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Rebellious Celluloid

  • England expects, and England gets...

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    This is England  (2007)

    A gem!

    This Is England is director Shane Meadows semi- autobiographical exposé of skinhead culture and life growing up in Thatcher's council estate Britain.

    My anticipation for this film was immeasurable, to the extent that I had to visit my local cinema and beg that they showed the film. My begging eventually paid off and I got exactly what I expected.

    Like Meadows previous releases this is a perfect mix of social commentary and biting humour. He handles the difficult subject matter here with masterful skill showing that the skinhead culture was not built on racial hatred but in fact the opposite. It was built on the back of the Jamaican ska movement. The original 60's skins shaving their heads to look more like their Jamaican co-workers, and inheriting their musical tastes.

    This Is England is not all about being a skin. It's about Sean's loss of innocence, his struggle to accept and understand the death of his father, and the cruel world surrounding him.

    As far as I know Thomas Turgoose (Sean) has never acted before. And this for my money is quite possibly the best debut performance from a child actor I've ever seen.

    Meadows is the man...


  • A lot less interesting than it's subject

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    Although Gretchen Mol puts in a pretty decent and believable performance in the title role, the film itself is a drab and unsatisfying portrait of a life that could definitely not be accused of being either.


  • Provocative drama

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    Notes is a provoking story of loneliness and how easy it would be for an intellectual mind to corner itself into a life of delusion and loneliness. Dench and Blanchett's intensity and combined brilliance shine through in what otherwise could have been another weak adaptation of a good novel.


  • a cult smash in the making

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    With ‘Brothers Of The Head’, Lost In La Mancha film makers Keith Fulton and Louis Pepe take a side-step from documentary to mockumentary. And with this small step they inject a maturity into the genre I struggle to recall having seen before.

    Brothers of the Head is the story of conjoined twins Tom and Barry Howe; a freak show who are plucked from obscurity, and groomed by rock royalty into a pre-punk phenomenon. Joined at the stomach, Tom is able to use both his arms and is trained as the lead guitarist; Barry, forced by anatomy to live his life peering over his brother’s left shoulder, is the lead vocalist.

    Don’t get me wrong, this film does have many a laugh out loud moment, the bands first meeting with groupie turned journalist ‘Laura Ashworth’ being particularly memorable (see trailer below). However, the film is encapsulated in a much darker theme – Our impulse to celebrate the weird and extraordinary, and our compulsion to own it, de-mystify it, and ultimately destroy it when the appeal begins to wear off. Kinda like the modern day music press and their ‘build a band up to knock ‘em down’ attitude. It’s not exclusive to siamese twin rockers.

    The lyrics to Dinosaur Jr’s ‘Freak Scene’ remind me of the twins predicament.

    “Seen enough to eye you But Ive seen to much to try you Its always weirdness while you Dig it much too much to fry you The weirdness flows between us Anyone can tell to see us Freak scene just cant believe us Why cant it just be cool and free us?”

    The film-makers capture the music and spirit of the times perfectly. On the odd occasion when ‘Bang Bang’ were on stage it felt like I was actually there. I wouldn’t be surprised to see them touring for real if Brothers In The Head bags the cult status I believe it deserves.

    The Treadaway brothers as Tom and Barry are a revelation, it’s hard to imagine a tougher ask for two actors so young to their trade, but they pull it off with ease. Some of the supporting characters lack depth, main culprits being the rest of the band, but there’s a cool cameo from Ken Russell that’s worth it’s weight in gold. B.O.T.H. does have its quota of cliche but tell me what rock topical film doesn’t?

    Brothers Of The Head, I’m sure Is a cult smash in the making. I expected nothing going in and came out with an experience that would compete for a place on my all-time favourite films list. If I happened to have one.

    See it! Buy it! don’t deny it!


  • Better than I expected

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    Bobby  (2006)

    At 12.15am on 5 June 1968, as Robert F. Kennedy was making his way from the ballroom of the Ambassador Hotel in Los Angeles to give a press conference after winning the California Primary, he was shot and fatally wounded.

    With 'Bobby' actor/director Emilio Estevez chooses not to focus so much on the man himself, and instead points his camera on the people who unwittingly found themselves caught up in one of the most important and tragic events in modern American history.

    Now, I'm a fan of biopics however they may be played. For the first act of Bobby I found myself wishing I had been watching a straight biopic of the man Bobby Kennedy. I was sceptical about how Estevez was going to tie the multitude of characters and their stories together. The turning point and integral message for me is the scene with Laurence Fishburne where he talks of King Arthur - a once and future king. If RFK was once that, then who is the modern day equivalent?

    From here on the film finds its feet. Estevez weaves his stories together with intricate skill. I was quite simply blown away. He surpassed my expectations. The ensemble all gave inspired performances, most notably the female contingent. I didn't even recognise Sharon Stone until the credits rolled. Ironically the only storyline that felt out of place and surplus to the film was the story shared between Emilio himself and Demi Moore.

    Bobby's had a lot of criticism from the film press, most of it undeserved in my opinion. I agree, it's not good to mess with history, and I usually do prefer it if a film remains historically correct. However, Estevez didn't set out to make an RFK biopic. Bobby is about universal love and respecting your neighbour. These are issues that run much deeper than the words and actions of one man. And that is why I believe this film works.


  • Spaghetti headtrip

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    El Topo  (1970)

    I left my sofa having experienced the most surreal filmic experience of my life. I thought 'Tommy' was strange until I saw El Topo.

    A lone gunman wanders through the desert with only his son for company. He is on a quest to find the four greatest Zen master gunmen of the West. After one duel takes its toll the gunslinger is left for dead. He is saved by a group of misfits who live underground. He resides inside this cavernous tomb for many years as he learns the meaning of peace. Digging a tunnel from his underground prison, he leads the subterranean dwellers on a bid for a new life but soon realises that violence is the only way for him to find a truly peaceful existence.

    El Topo can be best described as a psychedelic head trip western. It's modelled on the spaghetti westerns of the late sixties, but that does not mean you should expect a Leone clone.

    Four thousand buckets of fake blood were used during this film, its imagery is steeped in the occult, sufism and the bible. The desert scenes very much reminiscent of Salvador Dali's artwork.

    Its director 'Alexandra Jodorowsky's' mind is not one I felt at ease attempting to get inside, but I'll go as far to say that Jodorowsky (El Topo) is resemblant of Christ on a blood bathed mission to resurrection. Weird, but engrossing enough to make me watch again.


 

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