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  • Not what I expected

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    Fast Food Nation  (2006)

    I really expected to like Fast Food Nation, and to get all worked up about the issues presented. I loved Super Size Me, and can go on and on (with a bit of encouragement) about the many negative effects of our fast food culture. But this film puzzled me while I was watching it, and left me with no take away.

    The puzzling aspects mostly came from a lack of fluidity and connectiveness in the movie. I kept expecting everything to come together in a more meaningful and natural way, but the various narratives and characters felt disjointed to the end. It seemed so contrived. There were also some characters and plot developments that didn't seem to serve a purpose at all (even though I had faith and kept expecting it all to make sense). Meaningless developments were belabored, while moments that could have been developed into something significant were skimmed over.

    Which brings me to the lack of take-away messages. Sure, meat processing plants are disgusting. Sure, thinking about what goes on in them makes you think twice about biting into your next burger. But none of this is enlightening. The film doesn't drive home the fact that it's our American desire to get lots of food for almost nothing that creates the problem in the meat industry. It doesn't make you question what's more important, and what are we willing to sacrifice. It didn't touch on problemmatic government regulations (even when the system is at its best, what the government says is okay really isn't okay!). And the movie doesn't give hope or inspiration when it comes to changing any of this. Some people will say raising awareness of the situation is the first step, but this movie could have done so much more.


  • Chaos is worse than gore

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    Children of Men  (2006)

    That's what watching this film made me realize: That complete, relentless chaos is much more terrifying than blood and death. Children of Men shows in frightening detail what utter despair looks like--what happens when people lose all hope, when they've forgotten what it's like to unexpectedly be struck by joy. And I hate to say this, but Jason and I thought the film portrayed more accurately than anything we've seen what the future will probably look like. Not cold and technical and sterile, but an utter return to human nature, almost a reflection of the early ages and a fight-or-flight mentality. Truly frightening.

    Aside from that bleak assessment, this film is an amazing work of art, both in its conception and the execution. I don't know how Cuaron did it. The only reason I didn't give it a "loved it" rating, I think, is because I had a difficult time connecting with any of the characters. The acting was good. Maybe Cuaron didn't develop the characters very much in favor of creating the film's amazing "big picture" effects and emotions. Or maybe I kept myself at a distance, not allowing myself to enter the story because it was too stressful and unimaginable for me.


 

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