratings approaching 50 percent, and family turmoil becomes a major theme of the times. E.T. finds a young boy seeking to fix his broken family with the help of a visitor from another planet. Again in Poltergeist, supernatural forces to destroy the seemingly happy nucular family. And in Fast Times and Last American Virgin, parental influence all but disappears as teenagers make their own rules in the suburbs, a land conquered by children while mom and dad vacate to the city for their double paycheck jobs.  

  • Summer of 86: A Tribute

    Was this review helpful? [Be the first to tell us!]
    Under discussion:

    Aliens  (1986)

    Cobra  (1986)

    Manhunter  (1986)

    Raw Deal  (1986)

    Running Scared  (1986)

    Top Gun  (1986)

    What’s the date? May 18th. The summer blockbuster season must be upon us. As an avid moviegoer from the age of 5, I have almost a biohoroscopic feel in my well worn behind that tells me I should be sitting in a movie theater seat, shoving popcorn and cherry coke into my face. Each year, that rush of anticipation and ultimate disappointment rushes through me like the sun rays telling my body to start perspiring like a pig. But, having just been the least useful partner in the birth of a child, I know that those trips to the multiplex will be fleeting this season. Already weeks into this, and I’ve yet to see Spiderman 3 and Shrek 3 – although I hear I’m not missing much.

    In my contemplative state I turn to the one summer, where that pang of excitment that comes every May first started. I’m talking about the summer of 1986. If summer means anything, it means action, and 1986 delivered more action frame by frame than any other summer before or since. Taken individually, some of these movies may not like much, but imagine a summer in which each week brought the pain and the pyrotechnics in unrelenting car cash after punishing exploding building.

    May 16, 1986 brought Top Gun. Honestly, I didn’t even want to see Top Gun when it first came out. Tom Cruise was that guy only girls liked. He definitely didn’t carry a machine gun, and if he told you ‘he’d be back,’ you’d likely just look confused. Also, the only gun fire came from jet planes – not a single revenge-minded, muscle-bound action star. This made the action seem somehow ephemeral and less hair raising. But I stood corrected. The moment the jets launch from the carrier, and Kenny Loggins sings Danger Zone, I had to give it up for captain hairdo - this rocked.

    May 23rd brought Cobra. Like Raw Deal, which came a few weeks later, Cobra was a major crossroads for the box office powerhouse that once was Sylvester Stallone. For Stallone, Cobra marked the beginning of the end of a ride that included Rambo and Rocky IV, both released within that year. It wasn’t the career suicide that was his arm wrestling opus From the Top, but Cobra just didn’t quite live up to expectations. That was then, of course, now it’s the finest movie featuring a dude named Marion, a co-starring role by Brigitte Nielsen, and a villain named “Supermarket Killer.”

    Raw Deal, on the other hand, was the beginning of the beginning for Schwarzenegger. This was before he rediscovered his niche in the sci-fi/action realm with Predator, The Running Man, Total Recall, and Terminator 2. It’s a basic, low-grade mob action movie, and it feels something Chuck Norris may have passed up. He was riding high after Code of Silence after all. It’s the least memorable movie I’m bringing up here, but any Schwarzenegger movie of this era is hard not to bring up when talking about 80s action movies.

    Later in June, on the 27th, Running Scared was released. I happen to hold the controversial view that this Billy Crystal/Gregory Hines vehicle is a better action cop/high concept comedy than Beverly Hills Cop. It’s grittier, has better one-liners, and definitely has better action. The subway car cash and the final lobby shoot-out blow away anything in BHC. And although its one of Crystal’s least forced and funniest movies, Gregory Hines outperforms him in every scene.

    Next, on July 2, came Big Trouble in Little China, which was, in a way, the Grindhouse of its day. This Great mix of chop socky exploitation and parody features one of Kurt Russell’s signature roles. Poor guy has never had much luck away from John Carpenter. To this day, its pure entertainment.

    Which brings me to the coup-de-gras of the summer of 1986-Aliens. John Cameron’s masterpiece of sci-fi and action was a watershed moment of 80’s action, setting the stage for a rush of great sci-fi action to come in the years ahead. But, stick with the original theatrical version. Much like the directors cut of Terminator 2, the extra scenes do nothing but throw the momentum of the action completely off. Aliens proved that you could introduced complex psychology and drama into an action movie. Concepts are difficult to weave into adrenaline based action, and if done poorly, and throw everything out of whack – See The Hulk.

    Finally, the summer of action ends on August 15, 1986 with the release of Manhunter. This is the only movie I didn’t see in the theater that summer, but it bears mention, just cause any season that contains a movie of this one’s brillance bears mention. The original Hannibal Lector, almost as good as Anthony Hopkins in Silence of the Lambs, far and away better than Anthony Hopkins in all the Silence of the Lambs sequels.

    So there it is, the summer of 1986. I kept this action movie-based, but I’ll just mention that this summer also included Ferris Bueller’s Day Off and Back to School.

 

Like what you're reading?

Subscribe
Search
  Go

Browse previous
<December 2009>
SunMonTueWedThuFriSat
293012345
6789101112
13141516171819
20212223242526
272829303112
3456789

Dig through the archives

Categories
 


Advertisement